1. Regular script of Wei and Jin Dynasties: based on the laws of Wei and Jin Dynasties, it mainly exists in the form of small script. Represented by Zhong You, Wang Xizhi and Wang Xianzhi's lower case letters, the emphasis is on lower case letters. For example, Zhong You's Manifestations, He Jie Biao, Ji Zhi Biao, Wang Xizhi's Theory of Yue Yi, Huang Tingjing's Theory of Dong Fangshuo Painting, and Wang Xianzhi's Thirteen Lines Jade Edition. At this point, let's briefly talk about the selection of posts in lower case. Choose posts in lower case, and recommend catching up with Wei and Jin dynasties, and don't take Ming and Qing dynasties first. Why? The width is different. Wei and Jin dynasties were very free in small letters, like pouring pearls of all sizes into a plate of jade. The front is seal script, which is translation, not lifting, and the overall performance is simple.
2. Weibei. This is a special phenomenon, and it is a form of the Northern Wei Dynasty, which is mainly based on the inscriptions of this era. Later, this form was popularized, and all this type of calligraphy works were collectively called Weibei style.
Weibei classification:
Cliff: It has a long history, twists and turns, mainly round pens, and Zheng Wengong, Shimenming and Zheng Wengong are relatively standardized.
Statue: 20 pieces of Longmen, carved with formula and sharp blade, Yang Dayan, Gong Pingchu.
Epitaph: Sima and yuanshi county are royal epitaphs, which are relatively standard.
Tablet: conventional, such as Zhang Menglong.
3. Tang Wei. This is a typical regular script. Tang Kai refers to the mainstream calligraphy style in Sui and Tang Dynasties, which is completely mature and stereotyped. From the perspective of calligraphy, popular or popular. However, Tang Kai is the research object of later generations and the peak in the development history of regular script. A thousand words of wisdom, Jiucheng Palace in Ou Yangxun, Confucius Temple Monument in Yu Shinan, or blond hair. It was formed in Tang Kai from Yan Suiliang. In other words, they are "inheriting the charm of the Northern Monument in the Six Dynasties and starting the Tang Dynasty". In Yan Zhenqing and Liu Gongquan's place, the multi-pagoda monument, the Yan Liqin monument, the mysterious pagoda monument and the Shence Army monument are becoming more and more obvious, not moving. The way Jin people write is either the same as appreciating calligraphy or hitting a wall. In the middle of the Tang Dynasty, high tables and chairs appeared and were pushed. From the Wei and Jin Dynasties to the early Tang Dynasty, the brushwork was a natural movement of the hand, not a pen, but a wrist, not a pen, not a painting, and it was written naturally. Slight side is enough, Ou Yangxun and others replaced the responsible books with high tables and chairs. Chu began to form Tang Kai, which was not a translation. Such as Ou Yangxun, Yu Shinan, Yan Zhenqing, Liu Gongquan, Chu Suiliang and Zhao Meng: First, their origins; Second, their unique environment. For example, Yan Zhenqing's ancestors were from Yan Zhitui in the Northern Dynasty, so his calligraphy style has the blood of the Northern School's calligraphy style, and his words contain the elements of tablet.