Feibai Calligraphy Appreciation 1
Bai Fei Calligraphy II
Bai Fei Calligraphy 3
Bai Fei Calligraphy 4
Bai Fei Calligraphy 5
On Bai Fei's Calligraphy
? Bai Fei's book? Also called? Feisi? , is an ancient calligraphy style in the traditional calligraphy series. Cai Yong, a writer and calligrapher in the Eastern Han Dynasty, sent an article to the Royal Hongdumen. While waiting for an interview, he saw the craftsman outside painting the wall with a broom dipped in lime water. Many uneven walls were painted, revealing the traces of the broom, which was very interesting. Cai was deeply inspired, and after going back, he repeatedly studied and created a unique? Bai Fei's calligraphy? . Zhang Huaiguan praised: Wonderful flying white, the ancestral word is eight points. There are handsome men, gentle polishing, silk and arrows, and electricity around the snow. As shallow as fog and as thick as clouds. Raise the spirit of the gods, and the dance troupe has many cranes. Who would have thought? Yu? .
I. Basic contents
Bai Fei's calligraphy is unique in the jungle of traditional calligraphy, and its basic characteristics are mainly reflected in three aspects:
1, main features. A flying white paper must have? Fly? And then what? White? The content of these two aspects. How to reach a high level? Bai Fei? The effect is to conquer the difficulty of flying white papers. Huang said in the Northern Song Dynasty: Take its handwriting and call it? White? . If its potential is flying, is it called it? Fly? . In writing, the flying white effect contrasts with thick ink, which enhances the sense of rhythm and rhythm of the works. The pen is vigorous and flying, turning freely, as firm as a steel wire and as elegant as a cloud. Especially in cursive works, lines are broken, pens are broken, silk is white, flying and elegant, just like dancing ribbons, flowing with the melody of life, giving people visual impact, attraction and appeal.
2. Writing tools. Four Treasures of the Study's pen, ink, paper and inkstone have always been the necessary tools for China literati to write and draw. Bai Fei's calligraphy is a kind of calligraphy style in the traditional calligraphy series, and so is the use of tools. However, Bai Fei's calligraphy is a rare special technique in ancient and modern calligraphy. In order to reflect the unique Bai Fei effect of Bai Fei's calligraphy, it is more widely used than the brush used in traditional calligraphy. There are two kinds of pen tools for Feibai Book: soft pen and hard pen, which have different effects when used.
Soft pens include: brush, brush, felt pen, animal leather pen, etc.
Hard pens include rattan pens, bamboo pens and wooden pens.
3. Special technology. (1) Exposure in stippling is also the biggest and most obvious feature of the works, that is, most stippling shows traces of bamboo silk exposure, with broken lines and broken pens, which has a unique vigorous, withering, boundless and pale exposure effect.
(2) the sense of movement in the strokes. Bai Fei's successful calligraphy works embody a kind of artistic beauty, and his seal script and official script Bai Fei are just like the eight-part essay of official script. Some brush strokes are sweet, pure and heavy, rigorous and dangerous, while others are hearty and unrestrained. In particular, cursive scripts fly white, and some are fresh and natural, such as mountain streams and clear springs; Some are like meteors flying across the sky, others are like dancing ribbons, revealing white silk and flowing with the melody of life, giving people aesthetic feeling and advanced enjoyment.
Second, the historical origin
Bai Fei's calligraphy can be traced back to the Eastern Han Dynasty, with a history of 1982. The earliest record of Bai Fei's calligraphy is that Wang Huan in the Northern Dynasty included Bai Fei's calligraphy in the Book of Ancient Books. Zhang Huaiguan in the Tang Dynasty listed the famous calligraphers of past dynasties as twenty-five works in Shu Duan, among which three were Fei: Cai Yong, Wang Xizhi and Wang Xianzhi; There are 98 wonderful products, including five Faber trees: Xiao Ziyun, Zhang Hong, Dan Wei, Ou Yangxun and Wang Biao.
Wang Xizhi was introduced in Li Simiao's Later Book in the Tang Dynasty. His flying white is also a flying white fairy, with misty valleys and burning smoke. Geng Jie, a long sword, stands leaning against the sky, and a strong arrow soars without land. Another example is pine rock, which rises darkly to the clouds, washes jade in flying springs and scatters into sunset rain. Not only to escape from the circle, but also to be different from diaosi, which is long and short and difficult to trace; Li, Xing, Cao,,, etc. introduced in the Introduction are all absorbed into the five bodies, and eight of them can enter energy. This paper introduces the combination of various styles in Xiao Ziyun. Xiao Zhuan's creation is colorful and full of interest, and he points out something when painting. Miao Yan is excellent, but it's hard to compare with her. However, antique styles are few and far between, and it is forbidden to live in exotic flowers ... It is also recorded in Shu Duan that Ou Yangxun's flying white crown is absolutely superior to the ancients, with the image of dragon and snake fighting, the clouds are light and thick, and the wind whirls and stirs, just like a god.
In the early years of the Northern Song Dynasty, there was the Yellow Post written by Mrs. Wei in the Jin Dynasty. The beauty of Jiangnan? Six characters; Mi Fei praised Ge Hong in Jin Dynasty in Famous Sentences of Haiyue. The view from the roof? Bai Fei is the crown of Chinese characters, ranking first in ancient and modern times; Li Shimin, Emperor Taizong, wrote an inscription and preface for Jinci. According to historical records, Tang Taizong's calligraphy has a profound foundation and superb skills. Bai Fei? . Fang Lingxuan praised his calligraphy and said, "Pen is like a clock, pen is like a clock, pen is like a clock, and flowers are like flowers." . Jinyang princess, the daughter of Emperor Taizong, envied her father's flying white book. Therefore, Tang Taizong's calligraphy is often collected, especially the "flying white" works have become artistic treasures that people are scrambling to search for; Li Zhi and Tang Gaozong also wrote Jigong Monument in white. Wu Zetian can not only write a flying white book, but also? Flying white festival? In Jiao Mo, he is better at writing Bai Fei, and the book "The Monument to the Immortal Prince" exists in Yanshi Mountain, Luoyang, Henan Province; Tang Wei Chi Jingde's epitaph:? Epitaph of Governor Stuart Bingzhou in the Late Tang Dynasty, on Zhuguo, Hubei, Wu Gong's loyalty and righteousness, and Wei Chi's husband? * * * Twenty-five characters are/kloc-0, a rare treasure of Bofei Book unearthed in Yuhang, Zhejiang Province in the winter of 979; Ouyang Xiu wrote "Song Taizong" and "Song Renzong Imperial Book Flying White", and his admiration for the flying white book of the Second Emperor almost reached the point of collapse. In the fourth year of Zhiping (year, 1067), I will go to Bo (Anhui) and pretend to be in Ruyin (Anhui). Because I want to read in the room of Luz (that is, Lu Jing in the Northern Song Dynasty), the cloud chapter is rotten, reflecting the sun and the moon, so that I can be proud of it, worship it, dare to look up, and cover it with the imperial flying white of Emperor Injong. ? He is even superstitious. Dengzhen Temple in Liling County, Hunan Province caught fire, and the temple was destroyed, but the six characters of Bofei Book presented by Song Taizong were intact. (See Ouyang Wenzhong's public collection above); Song Renzong's writing of Bai Fei is always fascinating. He wrote it once, from the application to the middle of the night, and the exhibition paper was broken. It shows that his practice of flying white books is a hard work. According to the literature, how many emperors were willing to take it? Bai Fei? Good words and aphorisms appeal to courtiers. Because many emperors in Tang and Song Dynasties practiced Bofei's book, it had a great influence on society.
Third, important value.
1. Historical value: Bai Fei's calligraphy can be traced back to the Eastern Han Dynasty at the earliest, and has been passed down for more than 1980 years. Bai Fei's calligraphy occupies an important position in the history of China's calligraphy, because it is highly respected by Cai Yong, Wang Xizhi, Wang Xianzhi, Ou Yangxun, Xiao Ziyun and other calligraphy masters, calligraphers and their ancestors. Emperor Taizong, Tang Gaozong, Wu Zetian, Song Taizong, Song Zhenzong, Song Renzong and other Tang and Song emperors advocated and practiced Bofei's book, which had a great influence on the society. Bai Fei's book? As cabinet ministers and literati scrambling to find artistic treasures, he left a brilliant chapter in ancient history, expanded the precedent of traditional calligraphy, and continued to this day, which can prove its extraordinary appeal.
2. Artistic value: Bofeishu is a rare and special writing technique in ancient and modern calligraphy. Its brushwork makes the ink color of the text different and the brushwork changeable, which produces impact, attraction and appeal visually. The style of his successful flying white calligraphy works contains pleasant strokes, some of which are like the melody of notes, the passion of poetry, the interest of painting and the elegance of dance, showing a natural sense of movement. Is it necessary? A living and three-dimensional work of art? Artistic realm.
3. Inheriting value: Bai Fei's calligraphy began in the Eastern Han Dynasty and prevailed in Wei, Jin, Tang and Song Dynasties, with few inheritors from Yuan, Ming and Qing Dynasties to modern times. Mr. Keinian Kawakami of Japan has spent three years observing and studying, and now he has made great achievements. As a native of China, the Shanghai Art Museum displays some of his flying white books, and can sit back and watch this traditional style of writing disappear in its own soil? How to protect, inherit, study and carry forward this national quintessence is even more important.
Four. Endangered state
1, "Bai Fei Lu" edited by Lu Shaozeng in Qing Dynasty was collected in Han Diqing? Bai Fei? There are 102 authors. Compared with other kinds of art, this team is too weak, and few people care about this art after the founding of the People's Republic of China.
2. Inheriting Bai Fei's calligraphy is a calligraphy art that must have certain calligraphy skills and extensive cultural connotations, and it needs a hard learning process to obtain it. Mo Chi said of Song Taizong? Is it difficult to fly in vain? Still worried? Insufficient abortion? 、? Abolish? Lin Shu Chronicle also mentioned this point. Bai Fei? The main role was in ancient times, as Yan Fu said. Decorate the palace? The inscription department is to write plaques for palaces and temples. Ordinary people rarely have the opportunity to write plaques, so there are even fewer volunteers. And it's not true.
3. After Bai Fei's calligraphy spread to the people, it became a vulgar hieroglyph. This appreciation is characterized by artistry rather than lyricism, which deviates more and more from the aesthetic characteristics of lyric freehand brushwork in real calligraphy art. Therefore, few real calligraphers are interested, which leads to the decline.
Verb (abbreviation of verb) protection measures
Bai Fei's calligraphy began in the Eastern Han Dynasty and prevailed in Wei, Jin, Tang and Song Dynasties, but it was rarely passed down from Yuan, Ming and Qing Dynasties to modern times. Few people can succeed, until later, they are more likely to get lost. How to protect, inherit, study and carry forward this national quintessence is even more important.
First of all, we should comprehensively, systematically and accurately protect the artistic expression of Bai Fei's book as a special style. Collect, sort out and study the special technology of flying white papers.
Second, vigorously popularize Bai Fei's calligraphy knowledge, establish the archives of Bai Fei's calligraphy inheritors, and give full play to its role. Pass, help and take? Cultivate a group of accomplished calligraphy professionals in Bai Fei, popularize Bai Fei's calligraphy methods among primary and secondary school students, and make Bai Fei's calligraphy, an endangered treasure, carry forward with a long history and successors.
Third, do you hold it? Bai Fei's calligraphy? Theoretical seminar, organize experts and scholars to study and demonstrate Bai Fei's calligraphy, and discuss the development direction of Bai Fei's calligraphy.
Fourth, intensify publicity, hold a special exhibition of Bai Fei calligraphy at home or abroad, and let more people know, accept and appreciate Bai Fei's calligraphy through extensive publicity and exchange. It is this wonderful work of Bai Fei's calligraphy that has caused a hundred schools of thought to contend in all walks of life and reappeared in the jungle of modern calligraphy.
In the late 1970s, the author found almost lost and once unique traces of flying white calligraphy from the bamboo pen operation of folk hieroglyphs. Unfortunately, the unique effect of the book has been changed by folk artists who don't know much about calligraphy, and there are almost invisible traces. With regret, I am determined to restore this ancient calligraphy to its original appearance and revive it. So I visited the tablet, found the original, checked the information, bought a book, and concentrated on research so far. In order to let more people in the society know about Bai Fei's calligraphy and let it pass on, the author is willing to work with calligraphers and teachers to save the treasures of China? Bai Fei's calligraphy works.