What do you mean, champion fight?

Kuixing point bucket diagram

(2004- 10-24 00:56:08)

Among the collectors of ancient porcelain, there are porcelain lovers, especially those with complete blue and white patterns. My friend called to show me some newly acquired porcelain. Two blue and white bowls in a pile of debris attracted me. These two patterns are almost identical. On the screen, a child holds his hands high, holding a "bucket" and jumping up on one leg, which is very dynamic. The picture is also dotted with an open book and several stars. The theme map is composed of ghosts and fights, and it is the pictograph of the word "Kui" plus stars and books to form the map of "Kui Xing Dian Dou". The inscriptions on the bottom of the bowl are "Daming Jiajing Year System" and "Daming Chenghua Year System". Judging from the color of blue and white and the circle at the bottom of the bowl, they are all products of Jiajing period in Ming Dynasty. I like these two pieces of porcelain with rich cultural connotations very much.

Judging from the composition of Kuixing, there are great differences between Ming Dynasty and Qing Dynasty. Gu, a thinker in Ming and Qing Dynasties, described the "Kuixing Temple Fight" in detail in "Rizhilu Kuixing": the head of Kuixing statue is like a ghost, and one foot leans backward, like a hook of the word "Kui"; A hand-held bucket, such as the word "bucket" in the middle of the word "Kui"; Holding a pen in one hand is to determine the pilot's name with a pen. It can be seen from the pictures of "Kuixing Diandou" at the bottom of these two Ming remnant bowls that this boy is holding "beans" in his hands. Perhaps the picture is not a book, but a list of candidates, and the name of the book in this "bucket" is the pilot. The patterns on these two pieces of porcelain provide us with rare physical data for studying the map of "Kuixing Diandou" in Ming Dynasty.

From the perspective of painting techniques, these two pieces of porcelain are painted by single line. Draw the outline of the pattern with lines, and then fill it with cyan. Often, when coloring, the cyan material of many patterns exceeds the outline, which is a feature of the cyan pattern in the late Ming Dynasty. At that time, Jingdezhen folk kiln production reached a prosperous period. Blue-and-white ornamentation and blue-and-white painting are life-oriented and full of strong local flavor on the basis of absorbing previous paintings. The theme of characters in blue-and-white porcelain is very rich, such as Shou Xingtu, baby play pictures, ancient philosophers' pictures, climbing dolls' pictures and so on. , lively style, skilled. These two paintings show the rich thinking and creative spirit of folk artists. At that time, "Daming Chenghua Year System" and "Daming Xuande Year System" were widely used as the bottom payment of artifacts. These two pieces of porcelain are free and skillful, which embodies the unrestrained style of folk kiln calligraphy.

After communicating with friends, these two "Kuixing Diandou" have finally become "members" of my porcelain family, adding a good teacher for me to explore ancient folk customs. (Xing, Li Jianying)

)

Among the collectors of ancient porcelain, there are porcelain lovers, especially those with complete blue and white patterns. My friend called to show me some newly acquired porcelain. Two blue and white bowls in a pile of debris attracted me. These two patterns are almost identical. On the screen, a child holds his hands high, holding a "bucket" and jumping up on one leg, which is very dynamic. The picture is also dotted with an open book and several stars. The theme map is composed of ghosts and fights, and it is the pictograph of the word "Kui" plus stars and books to form the map of "Kui Xing Dian Dou". The inscriptions on the bottom of the bowl are "Daming Jiajing Year System" and "Daming Chenghua Year System". Judging from the color of blue and white and the circle at the bottom of the bowl, they are all products of Jiajing period in Ming Dynasty. I like these two pieces of porcelain with rich cultural connotations very much.

Judging from the composition of Kuixing, there are great differences between Ming Dynasty and Qing Dynasty. Gu, a thinker in Ming and Qing Dynasties, described the "Kuixing Temple Fight" in detail in "Rizhilu Kuixing": the head of Kuixing statue is like a ghost, and one foot leans backward, like a hook of the word "Kui"; A hand-held bucket, such as the word "bucket" in the middle of the word "Kui"; Holding a pen in one hand is to determine the pilot's name with a pen. It can be seen from the pictures of "Kuixing Diandou" at the bottom of these two Ming remnant bowls that this boy is holding "beans" in his hands. Perhaps the picture is not a book, but a list of candidates, and the name of the book in this "bucket" is the pilot. The patterns on these two pieces of porcelain provide us with rare physical data for studying the map of "Kuixing Diandou" in Ming Dynasty.

From the perspective of painting techniques, these two pieces of porcelain are painted by single line. Draw the outline of the pattern with lines, and then fill it with cyan. Often, when coloring, the cyan material of many patterns exceeds the outline, which is a feature of the cyan pattern in the late Ming Dynasty. At that time, Jingdezhen folk kiln production reached a prosperous period. Blue-and-white ornamentation and blue-and-white painting are life-oriented and full of strong local flavor on the basis of absorbing previous paintings. The theme of characters in blue-and-white porcelain is very rich, such as Shou Xingtu, baby play pictures, ancient philosophers' pictures, climbing dolls' pictures and so on. , lively style, skilled. These two paintings show the rich thinking and creative spirit of folk artists. At that time, "Daming Chenghua Year System" and "Daming Xuande Year System" were widely used as the bottom payment of artifacts. These two pieces of porcelain are free and skillful, which embodies the unrestrained style of folk kiln calligraphy.

After communicating with friends, these two "Kuixing Diandou" have finally become "members" of my porcelain family, adding a good teacher for me to explore ancient folk customs. (Xing, Li Jianying)

(Dajiang Net-Jiangnan Metropolis Daily)

Kuixing point bucket diagram

(2004- 10-24 00:56:08)

Among the collectors of ancient porcelain, there are porcelain lovers, especially those with complete blue and white patterns. My friend called to show me some newly acquired porcelain. Two blue and white bowls in a pile of debris attracted me. These two patterns are almost identical. On the screen, a child holds his hands high, holding a "bucket" and jumping up on one leg, which is very dynamic. The picture is also dotted with an open book and several stars. The theme map is composed of ghosts and fights, and it is the pictograph of the word "Kui" plus stars and books to form the map of "Kui Xing Dian Dou". The inscriptions on the bottom of the bowl are "Daming Jiajing Year System" and "Daming Chenghua Year System". Judging from the color of blue and white and the circle at the bottom of the bowl, they are all products of Jiajing period in Ming Dynasty. I like these two pieces of porcelain with rich cultural connotations very much.

Judging from the composition of Kuixing, there are great differences between Ming Dynasty and Qing Dynasty. Gu, a thinker in Ming and Qing Dynasties, described the "Kuixing Temple Fight" in detail in "Rizhilu Kuixing": the head of Kuixing statue is like a ghost, and one foot leans backward, like a hook of the word "Kui"; A hand-held bucket, such as the word "bucket" in the middle of the word "Kui"; Holding a pen in one hand is to determine the pilot's name with a pen. It can be seen from the pictures of "Kuixing Diandou" at the bottom of these two Ming remnant bowls that this boy is holding "beans" in his hands. Perhaps the picture is not a book, but a list of candidates, and the name of the book in this "bucket" is the pilot. The patterns on these two pieces of porcelain provide us with rare physical data for studying the map of "Kuixing Diandou" in Ming Dynasty.

From the perspective of painting techniques, these two pieces of porcelain are painted by single line. Draw the outline of the pattern with lines, and then fill it with cyan. Often, when coloring, the cyan material of many patterns exceeds the outline, which is a feature of the cyan pattern in the late Ming Dynasty. At that time, Jingdezhen folk kiln production reached a prosperous period. Blue-and-white ornamentation and blue-and-white painting are life-oriented and full of strong local flavor on the basis of absorbing previous paintings. The theme of characters in blue-and-white porcelain is very rich, such as Shou Xingtu, baby play pictures, ancient philosophers' pictures, climbing dolls' pictures and so on. , lively style, skilled. These two paintings show the rich thinking and creative spirit of folk artists. At that time, "Daming Chenghua Year System" and "Daming Xuande Year System" were widely used as the bottom payment of artifacts. These two pieces of porcelain are free and skillful, which embodies the unrestrained style of folk kiln calligraphy.

After communicating with friends, these two "Kuixing Diandou" have finally become "members" of my porcelain family, adding a good teacher for me to explore ancient folk customs. (Xing, Li Jianying)

(Dajiang Net-Jiangnan Metropolis Daily)