The first kind is simple, heavy and dense. For example, the Stone Carving of Xiexie Road (AD 63), Pei Cenji Gongbei (AD 137), Gao Song (AD 170), Xi Song (AD 17 1 year) and Xi Song.
The overall characteristics of this kind of inscriptions are clumsy, steady brushwork, magnificent and elegant style. Among them, the first three works are Gu Zhuo, whose font has just changed from seal script to official script, and there is no obvious wavy stroke, so he wins by being clumsy.
The stone carvings on Baoxie Road are the earliest stone carvings in the Eastern Han Dynasty, carved on cliffs. It was quite hard when the pavers carved, and there was no entanglement. It's very Gu Zhuo, but it's magnificent.
Pei Cenbei's font is rectangular, and the pen of picking waves is not very particular, similar to the official script of the Western Han Dynasty. Ode to Gao is also a cliff stone carving, written by Qiu Yi in the Eastern Han Dynasty. The font style has also changed from seal script to official script, which looks heavy and simple. There are some changes in the use of pens in the following works. With waves, the thickness of brush strokes has also changed greatly, and with obvious wave potential, Yu Xiongqiang and Pu Maozhong are more lively.
These characteristics are fully reflected in the West Chamber, Fang Heng Monument, Summer City North and other works. Zhang Qianbei is slightly different from the above lively works. Its pen is solemn and simple, with rigorous structure, rough and tough brushstrokes and bold and changeable brushstrokes.