Second, diversity and unity. The biggest feature of Zhao Ti's regular script is that it contains elements of running script, and its brushwork is changeable, taking characters as shapes, without deliberate arrangement, and it has a very harmonious and unified relationship in diversity and changeability. It gives people the feeling that there is movement in silence and affection in words. A calligraphy work is first infected with its overall effect, which is composed of countless parts. Therefore, when arranging the composition, we should not ignore the details of each word, such as the shape, length, change, and sense of rhythm, which need careful consideration and careful design. Only after a long period of unremitting tempering can we handle the composition freely, presenting a design beauty that seems to have no design, and reaching a higher level of calligraphy art factory.
The rules of regular script are not complicated, and the main forms are nave, couplets, banners, horizontal accounts and sectors. In the arrangement of regular script, the word spacing and line spacing are basically the same, but some line spacing is greater than the word spacing; They are all written vertically from right to left, and those with fewer words are still written from right to left; Modern Chinese is written horizontally from left to right. This method can also be used under special needs, but it is better to write vertically from right to left.
Question 2: The characteristic of regular script is that those three-point regular scripts are also called official books, or real books. Its characteristics are: square shape, straight strokes, can be used as a model, hence the name.
The characteristics of regular script mainly include the following three aspects:
① The strokes are straight, the structure is neat, the workmanship is better than stippling, and the charm is better than structure. Honesty without stopping, neatness without informality. The ancients said that the method of writing letters is like running a horse. It is difficult for big characters to be impenetrable, and it is difficult for small characters to be generous. The important thing is to fly cleanly.
(2) The strokes develop regularly, forming the eight-character method of permanent characters. It is both a writing method and a writing method. All strokes of regular script are summarized in eight methods. Each stroke is not isolated, but echoes other strokes. The eight strokes of the word Yong have their own names according to their positions, so I won't repeat them here.
(3) It is a typical regular script writing method to start and put pen to paper with three folds and move around the pen. The ancients were really used to folding more ... if they want to stay less, they will be strong. The pen center is more sleek.
Question 3: What are the characteristics of regular script? Regular script is similar to what we are writing now, so people can understand it quickly. Thank you.
Question 4: What are the characteristics of Yan's calligraphy? Yan style refers to the regular script of Yan Zhenqing, a calligrapher in Tang Dynasty. His calligraphy is characterized by full strokes, fair structure, grand overall momentum, strong and dense, vigorous and powerful, and consciously applies the brushwork of seal script to regular script, treating people positively, gentle and sincere. Rich
Question 5: Characteristics of Zhao Mengkai's Books Zhao Meng wrote many inscriptions, which are round and beautiful, and are called "Zhao Ti" in the world. According to legend, he can write 10 thousand words in regular script every day, "writing is as fast as wind and rain." There are many excellent works in Zhao Kai's books, such as Sanmen Collection, which are broad in structure, deep and stable in structure and fluent in brushwork, and are most suitable for copybooks. Most of Zhao's handed down works are running scripts, most of which are accurate in brushwork and rigorous in wording, such as Fu on the Red Wall, which is a classic. The characteristics of Zhao Ti's regular script can be summarized as follows: First, on the basis of inheriting traditional calligraphy, Zhao simplified the complex, turned the past into the present, and his brushwork was not muddy and chaotic, and the brushwork path of starting, transporting and collecting the pen was very clear, which made it easy for scholars to understand and follow; Secondly, the appearance is round, the bones and muscles have connotation, its stippling is gorgeous and vigorous, the structure is broad and beautiful, and the stippling echoes closely. Soft outside and rigid inside, beautiful figure and strong skeleton. Scholars not only learn its shape, but also learn its spirit; Third, the pen is square and square, and the lines are taken. When writing Zhao Ti, stippling needs to be round and colorful, but the structure of white cloth should pay great attention to being square and rigorous, horizontal and vertical, flat and stretched, and the center of gravity is stable. Only in this way can we grasp the characteristics of Zhao Ti. In addition, when he writes regular script, he uses running script slightly, which is one of the characteristics of Zhao Ti. "Danba Dream \ Emperor Danba Tablet Volume in Regular Script" is 33.6 cm × horizontal 166 cm in length. Written in yanyou for three years (13 16). After the volume, there are postscript of Yao, Yang Yan, Li Hongzhi, Pan Zuyin, Wang and others. Collection by Zhong Youqing, Xu Naipu and others. East Map Xuan Lan, Qinghe Secretary Table, Nanyang Famous Paintings Table, Shigutang Painting and Calligraphy Survey, etc. Now it is in the Palace Museum. This tablet was made at the age of sixty-three, and it is the masterpiece of Zhao's later years. In Ming Dynasty, Wang Shizhen thought that Zhao Meng's calligraphy in his later years was "Li Beihai in scale". This volume is beautiful, vigorous and unique, which can be described as neat and innocent charm in a neat and solemn place, and fully embodies the charm and spirit of Zhao Ti's calligraphy. Although Li Yong's "Yuelu Mountain Temple Monument" was adopted, it was more relaxed and became a dignified and solemn gesture. Both the pen and the shelf are from the two kings, dignified and simple, "old and gratifying." Although Zhao Shu inherited this tradition, he was not influenced by Chen Fa. He can often change his calligraphy style according to different needs, but no matter how he changes it, he can use it freely and skillfully. Therefore, his calligraphy has a profound traditional foundation and distinctive personality characteristics, which makes him stand out from the crowd.
Question 6: Who can describe the characteristics of regular script? Idioms that can accurately summarize the overall characteristics of these fonts are really hard to find. The following can be tried: regular script: dignified and majestic (large font), dignified and beautiful (small font), seal script: antique running script: flowing water.
Question 7: Regular script is the main writing form of Chinese characters. Kay, model, standard font. Pen regular script has the following characteristics:
1. Pay attention to the strokes of regular script with a pen: Teton, Hidden Dew, Fiona Fang, Fast and Slow, etc. Different ways of using pen will produce lines with different shapes and textures, and different lines need different ways of using pen to reflect them. Pen regular script font is small, and the line thickness does not change much. If you don't pay attention when writing, the strokes will not meet the requirements, and the strokes will be weak, stiff and stiff. So you must go through strict training to master the method of using a pen.
Second, the strokes are clear. Pen regular script every stroke of the pen and pen must be clearly explained, neat and standardized, clean and tidy, not graffiti, not adhesion. However, there must be an internal echo relationship between strokes, so that strokes can be orderly, clear, solid and powerful, stop and keep, straight but not stiff, curved but not weak, smooth and natural.
Third, the whole regular script structure emphasizes the balanced distribution of strokes and radicals, stable center of gravity, appropriate proportion, correct font and standardization. The characters should be arranged together, with symmetrical sizes and neat lines. Although there are also uneven changes in shape, it is still relatively neat as a whole.
To practice regular script, we should work hard on strokes and structure. Practicing strokes is mainly to solve the problem of using pens, with the aim of creating qualified "parts"; Practice structure, mainly to solve the combination problem of strokes and radicals, with the aim of learning structural methods, mastering structural rules, and achieving the requirements of correct, neat and beautiful writing.
Characteristics of pen running script
The title of the book began with Wei Heng's Four-body Unique Book in the Western Jin Dynasty. In the Introduction, Zhang Huai explained the cause of running script like this: running script. This was also made by Liu Desheng in the late Han Dynasty. A small fallacy in the original work. Things are simple and popular. Help call it a running account. There were running scripts in the late Eastern Han Dynasty. From the generation of running script. From the development process of its formation and evolution, running script has not become an independent "running method". This is the biggest difference from seal script, official script, cursive script and regular script. Running script can't have body. The biggest feature is to use Lian Bi and save pens. Do not use or use less grass symbols. The recognizable structure of conventional characters is more preserved. So as to achieve the practical purpose of writing simply, quickly and easily understood. Facilitate the circulation and exchange of written information. In addition, the running script also has the characteristics of sticking to other books. Therefore, Sun said in the score of his book: "The trend has become timely. Running script is very important. " Running script sprouted in Han Dynasty and took place in Wei and Jin Dynasties. In the Eastern Jin Dynasty, an artistic and exemplary running script style represented by the two kings was formed. From the Southern and Northern Dynasties to the early Tang Dynasty, the calligraphy circle was shrouded in the artistic atmosphere of the calligraphy style of the two kings. From the Middle Tang Dynasty to the Song Dynasty, Yan Zhenqing started a new generation of calligraphy. Su Dongpo, Huang Tingjian, Mi Fei and Cai Xiang were all influenced by it. From the Yuan Dynasty to the mid-Ming Dynasty. Zhao Meng, Zhu Yunming, Wen Zhiming and Dong Qichang all occupy a place in the book style of Jin and Tang Dynasties. The late Ming Dynasty to the Qing Dynasty was a leap stage in the development of running script. Its characteristics: first, there are personalized cursive writers, which are group. Second, under the influence of the trend of thought of stele study, there appeared the style of writing running script with the brushwork of north stele. The former is a kind of "Shang Shi" style. The latter is a folk monument. Running script is the rapid writing of regular script, which is said to have started in the Han Dynasty. There is no neat regular script and no draft cursive script. Regular script or running script close to regular script is called "running script"; Those with or close to cursive script are called "cursive script".
Compared with regular script, running script has the following characteristics:
(1) Omitting stippling: In order to simplify writing, some parts of regular script are simplified, or stippling is omitted or lines are merged. For example, next to the word "Hua", the original regular script was written as seven paintings, and there were only two paintings in the running script, eliminating five paintings; The word "ran" changed from four to one, saving three paintings; The swimming of the word "near" is simplified from 1.3 point bend to vertical and horizontal bend, which also saves some bending waves; The middle of the word "Buddha" used to be a deformed "bow", but now it is changed to a horizontal hook, saving two bends at once. Subtractive stippling is mostly used in radicals and radicals of words.
(2) The flow direction of strokes A: Increase tick marks: writing regular script requires clear stippling and writing one stroke at a time, while writing running script can be connected by stippling, and tick marks are added between stippling. Tick is to write short tick on points that are not tick, such as "ancient" horizontal painting and "good" sketch; It is convenient to connect the unconnected points before and after with a thin tie line, such as the point in the middle of the silk and the middle and right point of the word "heart". There are hooks and pulls between strokes in running script ... >>
Question 8: Characteristics of block letters Regular script is the main style of Chinese characters. Kay, model, standard font. Pen regular script has the following characteristics:
First, pay attention to the pen.
Pen regular script strokes are Teton, Hidden Dew, Fiona Fang, Fast and Slow, etc. Different ways of using pen will produce lines with different shapes and textures, and different lines need different ways of using pen to reflect them. Pen regular script font is small, and the line thickness does not change much. If you don't pay attention when writing, the strokes will not meet the requirements, and the strokes will be weak, stiff and stiff. So you must go through strict training to master the method of using a pen.
Second, the strokes are clear.
Pen regular script should be clearly explained in terms of the starting and closing of each stroke, neat and standardized, clean and tidy, and should not be scribbled or adhered. However, there must be an internal echo relationship between strokes, so that strokes can be orderly, clear, solid and powerful, stop and keep, straight but not stiff, curved but not weak, smooth and natural.
Third, the structure is square.
Pen regular script emphasizes balanced distribution of strokes and radicals, stable center of gravity, appropriate proportion, correct and standardized font. The characters should be arranged together, with symmetrical sizes and neat lines. Although there are also uneven changes in shape, it is still relatively neat as a whole.
It is precisely because of the above reasons that many calligraphers in the past dynasties advocated regular script as the first step in learning calligraphy. The current Chinese syllabus for nine-year compulsory primary schools requires students to learn to write regular script with pen in primary school, lay a good foundation and create conditions for writing regular script in middle school. Practice has proved that only through systematic practice of regular script can we understand the characteristics and requirements of strokes and structures of Chinese characters, master the combination rules of Chinese characters, lay a writing foundation for learning to write regular script, and thus practice fluent and natural running script and cursive script.