1, European style: Fiona Fang is practical and square, tall and beautiful, referred to as "handsome man", easy to learn.
2, the body: square and dense, the strokes are light and vertical, referred to as "muscle man", more studious.
3, Liu body: even thin and hard, smooth and beautiful, strong bones, tight figure, referred to as "thin clothes, undressing and fleshy", it is more difficult to learn.
4. Zhao Ti: The font is flat, the border is square, and the strokes are round and beautiful. It is called "Guo Zi Lianman", which is easy to learn.
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Brief introduction of the four great calligraphers
Ou Yangxun (557-64 1 year)
Ou Yangxun was a calligrapher in the Tang Dynasty and one of the four great writers in the early Tang Dynasty.
Because his son Ouyang Tong is also good at calligraphy, he is also called "Great Europe" in Ou Yangxun.
His regular script font became the object that people who later learned calligraphy often imitated.
Because of his plain appearance, he was also nicknamed: the book has a high face value and people are like monkeys.
I think Ou Yangxun's influence in the history of calligraphy is not only a good calligraphy, but also a master because of his pioneering school.
Is Ou Yangxun really much better than Yu Shinan and Chu Suiliang in writing and theory? Actually, not necessarily.
"It is better for a gentleman to hide a murder weapon than to be afraid", and "the vast number of educators" should say that it is not too much to resist the wildness.
Why is Leo in regular script the representative of the four schools in the early Tang Dynasty? In my opinion, Ou Yangxun is not only first-class, but also a "master".
Yan Zhenqing (709-784)
Yan Zhenqing was a calligrapher and politician in the Tang Dynasty.
He is known as "the innovator of calligraphy", and his greatest achievement is to get rid of the elegance of China calligraphers and create a vigorous and full calligraphy style.
Calligraphy art is different from other ordinary arts. You need to read more books, read more books and practice more, so that you can fully appreciate the beauty of calligraphy works.
Liu Gongquan (778-865)
Liu Gongquan was a famous calligrapher in Tang Dynasty. The biggest difference between his calligraphy and other famous Tang Kai writers is his strength, his masculine flavor is very strong, and his brushwork is very indulgent. I feel that his handwriting is very similar to Li Beihai's running script, with strong male hormones.
Liu style is a very special font, which seems to be written only for inscriptions, similar to calligraphy. Although vigorous and beautiful, this brushwork is difficult to apply to your own words.
Zhao Mengfu (1254 ——1322)
First of all, I want to popularize a knowledge point, Zhao Mengfu. The pronunciation of the third word is: f incarnation
Zhao Mengfu was a famous calligrapher in Yuan Dynasty. He talked about calligraphy instead of painting. In the history of calligraphy in China, Zhao Mengfu is the first, the most famous, the most influential and the highest artistic achievement.
Inheriting Jin, Tang, Ming and Qing Dynasties, it influenced calligraphers from generation to generation.
Someone once commented that Zhao Mengfu, the end of one artistic road, opened the starting point of another artistic road.
Zhao Mengfu is an important calligrapher in the history of China calligraphy. There are different and complicated evaluations of Zhao Mengfu in history.
After entering the Qing Dynasty, due to Emperor Qianlong's admiration for Zhao Ti's calligraphy, Zhao Ti's calligraphy was all the rage, which even affected the book engraving industry at that time and became a universal "printing style".