This volume is one of Su Shi's representative works. This volume of stippling is calm, simple and changeable, which undoubtedly inherits the romantic style of regular script in Wei and Jin Dynasties. In the aspect of regular script technique, Su Shi has won the legacy of Wei and Jin Dynasties, with rich brushwork and diverse gestures, both handsome appearance and simple Gu Zhuo connotation. ?
Its characters and strokes are full, wrapped tightly, and the strokes are reflected, with letters, lines and grass alternating. Dot painting is natural and vigorous, and the beginning and end of the painting are also full. Su-style calligraphy is smooth and refreshing, full of flowing beauty.
2. Huang Tingjian's Li Bai's nostalgic poems.
This post is one of the representative works of Huang Tingjian's cursive script. The first 80 words of the volume are incomplete. I once said that I have kept Shengjia for many years and have cursive samadhi; It can be seen that this volume was written after the middle-aged and old-aged Tingzhang. This volume of cursive script marks the outstanding characteristics of yellow grass. It is covered with a pen and rolled vertically and horizontally, which complements the poem and complements each other.
The words in each line are not equal, the spacing is quite dense, and the lines seem to be slightly wider, but they are not equal. The refined thread is not vertical, and the twist is quite heavy, sometimes left and sometimes right, but two sets are very comfortable.
3. Mi Fei's "multi-scene architectural poems"
This volume is one of Mi Fei's representative works, and Mi Fei's later works are bold, heavy and steady, with extremely bold and magnificent brushwork. The way of "brushing words" in this volume is very obvious, and many strokes are scattered. Some vertical pens and skimmers are thrown away because they are operated too fast. The whole work is magnificent, and there is great tension between the ups and downs of brush strokes.
4. Cai Xiang's "Suburban Burn Post"
This book is one of Mi Fei's representative works, namely Jiao Shao Tie and Cao Xing Shu Za. The brushwork is bold and honest, tactfully and tactfully, and the pen is free. This post is based on "Yuan Bo Post" and combined with Cao Zhang's brushwork, which makes it organically integrated and forms Cai Xiang's unique cursive style.
5. Su Shi's Huangzhou Cold Food Poems
This post is the masterpiece of Su Shi's running script. This is a poem to send a revival, and it is a sigh of life caused by Su Shi's relegation to Huangzhou for three years. The poem is desolate and affectionate, expressing Su Shi's melancholy and lonely mood at this time. The calligraphy of this poem is produced in this mood and situation. The whole calligraphy is full of ups and downs, radiant and unrestrained, and there is no shortage of pens.
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