Han nationality, born in Sanhe, Hebei Province, 1942 was born in Tianjin. The cursive script is rigorous in structure, fresh and vigorous, integrating cursive script, cursive script, official script and Wei Bei. His works have been exhibited at home and abroad for many times, and published in People's Daily and China Culture Newspaper. He has written in-class and out-of-class titles for dozens of newspapers such as Economic Daily, China Commercial Daily and China Food News, and written ship names for ocean-going ships such as Huashan, Huangshan and Tuohai.
Chinese name: Han Shaoyu.
Nationality: China.
Ethnic group: Han nationality
Place of birth: Tianjin
Date of birth: 1942
Occupation: painter and calligrapher
Representative Works: Selected Works of Han Shaoyu's cursive Tang Poems.
brief introduction
Han nationality, Han Shaoyu native, Hebei Sanhe native, 1942 was born in Tianjin. The cursive script is rigorous in structure, fresh and vigorous, integrating cursive script, cursive script, official script and Wei Bei. His works have been exhibited at home and abroad for many times, and published in People's Daily and China Culture Newspaper. He has written in-class and out-of-class titles for dozens of newspapers such as Economic Daily, China Commercial Daily and China Food News, and written ship names for ocean-going ships such as Huashan, Huangshan and Tuohai. He is the author of Han Shaoyu's cursive script Selected Poems of Tang Dynasty. Love to write poetry. He used to be a member of China Calligraphers Association, director of Beijing Branch of China Calligraphers Association, member of Beijing Fine Arts Calligraphy Research Association, member of Zhongshan Calligraphy and Painting Research Association and member of Beijing Calligraphy Association.
achievement
Semi-cursive/running/calligraphy (China's calligraphy)
Calligraphy has the highest achievement in running script, and its fonts are rich in learning from others, blending grass, plum and Weibei in one furnace. The font is fresh and vigorous, unique and elegant, with rigorous structure, dynamic solemnity and dignified atmosphere, which makes people feel inexhaustible. Liu Bingsen, a famous calligrapher, once praised his cursive script as "accurate and accurate, able to stretch and open, conscientious and sometimes light." Han Shaoyu paid attention to the strengths of contemporary schools, and his brushwork became fresh and vigorous, and his rough brushwork was not muddy, and his meticulous brushwork was not weak. He sought rigor in uniformity and balance in taking advantage of the situation.
Painting and calligraphy
The following is a poem by Tang Wei Wu Ying written by Han Shaoyu before his death, "I look at my house every day, and I am wasting my time. Huainan is tired of sitting, and there are many mangroves in Qiushan. Judging from the unique ups and downs of this work, its brushwork is vigorous and powerful, and its brushwork is like a bamboo leaf in a painting. Stippling is rich and energetic. Most of the characters start with the center, sometimes in order to create danger and gain motivation, they also use the side, such as "year old" and "sitting". The vertical pen is thin and hard, showing the power to reach the Millennium, such as the vertical pen with the words "longevity" and "autumn". Horizontal pen like hide the sword, splitting Tai Chi Yin and Yang, like a horizontal pen with the word "dark". It is better to leave the pen like a knife than to cut the blade of an axe, such as leaving the words "stumbling" and "disgust" long. Chinese characters are symmetrical in structure, rigorous and elegant, orderly in change, flexible and scattered, with different pens, and pursue the beauty of diversity and unity. Han Shaoyu tightens the middle of each word and broadens its periphery, such as "autumn", "disgust" and "ruin". In addition, every word can be melted into a furnace, sometimes it is grass, and sometimes it moves, such as the word "Huainan". Sometimes Wei Bei's brushwork is used, such as the word "multi-tree".
calligraphy
The chapter array of calligraphy, that is, the business location and branch layout, is an extremely important factor to achieve vivid charm. Mi Fei, a famous calligrapher in the Northern Song Dynasty, said that good calligraphy should be "as good as a master". Han Shaoyu's calligraphy pays great attention to the overall charm, and pays attention to the artistic effect in layout, uniform avoidance, stroke thickness, shade and dryness, inscription, postscript and seal cutting, which is handled properly. He knows the front, side, cover, back and front of every line and word like the back of his hand, and borrows from the content of calligraphy, taking shape and taking spirit. Watching his calligraphy works can not only give people beautiful artistic enjoyment, but also reveal the author's intention from the expression, style and momentum of his works. At first glance, his calligraphy works seem to be written casually. Only by watching carefully can we see the other side of his calligraphy art, which contains inexhaustible natural interest in solemnity, rigidity and chic.
works appreciation