Example 1:
1, learning calligraphy, if you really put yourself into it, you can feel a lot of fun. At first, I came into contact with seal script, then I turned to official script, and then I started to write regular script. Each calligraphy font has its own characteristics. I think the strokes of seal script are beautiful, the official script is softer, and the regular script is tall and powerful.
2, and I personally prefer regular script, especially Yan Zhenqing's regular script, because I can feel its spirit, so every time I write, I can confidently write the shape of each stroke, paying attention to the pen, pen, pen, but as long as I have its shape in my heart, it is easier to master.
Example 2:
1, I think to learn calligraphy well, there must be certain aesthetic requirements, and the written works should have aesthetic feeling. We should constantly surpass ourselves in the style of pursuing beauty.
2. In the study and creation of calligraphy, the pursuit of beautiful style, to see whether a calligraphy work is beautiful, depends not only on the physical structure of each word, but also on whether the whole work has changed, such as different pens and strokes, suitable for fat and thin, fat and beautiful, thin and thin, natural and unrestrained, full of emotions and high spirits.
Because everyone's hobbies and aesthetics are different, there must be different views, requirements and pursuits. As a result, they formed their own different artistic styles, and in a sense, they formed their own artistic styles. Only by constantly surpassing others and ourselves can we calmly enter this hall of human calligraphy art.
Communication guide:
1, look at the picture to find ideas.
Look at the illustrations carefully and read the words in the pictures. What do you know and what don't you know? Look carefully, what's the difference between them and the pen words we usually write?
② As can be seen from the picture, the characters in Wang Xizhi's Preface to Lanting Collection (Partial) have traditional Chinese characters and the length, thickness and straightness of strokes are various, and the characters with more strokes are different from those with fewer strokes.
(3) Wang Xizhi began to learn calligraphy at the age of seven. Wang Xun, an uncle who studied under Mrs. Wei and a calligraphy family. Later, I visited the exquisite works of Chun Gumao, a master of seal script in Qin and Han Dynasties. He carefully studied the style, imitated his thoughts, learned from others' strengths, and melted into one furnace, creating a running script that is "natural, natural and rich" and is praised as a "book saint" by later generations.
④ Professor Peking University and pioneer Li Zhimin commented: "Wang Xizhi's calligraphy is simple and profound, based on both the philosophy of Laozi and Zhuangzi and the Confucian doctrine of the mean." Calligraphy reached its peak in his later years, and Preface to Lanting was his masterpiece in his later years.
2. Think about the theme.
Look at the question prompts and choose the topic you want to share with you most. Is it about the story of calligraphers or the experience of visiting calligraphy exhibitions? Pay attention to the topic you choose. It must be the person who knows calligraphy best and wants to communicate with you most.
3. Exchange views.
Tell the students about the topic you are most interested in calligraphy, and pay attention to the orderly expression, which can be explained from several aspects.
4. Comment on who is the best.
Review in groups to see whether the students' content meets the requirements, whether the language is organized and whether the key points are prominent.