What are the characteristics of Wang Xianzhi's calligraphy? Wang Xianzhi's calligraphy is of great value.

Wang Xianzhi's eclectic calligraphy style has far-reaching influence on later generations, and he is free and independent. Wang Xianzhi's calligraphy masterpiece "Ode to the Goddess of Luo" has only 13 lines in the Song Dynasty, and there is also a jade carving, which is known as "Thirteen Lines in the Jade Edition". In addition, works such as Duck's Head Pill Post, Mid-Autumn Post and Dongshan Post are also treasures of calligraphy art, and Mi Fei called them "a pen that paints dust like fire, endless. If it is casual, it is called a book. " Like his father, Wang Xianzhi's calligraphy is not limited to one subject, but a poor one, so he can create his own unique style on the basis of "combining the strengths of many families and integrating the beauty of all bodies", and finally achieve the artistic status of keeping pace with Wang Xizhi. He said that "walking on the tree-lined path, mountains and rivers set each other off, which is overwhelming", which has always been a famous sentence praising Jishan water mirror. Wang Xianzhi studied calligraphy with his father Xi as a child, and also studied Zhang Zhi. Calligraphy is good, especially cursive. Wang Xizhi has seven sons and one daughter. All seven sons are good at calligraphy, among which Wang Xianzhi is the best. Wang Xianzhi dared to innovate and was not trapped by his parents. He made outstanding contributions to modern grass in modern times and since Wei and Jin Dynasties. His calligraphy is better than his father's in style and charm. Wang Xizhi's calligraphy philosophy is mainly manifested in the neutralization, harmony and unity among various opposing factors. His calligraphy is perfect in form and quality (such as fat, thin, Fiona Fang, short, long, flesh and blood, etc.). ), and he is innocent in the expression of calligraphy (such as strangeness, capacity, rhyme, interest, etc.). Xiang Mu's elegant words in calligraphy say: "If you escape a little, you can be polite, strictly abide by the law, you can be talented, and you can be as strange as you." Just like breaking through his father's cursive pattern, Wang Xianzhi also consciously changed his father's creative thinking. He turned "neutralization" into "imbalance" and went to a new realm of winning by "strangeness" and "danger". Xiang Mu also believes that "books are a respect for children, and the door to novelty is open."