Diqingsi Ran Ran and Jiangbaicao Xianxian are from Du Fu's six quatrains in the Tang Dynasty.
Six quatrains are poems composed by Du Fu, a poet in the Tang Dynasty. These six poems describe the scenery around the thatched cottage when the spring rains are new and sunny, and show the poet's seclusion feelings. The fifth poem is about the spring scenery of the thatched cottage. Bamboo shoots penetrate the wall and vines pierce the eaves; The earth's atmosphere is transpiration, and the grass on the shore is sleeping: both are the new sunny scenes in late spring.
the house shoots through the wall, and the rattan eaves in the courtyard. There is movement in silence, and there is vitality. Above the earth, the fine silk is swaying and floating; The river is like practice, the grass is green, and the water is beautiful. Poets write this, mostly for objective description, with the interest of things and me.
Du Fu (712-77), with a beautiful word, called himself Shaoling Yelao. Take Jinshi as an example. He used to be Yuan Wailang of the Ministry of Calibration, so he is known as Du Gongbu in the world. After the Song Dynasty, he was honored as a "poet saint" and was also called "Li Du" with Li Bai. His poems boldly exposed the social contradictions at that time, and placed deep sympathy on the poor people, with profound contents.
Many excellent works show the historical process from prosperity to decline in the Tang Dynasty, which is called "the history of poetry". In art, he is good at using various forms of poetry, especially rhythmic poetry; Various styles, mainly depressed; Refined language, with a high degree of expression. There are more than 1,4 poems, including Du Gongbu Collection.
Du Fu's achievements in calligraphy:
Du Fu's view on calligraphy creation is very mature and profound. According to the records, his calligraphy style is a combination of cursive script and cursive script, and he works with his mind as a whole, admiring the ancient and majestic style, and paying attention to the speed, rhythm, brushwork, ink method and so on in writing. He was also a very deep calligrapher in the Tang Dynasty.
At the same time, his praise for the official calligraphers in the Tang Dynasty and his comments on Cao Ba and Zhang Xu were enough to make him famous in the history of calligraphy, and his theory that "books are expensive but thin and hard" laid an important position for Du Fu in the history of calligraphy theory.