Many of these people's words show nostalgia for the old country and the hidden pain of the country's destruction. This kind of word segmentation mostly wins with rich ideological content and true feelings.
Zhao Mengfu is from Huzhou, Zhejiang. Zhao Mengfu read widely, was good at poetry and prose, understood economy, industrial calligraphy, fine painting, good at epigraphy, rhythm and appreciation, among which calligraphy and painting achieved the highest achievement, which created a new situation of painting style in Yuan Dynasty, and was called "the crown of Yuan people".
Zhao Mengfu entered the Yuan Dynasty from the Southern Song Dynasty and became an official of the Yuan Dynasty. He used to be a doctor of the Ministry of War and a bachelor of Hanlin. However, his poems reveal his yearning for the Southern Song Dynasty, such as "Yu Meiren, when the tide rises and falls":
When does the tide rise and fall? Destroy the old man! Depression is endless, and everything is in the faint birds flying in the sky.
When is the Qingshan hill in Haimen? Why did you drive me to Changfeng? I want to float to East Japan with a fork.
Changchun grass is everywhere in the pond, and my thoughts are lingering. Write short songs when you are drunk. Helpless sunset, small window bright.
The old garden is barren, only the mountains are still blue. Have fun today and send it home in spring. Modaichun
Right and wrong, you won't know until you go back and go.
Zhao Mengfu's two such poems "Modern Langtaosha Jizhou" and "Fisherman's Poems" both show the author's feelings of cherishing the motherland.
Lu Wengui is from Jiangyin, Jiangsu. He has extensive knowledge of hundreds of classics and history, as well as astronomy, geography, law, medicine and arithmetic. After the demise of the Southern Song Dynasty, Lu Wengui lived in seclusion in the east of Jiangyin and was called "Mr. Dong Qiang".
Lv Wengui's poems are preserved in Selected Poems of the East Wall, with a total of 28 poems, about half of which are about geisha and eroticism. The words he wrote in his later years were more substantial in content and more mature in art, such as "Tan Chun Manhe Xin Yuan sent Xi Yun" written in his later years, which entrusted his memory of the death of the Song Dynasty and made his feelings gloomy and true.
In the same year, "Manjianghong swam to the North Gate on February 22nd, Feeling" wrote that "outside the deserted city, grass fell and crowed, cauliflower was inadvertently dyed, and willow leaves were vulgar", which conveyed the aging mood of "things are different". In writing, scenery conveys feelings, and scenery contains feelings.
Yao, a native of Gao 'an, Jiangxi Province, died in Song Dynasty and entered Yuan Dynasty. He was awarded by Zhilang, Fu and Jian to carry forward Confucianism. He didn't write many words, but he made some achievements. Yuzi Xiangman is the representative work of Yao Ci.
Near Chongyang, it's windy and rainy. I'm sorry for this beautiful day. Ask Chou-heung if she is strong, and wait for the guests to leave Xicheng. I am conscious, and I am afraid of the heights in the wilderness, which is even more unbearable. Before the memorial ceremony, I recalled that the people who arranged wine and flowers just sat, and there were no veterans.
Worry, shallow drunk still awake, worry unwilling, poetry insipid. Remember that long horse, carve bows and willows, and rest in the past. A purple dogwood has been handed down from generation to generation, dreaming of who went to the Han tomb. As soon as the black veil is used up, it goes with the wind. God knows that Fahua is such a star that this song stops crying.
This poem is a sentimental work on the Double Ninth Festival. This poem comes from the Double Ninth Festival and expresses the nostalgia of the adherents who never forget their motherland. The language is dull and ups and downs.