Pan Linghao's calligraphy attainments are quite high, and he is good at writing running scripts, especially in small letters. The knot is straight and symmetrical, the pen is round and smooth, and the style is beautiful and elegant, which is deeply loved by calligraphers. It can be said that "softness with rigidity, simplicity with depth". During the Republic of China, he became a famous calligrapher in the north. At that time, it was the same as Tan, and it was called "South Tan and North Pan". Shops in Tianjin, Beijing, Hebei and other places are proud to invite Pan Shi to write a plaque. There are also "Three Principles of Cursive Friends" in the workshop; Tianjin Hua Shikui list; Walnut Kai Jing Pan Linghao ". At that time, people called his book "Pan Style".
Pan Linghao wrote inscriptions for many shops in Pingjin, and the Summer Palace and Tuancheng in Beijing also wrote inscriptions and couplets. In Baoding, I also saw his epitaphs for celebrities such as Zhang Huaixin and Wang Shinan. During the Republic of China, his copybooks were published 14 in Beijing and Tianjin, among which Hu Dachuan's fantasy poems, Nan Hao's poems, You Yicun's poems and Pan Linghao Taishi Mo Bao are the most famous. In 1980s, Tianjin Ancient Books Bookstore published Four Kinds of Running Scripts of Pan Linghao according to the version of Wenchengtang.
His calligraphy is good at running script. On the basis of Yan Zhenqing, he absorbed the richness of Dongpo, the beauty of Zhao, the elegance of Dong Qichang, and the richness of Liu, forming his own style. The overall characteristics are full strokes, odd edges and clear rules. Most of his brushwork uses the reverse pen into the paper, drawing ink and transporting the pen, and the strokes appear soft outside and rigid inside, and the stippling is decisive and crisp, clean and neat; This painting is tall and heavy; Draw twists and turns, including bones and muscles; Hook and draw many folds; Vertical pen, vigorous and dignified, full of Qi Li. When the pen is closed, the power comes to an abrupt end, and there is an endless sense of stopping writing. Pan Linghao's calligraphy structure is different from that of his predecessors, which is characterized by attaching importance to the top and neglecting the bottom, and attaching importance to the left and neglecting the right; Up and down, Somatsu; The upper horizontal is uneven, and the lower vertical is not straight. Full of fun and vivid charm on the right side. The overall feeling of Pan Linghao's calligraphy is sparse, symmetrical and steady; Fat and thin contrast, alternating size; The thickness is patchy, the weight is mutual, the ups and downs are ups and downs, and the rhythm is moving; Fat but not bloated, thin but not withered, wide but not loose, thin but not delicate. In a word, Pan Linghao's calligraphy is beautiful and full of spirit, soft on the outside and rigid on the inside, beautiful but not vulgar, subtle but not revealing. In quietness, peace and tranquility, there is a strong vitality.
Pan Linghao was famous for his calligraphy when he lived in seclusion at home. After living in Beijing, he made a living by writing, and his reputation spread far and wide. There are many people who study Pan, and there are many people who pretend to be famous. Chen Yaopu, Pan Shi's son-in-law who has been confessed by many people, is one of them. Chen is good at Pan-style, and often replaces Pan with heavy money. Those who prevaricate for books can confuse the fake with the real, and many books are circulated in the world. At present, Pan Linghao's calligraphy has been seen by many authors in Beijing-Tianjin auction market, Baoding antique market and private exchanges. The characteristics of Pan Linghao's calligraphy can be summarized as follows: First, there are two common inscriptions in Pan Linghao's couplets, nave, banners and banner works. One is to write the year and season first, and then write the word "Pan Linghao"; One is just the word "Pan Linghao". Generally, the vertical pen at the end of the word "Gao" is longer. In small-scale banners and handwritten works, Pan Linghao usually writes the content and source first, and then the time, that is, the year, season and place of writing, that is, the fasting number. Generally speaking, the word "Pan Linghao" falls before the time and place of writing, and falls in the last two situations. If it is the latter, then the vertical pen at the end of the word "Gao" is longer.
Secondly, Pan Linghao's large-scale calligraphy works are generally overprinted on both sides, that is, Pan Linghao's words, tin, nine seals, Xinshou, Zhu Wen's words and Yiwei Lian Jie Hanlin. It is characterized in that the upper seal is connected or partially overlapped with the lower end of the vertical pen of the Chinese character Gao. The distance between the upper and lower seals is half to two thirds of the seal size, and there is no distance between the two seals that can accommodate one seal. The specifications of the two seals are 3.5 cm square. In his early works, including some notes on poetry, the common clock overprints Bai Wen Yin and Zhu Wen Yi Lin, and the characteristics of clock printing are the same as above. The seal size is 3 cm square.
This is a good example in Pan Linghao's Reading Notes on Flag Poems. It is a good example. It is a good example. It is a good example. It is a good example. The seal of Xi wine is the same as before. If the word "Pan Linghao" is not at the end, the distance between the last word and the first seal is one-third to one-half of the size of the seal. Look at those that have a single stamp. This set of seals is 2 cm square. Another pair of common seals are white "Gao Ling" and Zhu's "Xijiu", or one of them is a single cymbal, with the specifications of horizontal 1.3cm and vertical1.2cm.. Occasionally, there are oval leisure stamps that can be entered after reading, with the widest outside 1.4 cm and the longest outside1.8cm.. The vertical stamps "Graffiti", 0.8cm× 1.8cm and "Seal of the Times", 0.8cm×1.3cm. In the fan and some notes, there are two pairs of overlapping stamps, one pair of which is Yin and Zhu Wenxi's wine. See1cm. See Yi Shan. In order to facilitate textual research, Pan Linghao often used the original seal and pasted it on the back. Pan Linghao's inkpad is excellent cinnabar inkpad, and traces of cinnabar are condensed, which is rare.
Third, Pan Linghao's stationery is very beautiful. As far as the author's works are concerned, there is a jade version of Gong Xuan produced by Baoding Paper Art Bureau. Most of the jade tribute propaganda produced by the Secret Museum is editing propaganda. In addition, Pan Shu uses Song Yanmo as the main ink, and his pen and ink have a long lasting appeal.
Fourthly, according to the ink and publications, Pan Shu can be divided into three periods: the first period is from the age of 43 (19 10) to the age of 52 (19 19) as the governor of Gansu Province, with obvious characteristics of Yan (Zhen Qing) and Su. In the second stage, from Ren Xu (1922) returning to his hometown at the age of 55 to Jimao (1930) at the age of 62, his calligraphy style has reached maturity, and the pen is more important than the pen, and the words are tight on the left and loose on the right. In the third issue, from 1939 to his death, there were many plaques and copied classics. At this stage, the works were exquisite and elegant.
Pan Linghao's life of calligraphy art