2010-11-24 09: 45: 45 Huaxia Jingwei.
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Reporter: Mr. Ma, you created the sixth style of calligraphy, filled the blank of calligraphy style, ended the 2000-year history of five styles ruling the calligraphy world, and made great contributions to China culture. I heard that you have made a new breakthrough in the study of horse calligraphy.
Yes, I spent three days studying the "mother and son" style of Ma calligraphy: the "style" and the "quotation" of the book. Ontology is close to regular script, which is the fundamental book of horse body, also known as horse body; The introduction is close to cursive script, which is a book derived from horse body, also known as horse grass. The sixth style of calligraphy, Ma Calligraphy, is also called Ma Lishu for short, because it is close to Li Shu. Horses belong to official books, and official books have their own derivatives, which have been predicted. The appearance of writing style and quotation style is inevitable. To tell the truth, time is too short, and it comes a little fast. On the other hand, it took more than two thousand years for the sixth body to appear, which was a bit too long.
Reporter: Can you talk about the characteristics and significance?
Ma Yongan: Just like the relationship between regular script and running script, the three styles of calligraphy come down in one continuous line: noumenon, horse style and regular script. The basic brushwork of ontology is horse-shaped, and the basic structure is regular script, taking the side and turning; The basic brushwork of pull-ups is horse body, and the basic structure is cursive script, which is smooth and smooth when taken down. The creation of ontology and quotation not only enriches China's calligraphy fonts again, but also verifies the real existence of the sixth calligraphy style, Ma Shufeng, while completing the series of Ma Shufeng. The appearance of horse calligraphy indicates the birth of a new order!
Reporter: Will this book style and quotation style be the seventh and eighth after the sixth book style?
Ma Yongan: I don't know whether it's the seventh or the eighth day. Whether it is right or wrong is everyone's decision. Sometimes it is obviously wrong, and some people may say that he is right. Impulse because you don't understand, not without goodwill! Some people say that painting two strokes is called the sixth body, and painting two strokes in time is called the seventh body. If ontology and pull-ups really become the seventh and eighth, then there is no way to draw, another day!
Reporter: What is the significance of calligraphy research?
Ma Yongan: Every change in writing style is a simplified process. The predecessors gave up the troublesome seal script and chose cursive script and official script, not only because the writing tools changed with the development of scientific and technological productivity, but also because the social rhythm became faster and people's concepts changed fundamentally. The significance of calligraphy research, more importantly, is to promote the reform of Chinese characters and adapt to and promote social development more quickly. Calligraphy research belongs to the art category, which is essentially different from calligraphy research.
Introduction to Ma Yongan:
Ma Yongan, 1956, a native of Shangcai County, Henan Province, joined the work in 74 years. 8 1 After graduating from university, he worked as a reporter and editor in People's Daily, Ministry of Radio, Film and Television and Ministry of Culture, and served as deputy secretary-general and secretary-general of China International Painting and Calligraphy Research Association and China ATV Painting and Calligraphy Institute. During this period, he published several literary works and calligraphy and painting works.
In 2002, Ma Yongan's discovery rate was published, and a regular regular regular polygon constant system was established. In 2003, he wrote "PH value of SARS nemesis" and founded modern virus prevention theory. After 2003, he was mainly engaged in the creation, research and teaching of calligraphy and painting, and was responsible for the daily management and administration of calligraphy and painting. In 2005, he was hired as a professor of Huaxia Art College, consultant of Nanchang Tengwangge Cifu Research Institute in 2006, secretary-general and vice-chairman of China Calligraphy Artists Association in 2007, vice-chairman of China Artists Association in 2008, president of China Artists Association, curator of Longshuncheng Art Museum, and chairman of China Calligraphy Artists Association in 2009.
In July 2009, calligraphy was named "Horse Calligraphy" by China Calligraphy Xintiandi Research Center, and was included in the modern book spectrum. From June 5438 to October 2009 10, Ma Shi's calligraphy was officially named "Ma Ti Calligraphy" by the National Copyright Administration, and was praised as "the sixth style" by the industry. On June 20 10, as the only expert and scholar from the cultural circle, Yuan Longping and other engineering academicians and scientists were included in the cover of the large-scale scientific document "Innovative China". 20 10 July, Phoenix. Com reported "the sixth form of calligraphy". Then, hundreds of professional websites and more versions of calligraphy history were included in the sixth calligraphy style, becoming the sixth calligraphy style "Ma Calligraphy Style" after seal script, official script, cursive script, regular script and running script, ranking in the history of calligraphy. 20 10 In September, the press conference of "Mr. Ma Yongan, the founder of the Sixth Book Style" was held in Beijing. Article 6 News shall be publicized and reported in written form in hundreds of news media such as People's Daily, People's Daily, Reference News of Xinhua News Agency and China Quality News.
20 10, 1 1 year 10, the horse calligraphy system was completed, and the sixth derivative font of horse calligraphy style was created: calligraphy style-"ontology" and quotation style-"quotation style". Ontology is the basic body of calligraphy, and it is also called Ma Kai because it is close to regular script. The introduction is an extension of Ma Shu style, which is also called Ma Cao for short because it is close to cursive script. The sixth calligraphy style is horse calligraphy, which is also called horse calligraphy for short because it is close to Li. The innovation of ontology and quotation not only enriches the connotation of Ma's calligraphy, but also makes another great contribution to China's calligraphy. Practice has proved that the innovation of horse calligraphy is a revolution in the history of calligraphy in China, and a new value system and order is being born!