Changzhou is an ancient cultural city with a history of 2,500 years in China. There are many scenic spots and historical sites in China,
Changzhou is an ancient cultural city with a history of 2,500 years in China. There are many scenic spots and historical sites in China, and there are many historical and cultural celebrities. With this culture, the development of calligraphy is not bad. Let's enjoy Changzhou's excellent calligraphy works together. The following are the excellent calligraphy works in Changzhou that I compiled for you. I hope it works for you!
Pictures of Excellent Calligraphy Works in Changzhou 1
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Figure 4 of Changzhou Excellent Calligraphy Works
Writers use pens, writers use pens.
Calligraphy pays attention to the use of pens, and literature also pays attention to the use of pens. From the perspective of pen, we can see the relationship between calligraphy and literature from a special perspective.
There are countless examples of calligraphy pens. Let's take a look at the different pens used by different calligraphers in Yueyang Tower. Dong Qichang's running script "The Story of Yueyang Tower" uses a thick pen in the first half and a light pen in the second half. Thick pen with thick ink, light pen with light ink. The last sentence was written with a pen, "Hey, Wes, who are we taking home?" It's different from the previous one. Almost all are center pens, with slender lines, sleek and elegant appearance. The overall feeling is that the heavy and light brushwork are unified in the simple and elegant style, creating a bright and elegant environment.
Zhang Ruitu's cursive "Yueyang Tower" is another style. Zhang Ruitu likes to use a sharp blade when writing cursive script. The beginning of a pen often presents a "sharp" shape, which gives people the feeling of being sharp and sharp. His writing is cheerful and quick, which makes people feel bright and resolute. It is difficult to see a round pen in Zhang Ruitu's "The Story of Yueyang Tower", but the pen commonly used is a flip pen, which makes the work square, avoids the "soft rhyme" of the round pen, and is angular and strong, thus creating a thorough artistic conception.
When the calligrapher wrote The Story of Yueyang Tower, I don't know if he realized Fan Zhongyan's pen use when he wrote this article. As a literary work, The Story of Yueyang Tower is also very particular about the use of pens.
From the overall structure, the author's pen focuses on the coordination of pen lifting and pen receiving. The first sentence, titled "Four Years of Spring", describes the reason why "Teng relegated Baling County", and then pauses briefly to explain the origin of writing this article. Since then, each part has mentioned a paragraph one by one along this line of thought. After fully paving the way for the content to be expressed, it is a heavy meal, which falls on the eye of "worrying about the world first, and enjoying the world later". As if this meal was not enough, I repeated, "Hey, Weiss, who's going home!" " "To end the article with this repetition, the theme is emphasized more clearly and firmly.
From each paragraph, the author focuses on the regular arrangement of finger lines combined with strokes. Almost every paragraph in the text uses a combination brush, and the layout is sufficient; After a story is laid out, it is necessary to reveal the spiritual direction behind those phenomena with a pen. Let the readers first show the magnificent picture scroll, and then let the readers cover the picture scroll and meditate to experience the deep artistic conception of the picture scroll. For example, the paragraph "My husband can't even open the moon if it rains heavily" is connected by five parallelism sentences, and then a kind of "moving the guest" and "going to his hometown, worrying and sneering" is introduced with a pen; In the paragraph "If the spring is beautiful, it is calm", seven compound sentence are used in succession, and then another situation of "moving the guests", "forgetting all the insults" and "endless fun" is drawn with strokes.
From the beginning and end of the article, the author's pen focus is on the coordination of round pen and folding pen. Blindly round pen will make the article slide to mediocrity, blindly folding pen will make the article fall into obscurity, and the combination of the two will make the article open and close forcefully, promote the transition moderately and deepen step by step. From "Yu Baling wins in Dongting Lake" to "Ruofu is raining" and then to "Ruochun and Jingming", all the way down is a very smooth and natural round pen; However, from "homesickness, worrying and sneering" to "relaxed and happy, forgetting all insults", it is a folding pen that suddenly turns up. From the above two situations to "tasting the heart of the ancient benevolent, or doing something different from the two", it is also a big flip. Start with a round pen to make the article smooth; The taste of folding pens makes the article full of philosophical thinking.
Judging from the rhythm of the article, the focus of the author's pen is the cooperation between heavy pen and light pen. Only when there is weight and light can there be rhythm, and only when there is light and heavy cooperation can there be rhythm. Everything that explains the reason is lightly sketched, and everything that shows the scene is repainted with a heavy pen; All the places used to connect are light and natural, and all the places used to reveal ideas are struck with heavy pens and hammers. Light and light are different, heavy and heavy are different, and light and heavy are interspersed with tacit understanding, forming a mellow and beautiful rhythm and melody.
The rich brushwork in Yueyang Tower creates a distinctive dialectical artistic conception. This artistic conception is mainly in two aspects, on the one hand, it is indifferent and elegant, on the other hand, it is thorough. Without the latter, it is difficult to be truly indifferent and elegant; Without the former, there is no access to the hole. Dong Qichang's "Yueyang Tower" highlights the indifferent and elegant realm of the original with a round and vigorous pen; Zhang Ruitu's "The Story of Yueyang Tower" highlights the original tunnel entrance with the pen of turning over the square. Both of them have grasped an aspect of the artistic conception of the original work, and both of them have exerted their writing personality, so both of the two "Yueyang Tower" have realized their personal creative intentions and tapped the artistic potential of the original work.