How to learn to write running script

Some students practice calligraphy and like to write freely and express freely, which is understandable from the perspective of creation, but it should not be the case when practicing. Practicing calligraphy is to learn the good font structure of predecessors, make it your own thing, and overcome the structural deficiencies. The reason why novices should stick to their posts seriously is that they have realized that font writing has shortcomings and needs to be improved, but they don't pay attention to methods when practicing and can't achieve their goals. I often see some friends writing posts for a long time, and the words haven't changed much. The reason is nothing more than a temporary learning method. It is common sense to write on the spot. Pro is to know the writing methods and rules by comparing the fonts on the copybook, and if necessary, collect some words with thin paper, copy them down, memorize them and apply them to the pen, thus changing your writing habits. For beginners of calligraphy, we should carefully observe, analyze and experience the appearance, size, convergence and divergence, right and wrong, stroke fluctuation, retraction, length, angle, Fiona Fang and echo of the original post in clinical study. A better method is to select some words with representative structure and strokes and analyze them according to the above aspects. After you have an impression, you can start learning temporarily, then compare it with the original words, find out what is not in conformity with the original post, and then compare it with the original post. Repeat this several times, and gradually get close to or similar to the original post, so you can remove the original post and recite it again. To learn running script, you must first learn to use a pen. When it comes to using a pen, you can't help but mention your wrist. The two are inseparable. This point is often ignored or confused by beginners of calligraphy. Wrist movement means that in the process of writing, the wrist should consciously command the brush to swing left and right, and slowly press it down to change the illusion. So that the writing effect is smart and smooth. When writing hundreds of words, the wrist must be tilted to the left and pushed to the right, and the wrist must be swung to the right at the end of the horizontal direction immediately. When lifting the pen, it will be pressed to the upper right and inward at the small vertical fold, so that the pen can be lifted inward under the rotating belt for some collection. This series of movements is the left and right rotation of the wrist. If you only move the pen by your arm, it is obviously difficult to accurately write the lines with changing light and heavy, and some dexterity is even more difficult to accurately show. It is difficult to write words within half a foot. Of course, to write big characters, you need the help of your arm and control your pen by your wrist. Therefore, wrist movement is a crucial exercise course in cursive writing practice. Of course, the coordination of wrists, arms and fingers can not be ignored.