A famous painter in the late Southern Song Dynasty who had the triple identities of aristocrat, scholar-bureaucrat and literati. Zhao Mengjian was elegant and knowledgeable, skilled in poetry and prose, good at calligraphy, and good at ink and white painting of daffodils, plums, orchids, bamboos and stones. Among them, the depiction of narcissus in ink orchid and white is the most exquisite. The method is used without fault, the brushwork is delicate, strong and elegant, the flowers and leaves are scattered and organized, complex but not redundant, the workmanship is not skillful, and it is quite business-like, giving people the impression of "clear but extraordinary, beautiful" The feeling of elegance and simplicity is cherished by all the world. Zhao Mengjian's first Molan (orchid written in ink) style is sharp and relaxed, refreshing and elegant. Two spring orchids are painted on the grass, and the flowers are in full bloom, dancing like butterflies, giving people a refreshing pleasure. So Nanweng Hualan was famous for his paintings of "orchids with exposed roots" (that is, he painted orchids without painting soil). He lived in seclusion under Wu in the early Yuan Dynasty, and painted exposed orchids to express his pain of losing his country without soil. In his long scroll of Mo Lan, he even wrote the words "purely a gentleman, never a villain" to express the self-esteem of his nation. His painting style is simple and unique, with a unique sense of purity. So Nanweng Hualan was famous for his paintings of "orchids with exposed roots" (that is, he painted orchids without painting soil). He lived in seclusion under Wu in the early Yuan Dynasty, and painted exposed orchids to express his pain of losing his country without soil. In his long scroll of Mo Lan, he even wrote the words "purely a gentleman, never a villain" to express the self-esteem of his nation. His painting style is simple and unique, with a unique sense of purity. The Orchid Hui paintings of Zhao Mengfu, a famous painter and calligrapher of the Yuan Dynasty, clearly learned from Zhao Mengjian's painting method, using a free and expressive style to express an unrestrained and elegant emotion. In the Ming Dynasty, Wen Zhengming's orchid paintings were bold and unrestrained, and were often mixed with bamboo, thorns, and stones to set off the orchid's appearance. Later, the female painter Ma Shouzhen's meticulous understatement, the painter Xu Wei's broad strokes, the painter Xiang Zhibian's free and easy center (brush edge), and the painter Zhou Tianqiu's folded leaves and curled flowers, all have their own unique styles. In the Qing Dynasty and modern times, the style of orchid painting became more and more popular, and each one had its own personality and elegance.