Preface to spring tour of Lishan Mountain
When did I have the heart to treat Strange Tales from a Lonely Studio as a zaju? I don't remember today, but it must have been after the release of three kinds of zaju. When he started writing, it was 1942 1 month. In the winter vacation, I am more relaxed, and nothing will interfere with my thoughts. Moreover, the third discount of the next volume has been written, and it is tied to the class, which is very beneficial to the back and cannot be continued. In each of the two holidays, I was thinking and writing, and realized my long-cherished wish. Those who are tired of thinking and energy and stop writing have been here for three years. The winter vacation this year is longer than last year's. I'm sick, afraid to go out, and I'm so bored sitting in my cubicle. Is the end of the spectrum, so I have two plays. Despite the lack of wedges and cobwebs, it took ten days to make up, delete and smear them until they were beyond recognition. After ten days of handwriting, today's "Ji Chun Tour" is also true. Originally intended as a tragedy, the title of the play is "Ode to the Autumn Grave", which was told by a friend who couldn't graduate for a long time in his spare time, either naturally or unintentionally. The negotiation failed to reach an agreement, and the private intention was uncertain. At this age, it ended in a reunion, and the name of Youchun was established.
Mr. Wang Jing 'an's textual research on the dramas of the Song and Yuan Dynasties said: "The legends after the Ming Dynasty are nothing more than comedies, and there are tragedies in Yuan zaju." I value literature and art as well as tragedy. When I say that the world drama is a saint like Shakespeare, what I do is tragic, moving and long, and it is also above its comedy. If the husband is wise, there is no tragedy, but there is no so-called comedian. When it is called "reunion drama", it will be heard. I usually talk about songs, which are often aimed at people's ambitions and bad people's minds. I hate this reunion, so it spread to comedy. Now I know it's not. Ming people are interested in music, but they are not satisfied, which is embarrassing. Summer insects are far from ice. A reunion drama is not enough, even if it is a tragedy, can it be combined? My good husband and teacher, Mr. Yin Mo, commented on this song and said, "After poetry, morality never gets involved in the canal." After tasting the true meaning of the world, I realized that there was no other book. "The Ming literati claimed to be Taoism, and the sages claimed to be playthings, or tried to follow the elegant style, planning the prosperous Tang Dynasty, and taking drama as the path. I have nothing to laugh at. If he is arrogant, those who engage in drama and music are mediocre, superficial, arrogant and contemptuous. It is based on the ambition of being rich and powerful, and its words are contemptuous; Those who pay attention to men's and women's amorous feelings have obscene words; Those who care about fortune and retribution have bad words; Those who go down are cattle ghosts, snake gods, jokes and jokes. Its words overflow without returning, and its pollution does not return. If you don't know the word human, let alone its meaning, is it true? Just because it has no truth, no temperament, no knowledge and no thought, it is so tame and ridiculous. There is no sympathy, no seriousness, no honesty. Lyrics are written on the basis of words, but they can be lyrical, fashionable, changeable and just big talk. Who can believe it? No sweetness, no bitterness, no success, no failure. Drama depicts life, so how can there be separation without reunion? There are not enough reunion dramas in Ming Dynasty, and there are too many non-reunion scripts, which shows that the Ming Dynasty didn't know why it was a reunion drama, because it didn't know at all, so there were too many. Therefore, I call it a reunion drama, even if it is a tragedy.
Or ask Ming drama, as the son said, what is the sincerity of the drama between husband and yuan? It should be said that Mr. Jing 'an, a former scholar, tried to judge Yuanqu with the word "nature", and now he tries to discuss it. What Mr. Wang calls nature, in my opinion, is childish and naive. Fu Yuan is extremely prosperous to Song Dynasty, which is as dangerous as Tang Dynasty is to poetry, Song Dynasty is to ci, from princes to princes, from peddlers to pawns. Although they are all authors, their consciousness is not clear and their thinking is not keen. The highest thing is to be able to see things with nature, to express feelings with the tongue of nature, to stand out from the previous generation of poetry, and to achieve yourself. Want to also can only become naive, and the lack of Gao Mingbo's massiness. People who come down to the world are new in body and old in spirit. The life they wrote and the technology they used were all confined to the old tradition. Its things are fame and fortune, joys and sorrows, and karma; His writing is romantic, gorgeous and sad. Even the dust soup of old poems, local rice, bagasse and rotten mice are chewed repeatedly, if there is a aftertaste. How naive is it? Sometimes, there are wandering things, and we walk in the world, thinking that we are lofty and perhaps detached. Explaining the Tao is not enough to spit, but also to receive the wisdom of the immortal Buddha; But also mixed with Confucian old sayings. Lofty and detached people are also suitable for confusion, embarrassment, drag out an ignoble existence, wandering around and doing nothing. Since it is no longer suitable for life, it is no longer a person. In essence, Mr. Wang also mentioned a few of them, not all of them.
I also took a Japanese class, trying to talk about the characters in the tragedy, which can be divided into two types: one is fate; The other is the struggle with fate. The latter is truly worthy of modern tragedy. That is to say, as far as Yuan Zaju is concerned, if Wu Tongyu and Han Gong Qiu are considered as tragedies. Gu He is passive rather than active, and is determined by fate rather than fighting against it. For example, in "The Orphan of Zhao" and Gongsun are almost identical. However, if we look at the whole drama and end with great revenge, what is it? Although, preferably, I hesitated. It is sad for a lady to give her life to kill her, but it can't be regarded as a struggle with fate. I have more to say here. Ordinary people have a good relationship, or are ruthless, or have endless strength. People who are poor and can help themselves will only be born if they work hard. This is not only for people, but also for the best and best people. When encountering obstacles, think through; In case of evil forces, think about a row. All living things are natural, and people are the most spiritual and powerful. Difficult to cross is difficult to cross, difficult to remove is difficult to remove, but it is beneficial to evil forces, so it is followed by death. So far, it refuses to drag out an ignoble existence, and it is perfect. Si is a strong person who can be independent. Stealing will be like this, but it will become a tragedy. However, his death will be survival, not death. So, for yourself, not for others. Shakespeare's works, such as Hamlet and King Lear, all have examples. If you want to die to help things, to be lucky, or to help them, it seems different, but it can't be compared. Although I sacrificed my life to save people and the world, how can I underestimate the reason why human beings are spiritual? Its meaning is slightly different from what I said before, so it is necessary to demonstrate it. The proof of ancient Greece, then Aeschylus' drama "Pramer Sius Bound", is majestic, only eternal without rights, and heroic, combined with forbearance, just as Mr. Jing' an said, "There is a feeling that Sakyamuni and Christ bear human sins." A sad word is not enough, that is, the two tragic characters I set are not enough to be named, especially the writers of Yuan and Ming Dynasties.
Or the ancients who accused modern thoughts still despised Kong's ignorance of electricity and steam. How can they not forgive him? You should just say, naturally, no, no. Mind is different from matter, matter will be limited by time, but mind will not. Shakespeare, in any case, Pierre de Ruth's life was not earlier than that of the Yuan Dynasty, but also between the King of Zhou and the King of Yuan in China.
Or ask my son's Huang Ru ancients if this is the case, and what is the self-esteem of this book You Ji Chun? It should be said that since people have this life, they should think about it. There are many ways to do it, and the most important one is strength. Its performance is also in the drama, that is, it shows that this power is already very eye-catching. As a writer, only hard work and abundant physical strength can express it. Tragedy and comedy are the same at first. I'm sick and exhausted. Every time you do something, or leave it half-way, or finish the last chapter, you won't lament Wei Wendi's "weak words". For the former sages, although a little sincere, if their excellent articles are great, they can only stop at the top of the mountain and stop at the scene. Although I can't arrive, I yearn for it. What I do is to remember, how can I help you run thousands of miles and drive away tired soldiers to fight in the desert? Get twice the result with half the effort. Gentlemen in the world, those who read my songs are fortunate to forgive them. My husband and I are in the ancients, and I have nothing to borrow, but I still hope others will forgive me. Besides, people who mix monks tell their stories to the world, saying that gentlemen will forgive them. Is it like claiming spears and shields, that their spears and shields are not sharp and firm? Nevertheless, after watching my play Zhu Yingtai, some people still doubt whether I support the old moral principles. If I remember, will it be that I am obsessed with old bones? What a pity if I can't have a gentleman who looks forward to the original and has a bright heart! This is a sequence. 1February, 945 1 1 day is the New Year's Eve in old Shen Jia. Gu Sui has a lot of research on classical literature, especially classical poetry, and his works are quite rich. His academic research began in Yuan Qu, and he wrote a book "Eight Kinds of Remnant Dramas in Yuan and Ming Dynasties" and a series of articles on Yuan Qu, which were mostly published in newspapers and magazines such as I Bao Reading Weekly. 1943 Two books, Jia Xuan Ci of Leituo 'an and Dongpo Ci of Leituo 'an, were completed. In the late 1940s, he wrote a great book about Zen, and in the mid-1950s, he opened a course of "Buddhist Translation Literature" in universities.