1, thick ink
Calligraphy is generally based on thick ink, because of the great contrast between thick ink and paper, and in the eyes of calligraphers, thick ink is the most spiritual, especially in the creation of regular script.
2, light ink
Compared with thick ink, the concept of light ink is not commonly used in Chinese painting creation. In terms of aesthetic taste, the choice of thick ink and light ink depends entirely on the calligrapher's personal pursuit, and in terms of aesthetic effect, thick ink appears calm and solemn.
3. Jiao Mo
Jiao Mo pointed out that the ink in painting is not only thick, but also contains almost no water. Like dry pen, it is generally not widely used in calligraphy works. This is a special method. If used well, it is sometimes the finishing touch. If you change the color, the effect will be better! Xu Wei in Ming Dynasty and Xu Gu in Qing Dynasty made good use of this method.
Step 4 dry ink
It is pointed out that there is less water in the painting, but it is wetter than burnt black. Especially in cursive script, flying white can appear from time to time, which improves the pen and ink level of calligraphy and is expressive. For example, in the Song Dynasty, Mi Fei's Poem of Hong Xian, Shu Su-tie and Huang Ting-jian's cursive script all had the method of drying ink. It is said that Cai Yong was good at flying white calligraphy in the Eastern Han Dynasty. If so, it seems to be the method of drying ink.
5. Wet ink
Compared with dry ink, stippling contains more water. Calligraphy with wet ink and stippling can have a rich, moist and plump "gluten book" effect, but this method is difficult to master, especially on raw rice paper. If you don't use it well, you will see the ink but not the pen, and it will become a pig disease. Use it with caution.
Graduates can go to calligraphy art professional groups or research institutions to engage in calligraphy creation and theoretical research, and publishers, newspapers, television stations and design units are engaged in Art editor, design, publication establishment, book publishing and related calligraphy art program hosting. Can be engaged in calligraphy teaching in junior colleges, primary and secondary schools.
China Academy of Fine Arts was founded in 1928, which is called the National Academy of Fine Arts. 1929, renamed as National Hangzhou Art Institute; 1938, changed to National Art Institute. 1950, becoming East China Branch of Central Academy of Fine Arts; 1958, renamed Zhejiang Academy of Fine Arts; 1993 was renamed as China Academy of Fine Arts. In 2000, it was managed by the former wife's Ministry of Culture. In 2000, it became a university established by provincial offices. In 20 16, it was approved as a university established by the People's Government of Zhejiang Province, the Ministry of Education and the Ministry of Culture.