Mao Qiling is knowledgeable and can study classics, history and phonology. He is also good at parallel prose, prose and poetry. Proficient in temperament, and engaged in poetry theory criticism. He also has a profound foundation in calligraphy art and his own artistic style, which was highly respected in the early Qing Dynasty. Mao Qiling's calligraphy is a very representative kind of literati calligraphy, with strong bones, upright brushwork, elegant agility and strong personality.
Mao Qiling read a lot of books, learned poems and sentences, and was good at winning games. In case of different opinions, we must "trace the source" and "correct every word" and hold our own unique opinions. His Four Books on Correcting Mistakes are four books attacking Zhu. Mao Qiling took debating classics as his responsibility all his life, insisting on the original text as the main indication, without doping other families. He wrote "University Reading Maps" in Shaolin Temple, which is his masterpiece. As well as many other works, all illustrate his thoughts on Confucian classics. Besides studying Confucian classics, I also studied local chronicles, including 3 volumes of Hu Xiang Water Conservancy Records and 3 volumes of Xiaoshan County Records. In addition, Mao is quite accomplished in literature and music, and is good at poetry and songs. He wrote many Xihe poems and Xihe Ci. He also taught music law, and wrote four volumes of Jingshan Music Record and two volumes of Leben Review. Shao Ruipeng, a close friend, commented on his ci as "elegant, close to Qi, with a style above the late Tang Dynasty".
Mao Qiling has long been proud of Confucian classics, arguing with profound knowledge and trying to win over others. He attacked Zhu's "Notes on Four Books" and wrote four books to correct his mistakes. Ruan Yuan praised his pioneering contribution to Ganjia's academic work. He is also good at poetry. It was first known in Chen Zilong; Repeated changes, from the three Tang Dynasties to Qi Liang. On poetry, he advocates "connotation", "difficulty" and "giving full play to one's talents" Generally speaking, he respected Tang and suppressed Song, and even criticized Su Shi. What he did was also quite beautiful and famous. A Ryukyu messenger visited him in Hangzhou and bought his poems. However, Mao Qiling claimed that his poems were "rewarded by 19 people, entertained by 1 1 individuals, and felt ignorant when boarding the plane". Zhang Weiping also said: "There are many famous ancient poems with long-lived poems, and there are almost no Mao Xihe." (On Poets of China in Past Dynasties) It can be seen that its content is relatively narrow and poor. He also wrote the Book of Changes, which overthrew the Book of Changes spoken by Song people. Mao Qiling thinks that Zhou Dunyi's Tai Chi pictures are documents from Taoism and Buddhism.
The collection of books is so extensive that it is rich. There are dozens of ancient books in Song and Yuan Dynasties, and I can't bear to put them down when I come back every day. The library will be built into "Bingxiang Building" and "Friends and Accommodation". His wife is tough and she is sick, but he still insists on collecting books and sorting them out. One day, when he was out, his wife said that he fiddled with colorful ancient books all day instead of helping rice and salt make a living. In a rage, he burned the ancient books collected by Xihe. The collection of books is printed with Xihe Seal, Shijia Seal, Taishi Seal, Seal, Civil Official Seal, Youhan Seal, Bingxiang Seal, Maoyin, Xihe Seasonal Seal, Maozi Seal and Suxin Seal. His works are good at poetry and calligraphy. He is the author of dozens of books, including Continued Biography of Mao Poetry, Ancient and Modern, Biography of Spring and Autumn, Classic Collection, Record of Jingshan Music, Xihe Poetry, Ci Hua, Revision of Four Books, Original Edition of Hutuluo Book and Legacy of Taiji Picture Talk. , and miscellaneous poems. Sikuquanshu contains more than 40 kinds of his works.
Mao Qiling's writings are very rich, including 52 kinds of his authors in Sikuquanshu alone. His posthumous works were compiled into the Complete Works of Xihe by students, with a total of 493 volumes, and were compiled into the Collection of Disciples, which was divided into two parts: classic collection and collection. It belongs to the collection department, with 1 19 volumes, 50 volumes of poems and 7 volumes of words. In addition, there are 8 volumes of Poetry and 2 volumes of Thorns.
People commented on Liang Qichao's Complete Works of Liang Qichao, Volume III: "They are purely academic thieves, who have stirred up evil winds for 300 years and have been pernicious to this day, and they are none other than Xu, Tang Bin, Li Guangdi and Mao Qiling. ..... Tang Bin and Li Guangdi were both famous scholars in the early Qing Dynasty, while Bin beheaded the old general and sold his friends with his bare hands, while the mastermind, Geng and Zheng, sat in front of you. However, the guest deceives the monarch, looks at the sage, forgets the bare land and is greedy for the pro-position, Peng people, the matter, and the villagers in the bare land. Violation of the law, that is, at the big festival, its private morality is not enough to set an example and is popular. And they all secretly attached to Zhu Cheng and Lu Wang, fanning each other with a generation of Confucianism, which is unique in the world. In a word, the second scholar is not as good as Xu Heng in academic spirit, but he abandons the honor festival and is similar to it; It is better to make a fool of yourself than to step into the son of heaven. The academic unity of Zhu Cheng and Lu Wang was unfortunately compiled in the vertical column, and the end of Neo-Confucianism in the Song and Ming Dynasties came. " (Liang Qichao. "The Complete Works of Liang Qichao" Volume 3 Xinmin said: Beijing Publishing House, 1999: No.611page)
Among the famous poets in the early Qing Dynasty, Mao Qiling was one of many people who pursued and innovated in poetry creation. Professor Long Yusheng, a famous late Ci expert, commented on the Japanese in Selected Poems of Famous Poets in the Past 300 Years: "Hundred Flowers Garden, a poem of strange times, has the flavor of Yuefu in the Southern Dynasties and is unique among writers in the early Qing Dynasty." Chen Tingzhuo (Yi Feng), a poet in the late Qing Dynasty, thinks highly of himself. He likes to criticize his predecessors' words with personal prejudice, saying that Mao Qiling's words are "not deep in creation and brilliant in thought." Shi Zhecun, a modern writer and famous professor, disagreed. He chose 12 poems by Mao Qiling in his own New Collection of Flowers. He said: "There are twelve poems by Mao You, which can be compared with Li. However, the highest place is the song of Qing merchants in the Southern Dynasties. Chen Yifeng is a person who mocks himself for his' not deep creation and how clever his thinking is' and hardly knows the origin of this word. " After Chen Tingzhuo's condensed ci, Shi Lao commented that Bai Yuzhai (according to his real name) said that when the master of ci was depressed, he said that he was' heavy and not floating, depressed and not sparse', and that the master of poetry held a high evaluation in the Tang and Five Dynasties, saying that' the tern fell and rode'. He wrote his own lyrics, but also deliberately tried to figure out Wen and Wei, and worked hard between words and sounds, but it was like an ear. Indeed, arbitrarily denying Mao Qiling's words (especially Xiao Ling's) can only show that the deniers themselves "know almost nothing about the origin of words"; It is not only unfair but also inconsistent with the facts to simply dismiss Mao Qiling's unique words in the early Qing Dynasty as "not deep in creation". In a word, Mao Qiling's poetry achievement is an objective historical existence. The summary of the general content in < Sikuquanshu > says, "Qi Lingshan's poems are written by Yuefu, which is a kind of beautiful herb, with great rate, touching and beautiful, singing according to the festival, which makes people sad and can play the flute. His Xihe Ci Hua traces the development and evolution of Ci Qu (Ci Hua Zong Mu 199). We must not belittle him because he has no bold words of "gone forever". Like Qian, Wang Shizhen, Wu, Zhu Yizun and others in the early Qing Dynasty, Mao Qiling's achievements in poetry are undeniable.
Mao Qiling's poems have various styles and many excellent works. For example, the five-element poem "Look in the Mirror": "If you gradually feel that the lead is exhausted, who will pity the new. I shed tears with Yu, only "only 20 words", which expressed my sigh for the fleeting time and my early lonely mood. Shen Deqian, a famous poet in the Qing Dynasty, commented on this poem: "In fact, no one is United, but the road is full of music and flavor." Another example is the four-line "New Year's Eve": "The pepper in the hotel is burning, and the pepper dishes are worrying about the guests. How to listen to the golden rooster sing, then tonight is called the New Year. " Shen also commented that "everyone can teach, but there is no humanity, and they all feel the same about new things, not just New Year's Eve." Another example is the seven-line "Qinhuai Old Man": "Qinhuai sings high songs in the spring, and there are immortals like silver halls. When it comes to enjoying music with Beijing, I still doubt that I am a Taiping person. " Shen spoke highly: "After the chaos in the light, Yun He still doubts that the world is peaceful, which is sad!" Indeed, Mao Qiling's poems have a common feature, that is, they are good at creating new ideas in ordinary scenery. For example, the seven laws "Youth", "Shuo Fang", "Qiantang Meeting an Old Friend" and "Leiyang as a Gift" are all "conscious" and "witty and plain". Mao Qiling has many seven-character ancient poems, which are very concise and lifelike, and can be called the best narrative poems in Qing Dynasty. For example, in the poetry collections of Qing Dynasty, there are many articles, such as General Yang's Beauty Asking for Songs to Try Horses, Qian's Collection of Songs of the Jade Seal, and a letter "Watching Lions Enter the Western Regions", among which "Fighting Tigers" is the best. Shen Deqian selected 16 poems by Mao Qiling in the Collection of Poems of Qing Dynasty (Volume XI), and spoke highly of Mao's poem "Learning from Tang Dynasty and Creating New Ideas", and listed this poem at the front. On the day of the evaluation, he said: "A child who forgets himself to save his father is easy to be straight, and if he gets a' fake tiger hides the veil and fears the child', then the child's nature will become more and more obvious. Seeing this time, the child will know that something is wrong. And said that this poem is Mao Qiling's "outstanding work". "Among Mao Qiling's many poems, there are no fewer than 20 poems praising the scenery of his hometown. These poems of "Emotion Out of Polarity" are elegant and catchy, and five of them are like "Zhuluo Village (two poems)"; Five sentences, such as "Walking on the mountain and passing through the beautiful gate (two)"; Seven sentences, such as "collected in Xianghu Lake"
Calligraphy Mao Qiling's calligraphy can make the human body feel a pure feeling, a detached style, full of pure feelings of poetry, pure and mellow, and has the elegance of a well-read person. Pure pregnancy has infinite interest and vitality, and elegance and clumsiness contain all kinds of lightness, purity and not weakness. His writing style is backed by Wei Bei, with a sense of clank and iron, and he is rich in cleverness and skillful in clumsiness. Mao Qiling entered Kai Wei with a running script, and he didn't feel awkward, artificial and embarrassed at all. It was really commendable. The lines in his letters are natural, natural, logical, smooth and orderly, and there is no disease-free coquetry or melodramatic. In the use of pen, not impetuous, not exciting, incomplete, stretching freely. One stroke and one painting in Xu Chi is fast and slow, with a sonorous rhythm, laws to follow and no legal constraints. The pattern of the whole picture is smooth and elegant, with lofty bearing, unified and harmonious artistic conception, closely linked with meaning and realm, and without the hard work of management, it is more the pure feelings of self-writing, the indifference of learned people, and the truth and frankness of feelings. Just like the ethereal beauty of artistic conception in ancient poetry, it can be said that you have forgotten what you want to say, which is fascinating. But it seems to be the most unusual, easy but difficult, seemingly casual, but in fact it is not stimulating or arrogant. In fact, it is not a one-off event.
Mao Qiling wrote in a five-character poem: "Since the four seas are unified, the six countries will belong to Qin. I'm not worried about Confucianism in the Han Dynasty, but I hesitate to be beautiful or new. The grass has just been stolen, and the county is dusty first. Sanchuan will fall, the road will not stretch, and life will be divided into righteousness, and each will be a monarch and a minister. Ji Bu thought of Xiang Yu, five candles together, black magpie has its own company, and Mao (*) also has something to do with it. No view
In the valley, there are still adherents of Qin. "His book is relaxed, and his poems are catchy, such as blowing clothes and swaying like a sparse forest. There is Qu Yuan's elegance, there is a pure spirit of boating and seeing the Buddha, and there is the demeanor of giving people away in the pre-Qin period. This is Mao Qiling, a calligrapher and poet. He is a transcendental artistic genius who combines poetry and rhyme, and has been fully expressed in this work. Investigate its trace, the pen is concise and elegant, the knot size is natural, the meaning is naive and fascinating; The composition is the most interesting, and the wind is scattered. Its chic and casual rhyme is like the scattered fairy in Yao Island, while the whole picture is meaningful, sweeping and seamless. Such calligraphy works with superb meaning but beyond appearance were really rare at that time. As the former sages said: writers express themselves. There are many "famous calligraphers" in today's book world who have nothing to say, just want to copy Tang poetry and Song poetry. The essence of the beauty of calligraphy is that calligraphers externalize their minds in the form of dots, lines and surfaces, and express their temperament with words as the carrier (preferably their own poems). When I was enjoying this work, I felt that Mao Qiling's mood was so calm and peaceful. When the brush is at hand, the nib will close when it touches the paper, so Fiona Fang's paintings are random and safe. If you look up at the blue sky, the clouds are light and the wind is light, and the sky is vast, you really realize that the pen is short and long, and the pen is short and far. Although it is not difficult to see the profound foundation of the inscription from the free and easy brushstrokes, it is a kind of fairy spirit fluttering in the brushstrokes with strong temptation. Elegant words like white clouds and Chu Qing, birds and birds, strange words like clear snow and bamboo, flowing stones. The artistic conception is very light and ethereal, and the scenery is very quiet and far away. Between the lines, such as looking at the back of the elders coming slowly, a detached elegance; Just like fine steel tried everything, discard its dross and reach the highest level. As the former sages said: "A hundred steelworks are turned into soft fingers, and softness is not weak, but rigidity is soft. "Mao Qiling's calligraphy is well deserved in this language. On Mirror Words in Selected Poems
I gradually feel that all the lead has been used up, and whoever is pitiful will be new.
I shed tears with Yu, only.
Li Bai became pregnant after quarrying.
Li Bai set sail and once wore a palace brocade robe.
I'm looking for old traces, but I can't see the surging water.
Falling rocks divide the wind, and the Qingjiang River is high.
Under the cold moon, the green radish is drunk.
For Liu Sheng.
Liu Jingting, who lives on earth, excludes heroism and stars.
How many things happened in the Southern Dynasties? I can't bear to listen to it with the whole world.
Work on new year's eve
The hotel burned Chili, and the sorrow of Chili dishes spread to the guests.
How to listen to the golden rooster sing, then it is called tonight.
Qinhuai laoren
Qinhuai singing is about to spring, and there is a fairy temple wrapped in silver.
Speaking of playing with Beijing, I still doubt that I am a Taiping person.
Endless desire
Sauvignon Blanc, in the Spring Festival Evening. Asahi primary school students perm flowers and warm them. Yellow birds fly and green waves are full.
Sparrow millet bit element, spider silk broken gold scissors. If you want a different dress, open the box and open it yourself.
Two Poems by Jiang Chengzi
Sunrise among chickens. Make up in red. Move Jiang guang. Picking lotus by the river, the brocade rope is long with lotus roots. I want to ask my sister-in-law to worry about being separated from Pu and staying alone for a long time.
The tide is green in East Zhejiang and Shanghai. Ancient Xiling. Rain is invisible. The ladies-in-waiting of the King of Yue sat in Zhang Ting. The soldiers in the pavilion stayed in bamboo arrows, and the crow feathers fell in the autumn night.
On Yingzhou Road, Xie Yeren presented chrysanthemums.
In the morning, Yingzhou Road, Chaoguang Qicheng. After repairing and coating the forest ends, I can see the new chrysanthemums in the distance. Frost itches and smells cold, revealing and nourishing the spirit. When he was stationed in Malaysia, he spoke more than before. Savages give gifts to each other, and dinner makes you feel close. The buds contain purple mussels, and the jade rules are fragrant. Beautiful colors are full of bondage, and the fragrance hits the towel. I am very happy to have a legacy in my hometown. The east fence sits next to each other, and the west garden belongs to him. It is difficult to make wine. As soon as possible, thanks for painting, Yachang.