Appreciation of Fang Yi's Works

Fang will concentrate on every word and painting, predict the font size, concentrate on writing with heart, mind, spirit and soul, and make full use of the strength of fingers, wrists, elbows, arms, shoulders, chest, waist, legs and feet to gather the whole body's heart, brain, wrist and feet. The composition is neat or patchy, the structure is neat or random, and the lines are slender or stiff, which is very aesthetic. Her cursive script not only has Wang Xizhi's flowing, fantastic, meaningful, beautiful and elegant vitality, but also has Mi Fei's exposed brushwork, elegant and natural, and gaining momentum in all directions. Her regular script not only has Yu Shinan's subtle and gentle brushwork, but also has Yan Zhenqing's restrained brushwork, which has a powerful force. It fully embodies the "strength" and "potential" of calligraphy and shows the vigorous vitality and "temperament" of calligraphy. She is especially good at official script, which is steady in structure, vigorous but not steep, bold and not wild, thick and not sluggish, neat and messy, comfortable and adventurous, with Zhang Qianbei's square and Gu Zhuo, the ritual tablet is thin, hard and quaint, and the Shimen ode is vigorous and elegant. Her seal script is sometimes neat and dignified, warm and quiet, and sometimes neat and serious, beautiful and beautiful, and the stippling is neat and not floating. Everyone can write wonderful calligraphy works, which are very enjoyable and unforgettable.

Fang Yi was smart since he was a child, and he was good at erhu, calligraphy, seal script, official script, regular script, regular script and cursive script, and he was proficient in 18 kinds of scripts. 18 different calligraphy styles on the right can be described as exquisite words, elegant lines and meticulous stippling. In particular, the banner of Li Bai's "Smelling the flute in Los Angeles on a Spring Night" is a monument, honest and simple, and wins by being clumsy. The shelf is strong and heavy, like a tiger lying under a shovel. The strokes are straight and thick. The pen is rock-like, angular, angular and powerful. The rules and regulations are full of words, and the fairness is oblique.

In copying ancient calligraphy, Fang Yi has a special liking for Zhang Menglong's tablet and Zhang Hei's epitaph, especially Zhang Hei's epitaph, which is exquisite and elegant, simple and elegant, with sparse structure, tight inside and loose outside, and more vivid. Although this epitaph is an official book, its brushwork is eclectic, introverted and natural, elegant and smart. Both the center and the side of the brushwork are used, and Fiona Fang is also used, with a vivid and elegant brushwork that combines rigidity and softness, to suit Fang Yi's spleen and stomach, and to practice frequently. Taking this epitaph as the mother, it absorbs the essence of Wang Xizhi's regular script, and taking Zhang Menglong's tablet as a special supplement to make up a supplement.