The detailed and vivid description of the scenery reveals the special connection of objective things, and at the same time expresses its own unique feelings, achieving the best effect of scene blending. Emotion and scenery are two elements of poetry creation. "Landscape is the medium of poetry, and emotion is the embryo of poetry", "Loneliness is not self-contained, and the two are not antagonistic". The author is inspired by ambition internally, swayed by things externally, and ambition meets things in order to promote society ... Emotion and scenery are two elements of poetry creation. "Landscape is the medium of poetry, and emotion is the embryo of poetry", "Loneliness is not self-contained, and the two are not antagonistic" (in Xie Zhen). Emotion is born of scenery, and scenery is combined with emotion. The two grow and penetrate each other, thus achieving a state of seamless integration, thus producing a wonderful poetic artistic conception. Gu Jieyuan said: "The author is excited by ambition and shaken by things. Ambition and things are incompatible when standards are raised, and beautiful shapes come out. "In the present words, emotion is materialized by scenery, and scenery is imagized by emotion, which is the basic content of the poet's imagery thinking and artistic conception. And touching the scenery-touching the scenery-melting the scenery has become one of the basic ways to create poetic artistic conception. Although Hu Yinglin once praised the five-character poem "Farewell to Vice Governor Du to be an official in Shu", he said: "There is no scenery, the image is graceful, and the spirit is pale. It is really the first to open a wonder." Zhang Jie also said that "this is what everyone has in common", while Du Fu said that "the scene is good or not". In other words, poetry is mainly about love, and there is no scenery in poetry, so you can't write a good poem from the beginning. The banks of the Yellow River recaptured by the imperial army are called Du Fu's "the first quick poem in life", which is just right: "There is only one topic, and the rest are all love stories". However, judging from the national tradition of China's classical poetry, the blending of scene and scene marks the basic aesthetic taste and ideal of our nation. Classical poetry often expresses feelings by scenery, which makes poetry and painting highly integrated. It is artistically implicit and poetic, which makes people read leisurely and far-reaching.
Poetry, either expresses feelings through scenery, or lives in scenery, or loves scenery. The scenery written in it not only plays a normative role in the feelings expressed by the poet, but also shows the trend of the poet's thoughts and feelings, making the poet's inner and even abstract feelings externalized, objectified and objectified, thus strengthening the image, concreteness and vividness of poetry. Moreover, "deep feelings" and "deeper feelings in the scene" further strengthen the aesthetic feeling of poetry and are intriguing. A short "Yishuige": "The wind is rustling and the water is cold, and the strong man is gone forever!" After a thousand years, people's hearts can still be felt, even because they are good at writing landscapes. "Never describe, slightly polish, that is, it is really obvious, and the rhyme is like a cloud ("Lv Shi Yong Yu ").
Poetry with a blend of scenes makes people feel as if they are in their own place and feel the same. Poems with mixed scenes, real scenes and empty feelings, and the combination of reality and fiction are "wonderful in fiction and wonderful in fact"; The scenery is limited and the feelings are infinite, and the finite and infinite are unified. Fortunately, it is "near but not taking, far and inexhaustible". This can often be done as Mei said: "The scenery that is difficult to write is like now, and there are endless opinions", while "the author has his heart and the viewer knows", and each enjoys the beauty brought by creation and appreciation.