Brief introduction of brush calligraphy
Brush calligraphy is a unique traditional art in China. Throughout the ages, Chinese characters in China were created by working people, who began to express their characters in the form of pictures. After thousands of years of development, it has evolved into today's writing. In ancient times, writing with a brush for a long time produced brush characters. Brush calligraphy mainly uses brush to write Chinese characters. As for other writing forms, their writing rules are not completely different from those of the brush, but they are basically the same. Here, the emphasis is on brush calligraphy.
There are now six styles of brush calligraphy, namely, running script, cursive script, official script, seal script, regular script and horse script. The quality of calligraphy works is mainly judged by the lines, fluency and integrity of fonts. China is the birthplace of calligraphy art and culture, and also the first country to use brush. There are many calligraphers of brush writing in China, such as Wang Xizhi, Huai Su, Su Dongpo, Huang Tingjian, Mi Fei, Wang Duo and Liu Gongquan, as well as modern Sha Menghai, Qigong and Liu Huipu. These writers and artists are all calligraphers with profound skills. The art of writing brush calligraphy needs to be carried forward by the next generation and needs our efforts.
Brush calligraphy usually refers to soft pen calligraphy. Brush calligraphy refers to the method and law of writing Chinese characters with a brush. Including writing, calligraphy, stippling, structure, layout, number of lines, composition and so on. For example, the pen refers to the palm and the five fingers are Qi Li; The pen carrying center is unfolded; Stippling is the same as a pen; The structure is shaped by words and echoes each other; The distribution is intricate, the density is appropriate, and the virtual and the real are born together, and the whole chapter is full of gas fields; Every word is ancient for literacy, and every word is big and small, and high is not as good as low. In a word, brush calligraphy plays an important role in the development of calligraphy art in China, and it is worth carrying forward today!
What are the characteristics of brush calligraphy?
There are now six styles of brush calligraphy, namely, running script, cursive script, official script, seal script, regular script and horse script.
The quality of calligraphy works is mainly judged by the lines, fluency and integrity of fonts. China is the birthplace of calligraphy art and culture, and also the first country to use brush. Chinese brush calligrapher
There are many writers, such as Wang Xizhi, Yan Zhenqing, Huai Su, Su Dongpo, Huang Tingjian, Mi Fei, Wang Duo and Liu Gongquan, as well as modern Sha Menghai, Qi Gong and Liu Huipu. They are all great calligraphers with profound skills. The art of writing brush calligraphy needs to be carried forward by the next generation and needs our efforts.
Artistic Features of Calligraphy Works with Brush
Calligraphy is a unique cultural phenomenon in the world. China's unique * * * and figures from several countries around China have long been loved by the public, with rich artistic connotations and forms, which can reflect the essence and aesthetic soul of national culture. This kind of calligraphy art can be called the quintessence of China, which is no less than Chinese painting, poetry, music, drama and other literary and artistic categories. So I named the first chapter of this opening statement "On Chinese quintessence", which is not as good as what some reference books say when explaining the word "Chinese quintessence".
As a unique achievement of advanced art, China's calligraphy works are determined by the special form of Chinese characters in terms of objects.
Chinese characters are square characters, each word occupies a square space, especially in the printed words, which are neither too big nor too small and uniform. But in this neat place, although the square inch is small, the apricots are very uneven, which has caused all kinds of things. They are simple and complex, long and flat; There are positive and oblique, and there are some connections between their parts, directions, backs, piles, products, weights and combinations.
Although there are few basic strokes of Chinese characters, such as regular script, dot, horizontal, vertical, jun, left hand, pick, lift, fold, grid and queue, these strokes can spell out thousands of different characters and figures because they have many permutations and combinations: up and down, left and right, reunion, crossing and interlacing. So there are 10,000 permutations and combinations of 10,000 Chinese characters, each with its own unique form.
In contrast, the European phonetic alphabet does not have as many physical changes as Chinese characters. Although there are two or three pinyin letters, much more than the basic strokes of Chinese characters, the spelled words are long or short, one or two letters are a word, and a dozen or even twenty or thirty letters are spelled into a word, but the lines of their letters are monotonous, with almost only straight lines and arcs and a few "dots", especially because they are always arranged from left to right. No matter how much a writer tries to be beautiful, he can't make up for the inherent deficiency of the text's insufficient artistic potential.