Hai h m: Me: Left and right structure, left and right. The left "ju" is not wide, and the three points echo each other. The first point is full, use the pen to draw the next stroke slightly to the left; The second point echoes the echo of the first point. The first point is slightly close to the first point, to the left, leaving the front to the left and bringing out the third point. The third point is below the second point, which is a bit far. Cut the pen to the right and then lift it back to the front. Don't write long, pay attention to the direction of lifting points.
The word "every" in the right half should be tilted, and the center of gravity should not fall. The above ""can be linked together here. Start paddling slightly higher, pay attention to the distance from the left, make the paddling stand slightly upright, and then fold the paddling on your shoulders when it is in place. The whole stroke is inclined, but not wide. The bottom "mother" should be to the left, and the cloth should be evenly white: the folded pen should be aimed at the left end of the top "mother" and the pen body should not be heavy. The folded horizontal painting is light on the left and heavy on the right, slightly arched, and the right side seems to be pressed backwards. Pay attention to the slightly flat direction.
The starting stroke of the horizontal folding is not connected with the left folding, and the horizontal painting is shoulder-resistant and not long. After arriving at the position, lightly stroke the pen to the lower right (the outer side of the folded shoulder is basically aligned with the right end of the horizontal painting above), then stroke the pen to the lower left, which is slightly heavier and slightly arc-shaped, and start to collect the pen after the horizontal painting below; The two points inside are abbreviated as small apostrophes, which are centered and not heavy; In the long and horizontal direction, boldly explore to the left (next to the left pen tip), slightly shoulder-resistant, slightly arched, elongated after passing the vertical pen, and slightly heavier when closing the pen.
Knowledge expansion:
The development of cursive script can be divided into three stages: early cursive script, Cao Zhang cursive script and modern cursive script. Early cursive script was parallel to official script, called official script, and it was also mixed with the form of seal script.
The early cursive script broke the rules of official script and was a hasty writing. It's called Cao Zhang. Cao Zhang is an elegant cursive style, which combines early cursive and Han Li. Its waves are distinct, the strokes are connected in waves, the characters are independent, the glyphs are all over the square, and the strokes are horizontal. Cao Zhang was the most popular in the Han and Wei Dynasties, but it was revived in the Yuan Dynasty and transformed into the Ming Dynasty.
By the end of the Han Dynasty, Cao Zhang was more "grassy". Without the strokes of official script, the strokes of upper and lower characters were linked together, and the radicals were simplified, so it was called "modern grass". Today's grass evolved from Cao Zhang Wubotiao, and cursive script has been popular since Wei and Jin Dynasties. In the Tang dynasty, this kind of grass was written in a more indulgent way, with continuous strokes and strange glyphs. It is called "crazy grass", also known as big grass.