The calligraphy works of Biyuan Chunxue in regular script are as follows:
Qinyuan Chun, the name of the Ci brand, is also known as "Dongxian", "Shou Xingming", "Dongting Spring Color", etc. Taking Su Shi's poem "Qinyuan Chun·Gu Guan Deng Qing" as the main body, it has one hundred and fourteen characters in double tone, with thirteen lines in the first paragraph and four flat rhymes, and twelve lines in the second paragraph with five flat rhymes. There are also 16 characters of double tone, with thirteen sentences in the first paragraph having four flat rhymes, and thirteen sentences in the second paragraph with six flat rhymes; one hundred and twelve characters of double tune, with thirteen sentences in the first paragraph having four flat rhymes, and twelve sentences in the last paragraph with five flat rhymes, etc. body. Representative works include Mao Zedong's "Qinyuan Spring Snow" and so on.
Volume 16 of "Neng Gai Zhai Man Lu" by Wu Zeng of the Song Dynasty: "In this world Yuefu, the lyrics of "Qinyuan Chun" are passed down. The case "Book of the Later Han Dynasty": "Dou Xian's daughter brother was established as the queen, Xian Xian Relying on the momentum of the palace, the county asked to seize the Qinshui Princess Garden. However, Qinshui Garden was also used by the people of the Tang Dynasty. Outside the east gate of the garden, Xiangjia took a tour. 'Li Shi's poem "Princess Changning's Dongzhuang Banquet" says: "The land of singing and dancing is in the clear water and the forest."
Li Yifu's poem "Princess Changning's Dongzhuang" says. "There is an immortal family outside the Pingyang Pavilion, and there are beautiful things in the Qinshui Garden."" Qinshui Garden in the Han Dynasty has long since disappeared, but during the reign of Emperor Zhenzong of the Northern Song Dynasty, Li Zunxu, the prince-in-law, honored Princess Wanshou Chang in the Dazhong Xiangfu. According to the second volume of "Xiangshan Wild Records" by Wenying of the Song Dynasty, it is recorded that Li Zunxu's residence was "the northeast of Qinyuan is adjacent to the pond", so this was the Qinyuan in the early Northern Song Dynasty. Volume 464 of "History of the Song Dynasty" records that Li "lived in a garden that topped the capital.
He was fond of strange stones and recruited people to transport them, some of whom came from thousands of miles away. The hall was built to divert water and was surrounded by fine trees. , delaying the banquet and entertainment of celebrities and officials for a while." Zhang Ji's poem concludes with the sentence "I am called Dongxian" and is named "Dongxian". The name of Li Liu's poem is "Shou Xing Ming". Qin Guan reduced the words and renamed it "Dongting Spring Scenery". The tone of the poem should be named after the Qinyuan Garden in Kyoto in the Northern Song Dynasty. This tune is based on Su Ci and has many authors. Change the song.
The sentence pattern of the first paragraph starting from the fourth sentence and the second paragraph starting from the third sentence is the same. "Jian" and "You" are the leading words, which lead to the following four four-character sentences. Two sentences can be a pair, or four sentences can be used. The sentences are two parallels, or the first two sentences can be parallel, and the last two sentences are not, but the duality is used as a work. Following the four-forty-seven sentence pattern, two four-character sentences can be paired. The first three four-character sentences in the previous paragraph can be paired with the first and second sentences.
This tune mainly uses four-character sentences, often uses duals, and is accompanied by eight-character, seven-character, six-character, five-character sentences, etc. It uses flat rhyme, and the tone is lively and vivid. There are many flat or oblique words. It is relatively free, has the characteristics of harmony and smoothness, and is suitable for expressing aspirations, discussions, jokes, narratives, rewards, blessings and other themes. There are many famous pieces of this tune, and you can carefully appreciate its tone, duality and syntactic features.