Hello, I will answer for you about Liu Yong Wanghai Chao, Liu Yong Wanghai Chao I believe many friends still don’t know, let’s take a look now! 1. Appreciation of Liu Yong's "Wang Hai Tide" Wang Hai Tide...
Hello, I will answer for you about Liu Yong Wang Hai Tide. I believe many friends still don't know about Liu Yong Wang Hai Tide. Let’s take a look now!
1. Appreciation of Liu Yong's "Looking at the Sea Tide" Looking at the Sea Tide · Liu Yong The southeast is the most beautiful place in the city. Qiantang has been prosperous since ancient times.
2. Smoked willow painted bridges, windy green curtains, and hundreds of thousands of homes.
3. Cloud trees surround the embankment and sand.
4. Raging waves roll up frost and snow, and the sky is boundless.
5. The city is filled with pearls, and the households are filled with luxury goods.
6. Overlapping lakes and Qingjia.
7. There are three autumn osmanthus and ten miles of lotus.
8. The Qiang pipe clears the sky, the watermelon song fills the night, and the old lotus fish are played and fished.
9. Thousands of horses and high teeth.
10. Listen to Xiaogu while drunk, sing and enjoy the haze.
11. There will be good times in the future, go back to Fengchi to boast.
12. Appreciation 1 This poem is contrary to Liu Yong’s usual style. It uses wide openings and closings, undulating brushwork, and a rich and colorful narrative to show the prosperity and magnificence of Hangzhou. It can be said to be a "peaceful atmosphere. "Descriptive music is exhausted" (see Chen Zhensun's "Explanation of Zhizhai Shulu").
13. This poem has a slow and long melody that corresponds to the ups and downs of the emotion it expresses. The rhythm is harmonious and the emotion is tactful. It is a masterpiece handed down from generation to generation by Liu Yong.
14. The first three sentences start to solve the problem, covering the whole article with a broad momentum.
15. First, point out the importance of Hangzhou’s location and long history, and reveal the theme of the chant.
16. Sanwu, formerly refers to Wuxing, Wujun, and Kuaiji.
17. Qiantang is Hangzhou.
18. It is called "Sanwu City" here, which means it is an important city in the southeast and Sanwu area. The words are sonorous and powerful.
19. Among them, the four words "shape wins" and "prosperity" are the finishing touches.
20. Since "Smoke Willow", Hangzhou's beauty and prosperity have been described from all aspects.
21. "Smoke willows painted bridges" describes the beauty of streets and river bridges; "Inner Curtains and Green Curtains" describes the elegance of residential buildings.
22. The sentence "there are hundreds of thousands of households" changes from weak tone to strong tone, showing the complexity of the urban household registration.
23. "Various" means approximately.
24. The three sentences "Cloud Trees" refer from the city to the suburbs. I saw trees lining the Qiantang River embankment. Looking from a distance, they looked gloomy and green, like clouds and mist.
25. The word "around" describes the twists and turns of the long embankment.
26. The two sentences "Raging Waves" describe the surging and mighty water of the Qiantang River.
27. "Tianqian" originally meant a natural deep ditch, but it was moved here to describe the Qiantang River.
28. Watching the tide on the Qiantang River in August has always been called a grand event.
29. Describing the Qiantang River tide is indispensable.
30. The three sentences "Market List" only capture the two details of "Zhuji" and "Luoqi" to reflect the prosperity of the market and the wealth of the citizens.
31. Zhuji and Luoqi are both used by women, and they hint at the prosperity of Hangzhou.
32. The words "Competing for Luxury and Luxury" clearly indicate the dazzling array of goods in the shop, while implicitly implying that the merchants are competing for brilliance, which reflects the extravagant and extravagant side of Hangzhou, a prosperous city.
33. The next film focuses on the West Lake.
34. West Lake, clean and still, round as a treasure mirror, was already very beautiful in the early Song Dynasty.
35. Chonghu refers to the white dike in the West Lake that divides the lake into the inner lake and the outer lake.
36. Overlapping mountains refer to overlapping mountains such as Lingyin Mountain, Nanping Mountain, and Huiri Peak.
37. The poet first summarizes the beauty of lakes and mountains with the word "Qingjia", and then writes about the osmanthus on the mountains and the lotus in the lake.
38. These two kinds of flowers also represent typical scenery of Hangzhou.
39. Liu Yong uses a neat couplet to describe two kinds of flowers in different seasons.
40. The two sentences "three autumns of osmanthus and ten miles of lotus" are indeed written in a highly concise way. They summarize the most beautiful features of the West Lake and even the entire Hangzhou, and have the artistic power to shake people's hearts.
41. "The Qiang Guan clears the sky, and the Ling singing fills the night", the dialogue is also very steady, and the mood is also melodious.
42. “Night” and “affectionate” are intertwined, indicating that no matter day or night, the lake is filled with beautiful flute music and the singing of water chestnuts.
43. The word "pan" means that it is on a boat in the lake, "playing and fishing for lotus babies", which means that the fishermen who play the Qiang flute and the lotus picking girls who sing the rhombus song are very happy. .
44. The word "play" vividly depicts their happy expressions, vividly depicting a picture of amusement in peace and prosperity for the country and the people.
45. Then the poet writes about the scene of dignitaries having fun here.
46. Groups of cavalry, surrounded by high tooth flags, came slowly, with great momentum.
47. The brushwork is free and flowing, and the tone is powerful, making people seem to see a mighty and romantic local governor, drinking and enjoying music, roaring proudly among the mountains and rivers.
48. "There will be good times in the future, so go back to Fengchi to praise them.
49." is the concluding sentence of this poem.
50. Fengchi, that is, Phoenix Pond, was originally a pond in the emperor's forbidden garden.
51. In the Wei and Jin Dynasties, Zhongshu Province was banned from the palace because of its reputation.
52. The word "good scene" encompasses all the things written above and those less than what is written.
53. It means that on the day when the dignitaries are called back, they will draw a picture of the beautiful scene and present it to the court, and show it to their colleagues, saying that such a fairyland really exists in the world.
54. The beauty of the West Lake is highlighted by the unwillingness of dignitaries to leave.
55. The melody of "Looking at the Sea Tide" first appeared in "Collection of Movements" and is a new sound created by Liu Yong.
56. This poem writes about the prosperity and beauty of Hangzhou.
57. It is unique in artistic conception. The first part is about Hangzhou and the second part is about West Lake. It uses dots to connect areas, interweaving light and dark, clear narrative and appropriate description.
58. The majesty of the sceneries and the excitement of the tone are not far from those of Dongpo.
59. In particular, phrases composed of numbers, such as "three Wu cities", "one hundred thousand homes", "three autumn osmanthus", "ten miles of lotus", "thousands of horses and high teeth", etc. The use of words in words is either literal or virtual, all with an exaggerated tone, which helps to form Liu Yong's bold style of writing.
60. Appreciation 2 The brand name "Wang Hai Tide" was created by Liu Yong, probably because Hangzhou is a popular place for tide watching.
61. Hangzhou on the bank of the Qiantang River has been a famous metropolis since ancient times, with beautiful scenery, rich cultural heritage, prosperous economy and affluent life.
62. In this poem, Liu Yong uses vivid pen and ink to describe Hangzhou as magnificent and extraordinary.
63. "The southeast shape is victorious, and the three Wu cities are the capital." From the beginning of the pen, the pen is wide and wide, straight up and down.
64. Two four-character couplets are powerful and powerful.
65. "Southeast" refers to the direction; "Sanwu" refers to the location.
66. Explain the geographical location. The vast space and vast area give people a sense of openness and arouse people’s expectations for reading: Where is it that we have such a good time and place? The next sentence immediately gave the answer: "Qiantang has been prosperous since ancient times.
67. "Since ancient times" highlights Hangzhou's long history and prosperity.
68. Next, the poet enumerates the natural scenery and cultural landscape of Hangzhou one by one like a treasure trove.
69. The following three sentences give vivid explanations of the "city", "Xingsheng" and "prosperity" in the first sentence respectively.
70. "Smoky willows draw bridges, wind curtains are green curtains, and there are hundreds of thousands of homes.
71. "Looking from a distance, the weeping willows are filled with smoke, the mist is like gauze, and the rainbow bridge is like Painting, it’s really a beautiful scene that can only be found in paintings.
72. This place is crowded with people, with various buildings, each hugging the terrain, standing in rows, with eaves and teeth staggered; when you get closer, you can see the breeze passing by, and the curtains of thousands of households are swaying lightly, making it look pleasant. Tranquility, really a "city" scene.
73. "Jagged" describes the unevenness of the buildings, and "hundreds of thousands" refers to the large population, which may not be the exact number.
74. "Clouds and trees surround the embankment and sand, raging waves roll up frost and snow, and the sky is boundless.
75." The line of sight shifts from the city to the Qiantang River to write "Xingsheng".
76. Towering ancient trees surround the river embankment, and the turbulent river waves rush in like anger, stirring up white waves like frost and snow. The majestic Qiantang River is like a natural The trenches blocked the enemy from the north.
77. The word "寅" shows the rows of ancient trees and the meandering embankment, while the word "juan" also shows the turbulent and surging waves.
78. "The market is full of pearls, the houses are full of luxury, and the luxury is high.
79." The camera moves closer and lets take a walk around the market.
80. Pearls, jade and precious stones are everywhere in the city. Every household is filled with silk cabinets, and people's clothes are even more bright and luxurious, competing for beauty.
81. "Liu", "Ying" and "Jing" put economic prosperity, rich life and luxury into reality.
82. The beauty of Hangzhou lies in the West Lake. The beauty of the West Lake lies in the beautiful scenery and even more in the beautiful people.
83. "The lakes are stacked with Qingjia, with three autumn osmanthus and ten miles of lotus.
84. "There is a lake outside the lake, and there are mountains outside the mountains. The beautiful Jinshan Mountains of the West Lake are real It is beautiful and commendable; even more beautiful is "three autumns of osmanthus, ten miles of lotus", which can be called an eternal poem.
85. "Sanqiu" means that the sweet-scented osmanthus blooms for a long time, and its fragrance lasts for a long time; "Shili" means that lotus flowers are widely planted in the lake. The lotus flowers are "unusually red".
86. This sentence brings out many images, including lakes, mountains, autumn moon, sweet-scented osmanthus, and lotus flowers, which make people feel relaxed and happy, and have endless reveries.
87. "Sanqiu Guizi" reminds people of the beautiful legend about West Lake.
88. It is said that in Lingyin Temple and Tianzhu Temple in West Lake, every Mid-Autumn Festival, dewy osmanthus seeds often fall from the sky, and the fragrance is unusual. They fall from the laurel trees in the Moon Palace, and they are the lonely Chang'e. Give it to the caring people in this world.
89. Therefore, Song Zhiwen wrote in "Lingyin Temple": "The osmanthus falls in the middle of the moon, and the fragrant clouds float outside.
90." Bai Juyi also wrote in "Recalling Jiangnan" "Looking for osmanthus seeds in the moon in the mountain temple."
91. The beautiful legend adds a mysterious and ethereal color to the beautiful West Lake.
92. The two sentences "Qiang Guan makes the sky clear, and Ling's song floods the night" are intertextual, that is, Qiang Guan makes the sky clear and floods the night, and Ling's song floods the night, making it clear.
93. It means that the sound of the flute and singing are non-stop day and night, flying in the clear sky and rippling under the moonlit night.
94. "Nong" makes the flute player and the girl collecting water chestnuts feel more free and cheerful; "Pan" means that people are playing the flute and singing in the lake, and the sound of the flute seems to ripple with the lake water. Come, let the lightness and joy appear in full.
95. "Playing and fishing for lotus babies", the old man fishing by the lake is contented, and the children picking lotus in the lake are noisy and playful.
96. In one sentence, we unfold a picture of the people's happiness in the peaceful and prosperous times.
97. "Thousands of riders with high teeth, riding drunk, listening to flutes and drums, chanting and admiring the haze.
98." The powerful and powerful travel in style and majesty, and they really have the potential to respond to a hundred responses.
99. In your spare time, you can enjoy wine and music, recite poetry and paint, and enjoy landscapes. How elegant and unrestrained it is.
100. "The picture of the future promises good things, I will go back to Fengchi to praise it.
101." Only at this point does it become clear that the purpose of writing is to pay homage to Sun He.
102. "The future" and "returning to Fengchi" are good wishes for Sun He's career prospects, and this "good scenery" is enough to "praise" to the people in the court, which also makes this wish attributed to him. In praise of the magnificent and beautiful Hangzhou.
103. Although flattery and exaggeration are inevitable when giving gifts, the landscape of West Lake has proved it for itself. If you don’t believe it, come to Hangzhou and see for yourself! (Jiang Yayun).
104. Appreciation 3 "Looking at the Tide" is also a widely recited famous poem among Liu Yong's poems.
105. Qiantang (now Hangzhou City, Zhejiang Province) has been a famous big city in history since the Tang Dynasty, and developed further in the Song Dynasty.
106. Liu Yong lived in Hangzhou for a period of time and had personal experience and deep feelings for Hangzhou’s scenic spots, customs and customs. Therefore, in this poem, he was able to use vivid pen and ink to Describe Hangzhou as magnificent and extraordinary.
107. The beauty of the West Lake, the spectacular tide of the Qianjiang River, the prosperity of Hangzhou city, the enjoyment of the local upper class, and the working life of the lower class people are all reflected in the poet's writings and scribbles Create beautiful, magnificent, vivid and lively pictures.
108. The value of this picture is not only that it depicts the beautiful mountains and rivers of Hangzhou, but more importantly, it shows the local customs and customs at that time.
109. According to Luo Dajing's "Helin Jade Dew", this poem was written by Liu Yongchen and dedicated to his old friend Sun He.
110. Sun He served as the transit envoy between Zhejiang and Zhejiang at that time and was stationed in Hangzhou.
111. The phrase "thousands of horses and high teeth" in the poem may refer to Sun He.
112. Since it is a work dedicated to the officials of Hangzhou, the poem cannot help but exaggerate the description of Hangzhou at that time, and it cannot help but end with complimentary words.
113. However, more importantly, through the superficial phenomenon of "competition for luxury", readers can also see the real wealth of "the city is full of pearls and the households are full of luxury", and the "Qiang tube" The lightness and joy of "when the sky is clear, the song of watermelon fills the night", and the graceful and unrestrained feeling of "listening to flutes and drums while drunk, chanting and appreciating the haze".
114. All of this can only be produced on the basis of the huge material wealth created by the long-term hard work of the ancient working people.
115. “Lakes stacked on top of mountains,” and “smoke and willows paint bridges” are not natural occurrences, but are the result of working people managing rivers and mountains and transforming nature.
116. “The clouds and trees surround the embankment and the sand”, “the three autumns of osmanthus and the ten miles of lotus flowers” ??are all created by the hard work of the working people.
117. At that time, Liu Yong greatly appreciated this and was proud of it.
118. Today, when we read such lyrics, we should not be too demanding, or even accuse him of "covering up the class contradictions and wealth disparities at that time." You can feel the magnificence of the motherland’s rivers and mountains as well as the diligence and wisdom of the ancient people in the pictures, thereby enhancing our national self-confidence and national pride.
119. "There is heaven above and Suzhou and Hangzhou below" has been a long-standing adage. This is not a compliment.
120. This poem is also quite successful in art.
121. The author seizes the characteristic things, uses a passionate and exaggerated style of writing, and in just a few words, the charming scenery of the West Lake and Qiantang is displayed in front of the readers.
122. The first part mainly outlines the "shape" and "prosperity" of Qiantang, with thick brushstrokes, high buildings and various atmospheres.
123. The writing method goes from general to specific, unfolding step by step, and deepening step by step.
124. For example, the first three sentences point out "shape", "city" and "prosperity", but after all, they are general and direct statements, which are difficult to leave a deep impression on people.
125. The following nine sentences closely revolve around these six words, making vivid descriptions, and the realm immediately unfolds: "Smoke willows draw bridges" The three sentences write "metropolis" ", "Clouds and trees surround the embankment and sand, angry waves roll up the frost and snow", etc. focus on depicting the "shape", while "the city is unique and the households are full of flowers" highlight the wealth and prosperity of Hangzhou. The next film focuses on depicting the beautiful scenery of the West Lake, joyful sightseeing and working life.
126. The writing method focuses on the word "good scene", especially the people who appear in the "good scene".
127. The three sentences "Chonghu" describe the beautiful scenery of the West Lake. Among them, "three autumns of osmanthus and ten miles of lotus" are naturally good words and are charming through the ages.
128. The three sentences "Qiang Guan Nong Qing" write about the lower class people, and the three sentences "Qiang Guan Nong Qing" write about the state and county chiefs.
129. The ending ends with praise.
130. In addition to full emotion and moderate exaggeration, the language, pronunciation, and tone of the words are also perfectly combined with the content of the words.
131. "Wang Haichao" was also the first work of Liu Yong. The word cards are closely integrated with the content and regional characteristics of the words.
132. The first part describes the scenic spot and the splendor of the Qianjiang River tide. The words use strong and powerful language such as "raging waves", "frost and snow", and "natural moat". The words and sentences are short and the tone is high. It was rapid, as if a great tide was rushing in, with thunderous and unstoppable momentum.
133. When writing about the quiet and beautiful scenery of the West Lake, the words are beautiful, the sentences become longer, and the rhythm is gentle and soothing. Finally, a good line that was recited in the Qianqiu period such as "Sanqiu Guizi" appeared, and then "Qiang Guan" "Make it clear" and other sentences are constantly added to it, and the beautiful West Lake becomes even more refreshing.
134. This is a poem with strong artistic appeal.
135. It is said that after the benefactor Wan Yanliang heard the song "Three Autumn Osmanthus, Ten Miles of Lotus", he envied the prosperity of Qiantang, which further strengthened his ambition to embezzle the Southern Song Dynasty.
136. To this end, Xie Yi (Chu Hou) of the Song Dynasty also wrote a poem: "Don't sing the music of Hangzhou, the lotus flowers are ten miles away and the osmanthus is three autumns."
137. Did you know? 138. "(See Luo Da Jing's "Helin Jade Dew") It is unbelievable to say that Jin Zhuliang was inspired to invade the south due to the influence of a poem.
139. However, the emergence of this legend can prove that the artistic appeal of this poem is very strong.
140. As a senior bureaucrat, Fan Zhen also admired Liu Yong's poem extremely: "In the 42nd year of Renwan's reign, Hanyuan was suppressed for more than ten years, and he could not even sing a single song. He was cleverer than Qi.
141. "(See "Fangyu Shenglan") One of the main manifestations of Liu Yong's expansion of the content of his poems is that his poems reflect the prosperity of the city and the magnificence of the mountains and rivers. .
142. In addition to singing about Hangzhou, Liu Yong's lyrics also sang about Suzhou ("Magnolia Slow", "Rui Partridge").
143. Yangzhou ("Linjiang Fairy"), Chengdu ("An Inch of Gold"), Luoyang ("Youth Journey") and Bianjing, the capital of the Northern Song Dynasty ("Pour a Cup of Music", "Through the Blue Sky") etc.
144. It left a vivid picture of urban prosperity in the Song Dynasty.