Is it useful for art students to take the postgraduate entrance examination?

Does the postgraduate entrance examination for art students play a big role?

1. Generally speaking, students majoring in design are not recommended to take the postgraduate entrance examination. As an excellent designer, if you exercise in practice, you will have more employment opportunities. Generally speaking, students majoring in modeling suggest taking the postgraduate entrance examination. Chinese painting, oil painting, printmaking, etc. It is difficult to achieve it only by four years of college, and there are few employment opportunities in society.

It depends on your own development direction. If you like theoretical research and work as a teacher or institution, you need to take the postgraduate entrance examination. If you like hard work and entrepreneurship, you can accumulate relevant experience by working directly.

3. Whether to take the postgraduate entrance examination should also consider factors such as parents' attitude and family situation. After all, it takes time and money to go to graduate school.

What subjects do art students take part in the postgraduate entrance examination?

Different schools have different subjects for the postgraduate entrance examination of art majors. The examination subjects of different departments of fine arts major in Central Academy of Fine Arts are slightly different.

There are 65,438+07 directions in the fine arts major of China Academy of Painting, including sketch and creation of figure painting, formal language of ink figure painting, negotiation and creation of modern ink figure painting in China, creation of freehand figure painting, formal language of meticulous painting, contemporary artistic expression and material language of Chinese painting, rhyme and rhyme of landscape painting, imagery of landscape painting, pen and ink sketch of China landscape painting and creation of China landscape painting. For example, the theoretical research on the expression of desire in the form of flower-and-bird painting, the brush and ink techniques of freehand flower-and-bird painting, the inheritance and development of China's freehand flower-and-bird landscape painting, the formal beauty of calligraphy art, and the theoretical research on Chinese painting creation and history in the 20th century.

Among them, the subjects in the first 14 direction are politics, foreign languages, sketch and art history theory, and professional sketch; the re-examination subjects are creation and calligraphy, with the same academic qualifications plus literature, Chinese and foreign art history and art introduction; the formal beauty research and formal beauty research subjects of calligraphy art are politics, foreign languages, calligraphy history and art history, and calligraphy creation; the re-examination subjects are seal cutting creation, with the same academic qualifications plus literature and ancient calligraphy theory. The creation and historical research of Chinese painting in the 20th century started with politics, foreign languages, Chinese and foreign art history, art history and Chinese painting theory, and re-examined it with creation and professional writing, with the same academic level and literature, Chinese and foreign art history and art introduction. ..