Clear pronunciation and mellow voice, thin and hard, firmly follow Weibei. The stippling is crisp and beautiful, strong and rigorous, and is known as "Yan Gu". The regular script of "the book is expensive, thin and hard, and the spirit is clear" is slightly thinner and harder than the surface.
His calligraphy was very famous at that time in the Tang Dynasty, and there was a saying among the people that "a willow word is worth a thousand dollars". Calligraphy is vigorous and powerful, and every word is rigorous and meticulous.
Liu Kaishu's brushwork is vigorous and powerful, steady but not vulgar, risky but not strange, old but not withered, moist but not fat, harmonious in manners and endless in charm. The strokes are even, hard and thin, with exposed edges and corners and rich changes, so as to avoid single hanging and repetition.
Most horizontal paintings are round, with strong bones, clear head and tail, short and thick, long and slender, handsome and handsome, vertical paintings are frustrated and powerful, stiff and slender, concise and firm, sharp and sharp, heavy and short, and neat with a pen. On the whole, it is restrained and stretched, the uterus is tightened and the limbs are developed. In rigor, we can see the graceful and open style.
Liu Ti:
1, Fang Bi and round pen. Fang Bi refers to a square with edges and corners at the beginning, end and turning point. The brushwork is mainly folding. Round pens refer to those round and plump strokes. Liu Zi's pen is often used in Fiona Fang. For example, draw the pen horizontally, with sharp edges and corners. The pen is round and subtle. The same is true of vertical dew. If you draw, start with a round pen and press your feet outward. Attention should be paid to the difference between the vertical painting and left-handed painting of Liu Ti characters and regular script. Liu Ti is often turned to the front and folded twice, so the starting point is one more angle than regular script.
2. There is a difference in the length of the horizontal painting of willow characters. Short paintings are thick and bulging, while long horizontal paintings are thin and covered. The horizontal and vertical directions are not as light and straight as Yan Ti's Qin Li Monument, and there is a clear formula. There is not much difference in the horizontal and vertical weight of willow characters, and some short horizontal paintings are often heavier than vertical paintings.
3. Compared with the word "Liu", it is generally light and heavy, which is the same as the word "Yan".