Brief introduction of Wang Zhenkun

Wang Zhenkun (1943——), stage name Ye Fu, owner of Funiutang, 1943, born in Zhenping, Henan. Famous calligrapher, member of China Calligraphers Association, honorary chairman of China Lanting Painting and Calligraphy Institute, honorary president of China Famous Painting and Calligraphy Institute, art consultant of Hong Kong Academy of Social Sciences, and invited calligrapher of Shanghai Rong Baozhai. He is one of the outstanding calligraphers in the northwest desert. His masterpiece "Wang Zhenkun's Book for Seats" looks like a spirit. In 2007, the Ministry of Culture rated him as one of the contemporary calligraphy masters. Theoretical articles include Origin of Chinese Characters, Creation of Chinese Characters, calligraphy theory, Mohist Theory, Modern Concepts of Calligraphy Art, Interpretation of Pingfu Post, etc. His article has novel viewpoints and can grasp the pulse of the times. In particular, Lu Ji's book "Knowing and Reading Pingfu Tie" and "Knowing and Reading Pingfu Tie" are a peak in the history of China calligraphy. However, pen and ink are difficult to understand and read, which affects its artistic inheritance. Fourteen characters were not released until the Ming Dynasty. In the 1960s, when Mr. Qi Gong saw the original, he gave a complete explanation, but it was quite confusing. On the basis of others' research, Mr. Wang perfected the identification and sentence breaking of Pingfu Post, making it no longer difficult to read Pingfu Post.

Taking his masterpiece "Xi Shu of Wang Zhenkun" as an example, Mr. Wang Jingfen, former director of the theoretical research department of China Calligraphers Association, said: "Although Mr. Wang Zhenkun's Xi Shu is not as influential as the Preface to Lanting in the Tang Dynasty, it has caught up with it under the current conditions. I have read hundreds of contemporary masterpieces, and his works are all excellent. " Mr. Liu Yi, former vice chairman of China Calligraphers Association, said that "this work does not lose its original meaning", in a word. Mr Li Gangtian, director of the judging committee of China Calligraphers Association, praised this work as a "masterpiece". Mr. Chen, the editor-in-chief of Calligraphy Newspaper and a famous theorist, said: "He's manuscript is more personal, with good form and spirit, and can be published. Publishing it is a contribution to the book industry. " Mr. Cui Xuelu, the former editor-in-chief of China Youth Calligraphy Newspaper and a famous calligraphy expert in Yan Zhenqing, called it "Lu Gong Yi Xu", "Millennium Legend" and "The publication of this book should be a great event" in his long comments and letters. Mr. Wang's calligraphy creation is extremely rigorous, focusing on going deep into life, understanding life and learning from the past. Refined and refined with a pen, the lines are rich and full, both rigid and flexible, and full of rhythm. From the trend of calligraphy and the integration of thinking consciousness, the harmony and unity of scenery and emotion, tradition and individuality, form and content have been achieved. Many excellent works presented to the world have provided artistic references and reference materials for relevant departments and related research fields, and contributed to the prosperity and development of China's calligraphy art (according to Who's Who).

Mr. Wang Zhenkun is a desert calligrapher who appeared in the 1980s and 1990s in northwest China. Before 1994, he participated in three consecutive national and international exhibitions with outstanding achievements. After 1994, he disappeared, no longer participated in any competitions, and concentrated on calligraphy. His masterpiece "Wang Zhenkun's Book for Seating" looks like a spirit. It was highly praised by Mr. Qi Gong and praised by experts as one of the best products of the times. It was officially published in 2004 and reprinted twice. The theoretical masterpiece Reading Its Interpretation is closer to the original intention of the post, which is a theoretical breakthrough. Mr. Zhen Kun's works emphasize the combination of content and form, and seem to be created in an idle and hazy consciousness. These vague and uncertain consciousness need to be "generated". Once properly injected into the pen, it becomes an irreversible spiritual imprint, and high-level calligraphy works are often obtained by accident under such circumstances. Mr. Zhen Kun is a well-read, versatile artist, indifferent to fame and fortune all his life, obsessed with his own calligraphy art world. Cui Xuelu, a famous Yan Zhenqing expert, called him a "desert calligrapher".