Introduction to Zhou Mi
Zhou Mi was a person from the Southern Song Dynasty. His courtesy name was Gongjin and his nickname was Cao Chuang. Zhou Mi's ancestral home is in Jinan. His ancestors followed Emperor Gaozong of the Song Dynasty to travel south to Huzhou, Zhejiang Province. There is also a theory that his ancestors later moved to Hangzhou. There is also a theory that Zhou Mi was in Hangzhou.
Portraits of Zhou Mi
Zhou Mi is very good at composing poems and lyrics. His works are elegant, rich and very rigorous. In addition, Zhou Mi is good at painting and is as famous as Wu Wenying. At that time, others became the "second window" ". He left a lot of works, which well and completely preserved the social data of Hangzhou, the capital of the Song Dynasty. It is of great use to future generations in studying the politics, society, customs and customs of the Southern Song Dynasty.
Zhou Mi’s poetry is a representative of the elegant poetry school in the late Southern Song Dynasty. His poetry draws on the strengths of others and forms his own elegant and elegant style. On the one hand, he draws on Jiang Kui and finds the meaning contained in it in the pursuit of eBay. Elegant; on the one hand, he also had close contacts with Wu Wenying, and his style of poetry was somewhat affected.
His poetry can be roughly divided into two stages. Most of his early works were about the wind and the moon. Although the political situation in the Southern Song Dynasty was already very unstable at this time, Zhou Mi's works did not seem to include this point. When presented to the world, it seems that the author is deliberately avoiding these political factors.
It is not necessary to declare one's ambition to the world by burying oneself in the description of scenery and sceneries. There are not many careful works in the later period, but at this time the author may have gotten older and began to think about the country. He began to write many works expressing the hatred of the country's subjugation, and began to miss his hometown a lot.
Another contribution of Zhou Mi is that he left a wealth of notes, which have positive and important historical value. Zhou Mi’s notes cover a wide range of topics and study a wide variety of things. They are a perfect tool for studying the Song Dynasty, especially the Southern Song Dynasty. During the period of social changes and turbulence, the study of the lives of the people and rulers is of great significance. Zhou Mi's works
Speaking of Zhou Mi's works, "Qidong Wild Language" is definitely a masterpiece. This is Zhou Mi's notebook. He had a profound influence on the world of ancient Chinese notebooks and was known as the "Barnyard Official" in traditional literary classics. He occupies a place in the entire history of China.
Qidong Yeyu
The writing style of the notes is flexible and changeable, with few restrictions. Moreover, the content of the notes is broad and contains very rich cultural content, as long as it is ancient political and economical. The development status, legal regulations and systems, the secrets hidden in the palace, and some interesting things about the literati.
Or the totem symbol of the tribe, some astrological reasoning, and the remarks of various schools of thought can all be reflected in the notes.
It is precisely because the notes have such extensive communication content and comprehensive encyclopedic content that the notes can play such an important role. The political style of ancient China can be found in various notes circulated among the people. miniature.
Most of the contents recorded in the notes have been carefully researched by the author and have high credibility. This is an important way to study past history. Some of the articles in the notes explain how to manage national unrest, and some are about literary works. The in-depth interpretation and analysis include the wonderful fantasy of exploring the world, the deep hatred of eunuch troubles, and the author's own life insights. This is the author's way of writing his own feelings.
Notes are often the crystallization of the wisdom and research of predecessors. Its breadth allows us modern people to have a full understanding of the past. The research value of notes is very high, which is why "Qidong Wild Language" There is a reason for such high value. Pictures of Zhou Mi
From the pictures, we can see that Zhou Mi looks like a man of letters. He looks kind and kind, and we can see that Zhou Mi does not like to be competitive, so Zhou Mi did not stay in the officialdom for too long. time, instead he chose to return to his hometown and become a hidden poet.
Portrait of Zhou Mi
Zhou Mi was a poet and writer in the Southern Song Dynasty. His ancestral home is in Jinan, but as the capital of the Southern Song Dynasty was moved, Zhou Mi's ancestors also went to Hangzhou. After that, he served as the commander of Yiwu for a period of time. After the fall of the Song Dynasty, Zhou Mi chose to retreat to the mountains and forests and bid farewell to the political stage.
Zhou Mi is very good at poetry. Most of his works are elegant and rich. He often puts his emotions into poems to express his attitude and pursuit of life. He also had great attainments in calligraphy and painting. At that time, he was as famous as Wu Wenying and was called the "Second Window".
Some of Zhou Mi's notes left a deep impression on people. Notes such as "Old Martial Arts" and "Qidong Wild Words" appeared in large quantities in Zhou Mi's hands. Because of their inherent advantages, the notes became highly regarded at the time. Welcome literary genre. Careful notes can cover a wide range, cover rich content, and be engaging in presentation.
The records of the current political power, economic situation, political level, cultural level, customs and people in the notes are of great help to modern people's understanding and understanding of the history of the Song Dynasty.
Zhou Mi’s poems also have a profound influence. His poems are integrated and comprehensive, integrating the strengths of various schools to form his own elegant style of writing. His famous work "Magnolia Slowness" relies on the leisurely writing style. recognized by people then and now. Zhou Mi's poetry can be roughly divided into two stages. In the early stage, Zhou Mi liked to describe natural scenery. Whether it was what he saw when he was playing or accidentally discovered on the roadside, they all shined in Zhou Mi's writing.
Because Zhou Mi in the later period was affected by the demise of the dynasty, his poems often revealed desolation, as well as the sadness of nostalgia for the past and the present. Zhou Mi’s works are silhouettes of the times, and help future generations study the history of the late Song Dynasty. , is of great help. Yaohua Zhou Mi
Zhou Mi's "Yaohua" is a poem praising Qionghua. The previous film describes Qionghua. The word "Huaishan" is to take over the appearance of the "cartoon" flower and want to point it out. The deep meaning contained in these words is that the Qionghua accompanied the soldiers at the border in the late spring, but the soldiers at the border only knew how to cut off the Qionghua that accompanied them and give it to the emperor in order to gain favor.
Yaohua Zhoumi
The poet sighed, praising the noble character of Qionghua blooming in the dust-filled border, and also lamented the sadness that no one understands Qionghua’s noble aspirations.
Without the edges and corners of the past, as the country's situation became increasingly decadent, the poet expressed a strong sense of irony towards the indifference of the monarch and his ministers.
In the next film, the poet chants history and expresses his feelings, and uses allusions to satirize those in power. The author uses the Song Dynasty border warriors flying cavalry to present Qionghua as the Tang Dynasty flying cavalry to deliver lychees. The poet chants history and satirizes the present, implying that the Song Dynasty is facing a situation similar to the Tang Dynasty. There was a crisis like the Anshi Rebellion, but the ruler was completely unaware of it and only cared about his own enjoyment. His ministers did not know how to offer advice and suggestions, but instead condoned the ruler's behavior.
The two sentences of "Shaohua" use the joy and liveliness of butterflies to show the beauty of Qionghua, and the self-care happiness of butterflies, which secretly satirizes the emperors of the Southern Song Dynasty who were lost in playthings and confused. The four lines of "Du Lang" are written by Du Mu to express the emotion of nostalgic for the past and hurting the present. Although Du Mu has passed away, it is difficult to recount the prosperous times of Yangzhou, but Qionghua has experienced the changes in the world, witnessed the rise and fall of history, and can tell the story of the ancient kings who lost their minds while playing with things.
The author uses Qionghua to point out that the rulers of the Southern Song Dynasty may be repeating the mistakes of past emperors, showing the poet's sad thoughts. Xicheng Abandoned Garden Zhoumi
This is a novel and unique lyrical poem. In the desolate autumn colors, crickets and cicadas emit a sad cry. This situation and scene aroused the poet's infinite imagination. Reverie makes the poet feel melancholy.
The Abandoned Garden in Xicheng is meticulous
Yue Fei's "The cicadas couldn't stop chirping last night" and Liu Yong's "The cicadas are so sad, facing the Changting Evening" made many people shed tears, and we all lamented that time People's unfair treatment, expressed through poetry, is a heart-wrenching cry to show the world their nobility and nobleness, as well as their depressed and frustrated resentment, so that future generations can sympathize with and pity them.
But Zhou Mi did the opposite, which aroused a lot of interest. Although the white hosta flowers are not as bright as the frost-red leaves in February, they still contain the rich and fragrant fragrance of the flowers. Even if the flowers bloom in an inconspicuous corner, even if no one is attracted to stop and watch, they will still be there. But there was no sigh of pity at all.
This gives people a feeling that they have forgotten all this in their hearts. Whether it is self-admiration or not, it has shown its most beautiful side and expressed its feelings to this strange and unknown world.
The poet turned his pen again and painted a freehand painting. The setting sun shines on the lotus leaves like umbrellas, and the fish roam freely under the protection of the lotus leaves. How many fish were there during this period? The poetic and artistic meaning is contained in it.
The poet couldn't help but exclaimed, "You've got what you want", and advised the owner of the garden not to remove the leaves of the autumn lotus and not to destroy this rare tranquility. It can be seen that the poet was not because of the desolate scenery in the garden. Instead of destroying the state of mind, the poet found another angle of appreciation, and this was obviously a discovery of beauty that is not common in people's eyes.
That kind of tranquility and peace of mind is exactly what the poet is looking for and what the poet hopes to see. Jian Caiwang Zhoumi
Jian Caiwang was a native of Shu. When he was serving as the deputy magistrate of Huzhou, the Mongolian army came from the north. He resolutely swore to God that he would martyr his country by committing suicide and pay tribute to the future. People showed their unwillingness to serve anyone outside the Song Dynasty.
Zhou Mi
In order to show the credibility of this decision, he specially found a craftsman and made him a tin sign with the words "Loyal Minister Jian Cai of the Song Dynasty" written on it. see". He also drilled two pieces of silver into each piece, threaded them through a rope, and tied them to the sign, along with a detailed explanation.
If you find my body in the wilderness, please bury me, and then put this sign in front of my cemetery when you bury it, so that people can worship me. I want to let future generations know that I, Jian Caiwang, did not choose to settle down when the Yuan army arrived, nor did I do the dirty deeds of selling out and seeking glory. I chose a righteous and awe-inspiring path. I hope that my glory can Influence future generations and let them remember me.
The two pieces of silver on this tablet were the burial expenses for the person who found my body. From then on, Jian Caiwang took this tablet and the two pieces of silver with him when he traveled every day. He claimed that as long as the Yuan army came to the city, he would throw himself into the lake and never do anything treasonous.
Not only that, he also attached great importance to publicity and took the trouble to tell the people his idea over and over again. After hearing this, people were moved by Jian Caiwang's integrity and said they would help. He was buried.
On the first day of the Lunar New Year of the Bingzi year, the Mongolian soldiers arrived as promised and broke into the city. In the chaos, Jian Caiwang was not seen. Everyone guessed that Jian Caiwang had already died. He threw himself into the river and everyone was very moved.
Soon after, people discovered that Jian Caiwang was wearing Mongolian attire and riding a tall horse. He seemed to be returning home in glory. It turned out that he had surrendered one day in advance, and then the Yuan people appointed him as the governor of the state. I know that everyone in the village is talking about this issue.