Qi Baishi's calligraphy features: 1, Qi Baishi's seal script, the overall style is grand, the realm is an old buddy like me, the pen is slow and stupid, and the words are ancient and correct. 2, Baishi is an old seal, and the characters are mostly rectangular, horizontal and vertical, with a sense of correctness and stability. However, it is often broken with an oblique pen, so that an acute angle relationship such as an oblique angle and a triangle is formed in the middle of the plane, making the whole flat but not rigid and full of changes. 3. The old man Qi Baishi made a seal, and the pen and knot formed a good contrast and unity. It is very traditional to cover your head and tail with a pen. However, the rectangular knot forms a plane, and the horizontal and vertical strokes conform to the geometric division of modern planes, which is full of modern sense of composition. To sum up, I said, "the language is traditional and the clothes are fashionable." 4. Mr. Li Shinan said that Qi Baishi painted with pure ink, one thing and one ink. The same is true of Guan Yu Baishi's old seal brush, whose thickness changes regularly, that is, the lines are generally straight and simple, and the thickness is even. However, in individual main strokes, or partial lines, or sudden use of heavy ink and thick strokes, or fine short paintings, the whole work has an "eye", which is clear, rhythmic and changeable. 5, Baishi's old seal brushwork is simply not complicated, and its eye-catching taste lies in the old and heavy lines of the pen itself, such as iron pestle, which has the gas of iron. Turn harder with a pen, such as breaking your thigh and holding a strong bow, which is powerful. 6. Although Baishi Lao made a seal, it had the meaning of "Qi" in the Qin and Han Dynasties. In other words, it starts and ends with a pen in many ways, and it is a stone tablet. Therefore, its lines cross the front and squat down to give birth to a solid and calm feeling. 7. Baishi is always printed with soft and hard, and I think soft is better.
Qi Baishi (1October 0864+65438+ 1 September 65438+ 1957) was born in Dangshan, Suzhou, Anhui, and Xiangtan, Changsha, Hunan (now Xiangtan, Hunan). Formerly known as Chunzhi, Wei Qing was named Lanting. Later, it was renamed Huang, and the word was born. Named Baishi, Baishishan Weng, Laoping, Hongcuo, the owner of the mountain pavilion, the old man who sent Pingtang, and the rich man of 300 lithographs. He is a master of modern painting in China and a world cultural celebrity. He worked as a carpenter in his early years, then made a living by selling paintings, and settled in Beijing after he was 57. He is good at painting flowers and birds, insects and fish, landscapes and figures. His pen and ink are vigorous and moist, with rich and bright colors, concise and vivid shapes and simple artistic conception. Fish, shrimp, worms and crabs are full of fun. Qi Baishi is a seal script writer, who adopted the method of inscriptions in Qin and Han Dynasties. His calligraphy saved Gu Zhuo's interest, and seal script became his own. He was also good at writing poems. He used to be honorary professor of Central Academy of Fine Arts and chairman of China Artists Association. Representative works include Frog Rang Ten Miles Away from the Mountain Spring and Ink Shrimp. On the evening of 20 17, 12 and 17, Qi Baishi's work Twelve Screens of Mountains and Waters appeared in the auction, and it finally sold for 93150,000 yuan, making it the most expensive art in China.