Many researchers believe that in the above figures, "Wei Yun's ink-free paintings are painted on the mountains"; There is a love poem in Moon Shadow, and its couplet "Mountain Wipe Wei Yun" comes from Qin Guan's ci "Man Fang Ting": "Mountain Wipe Wei Yun, sky sticks to grass, and corner painting breaks the door." This word has a long history. Among them, the words "wipe" and "micro" are skillfully used and novel, which won the applause of scholars of all ages. Therefore, Qin Guan was praised by Su Shi as "Wei Yun and Qin Xueshi". It can be said that Wei Yun is a patent of Qin Guan. The second couplet "The Moon Shadow Moving Flowers" expresses the poem of "Huanxisha" by Li Qingzhao: "The Moon Shadow Moving Flowers is Coming Again".
"Bamboo knocks on autumn rain ....." From which sentence? There are ancient poems such as "The wind and bamboo knock on the autumn rhyme in the middle of the night, and the leaves are full of hate" ("Magnolia", Ouyang Xiu). "Autumn rain" can be found everywhere in ancient poems: "Peach and plum blossom, spring breeze blows, and after autumn rain, the fallen leaves return to their roots" (Bai Juyi's Song of Eternal Sorrow); "Pick the silver lamp, touch the pearl households, and embroider the quilt for the autumn rain" (Ying Tianchang, Feng Yansi); "Nu Wa makes up the sky by refining stones, and rocks break the ground to stir up autumn rain" (Li Ping's Quotations, Li He); "In the rustling autumn rain, shallow pomegranates are sprinkled" (Luan Jiase, Wang Wei) ......
"Ink-free painting" and "talking poetry" are common in couplets. For example, someone wrote a pair of couplets, praising the description in "Poems in Spring Rain Cottage" written by Jinshi Gong in the sixteenth year of Chongzhen in Ming Dynasty, saying that "there is no ink painting outside the hall; "Spring Rain Before the Eaves" has poems "(anonymous); "There is no ink painting outside the temple; There are poems in the forest (two parts) and so on.
Accordingly, this couplet is a set of sentences of later generations, which are anonymous.
As for the celebrities mentioned by people, we might as well briefly discuss:
Zhang Zongxiang (1882—— 1965) is a famous scholar and calligrapher in China. He was mainly engaged in culture, education and book work all his life. The couplets that calligraphy lovers are most familiar with him are "Two Sima in the Western Han Dynasty, One Wolong in Nanyang". Did he ever write "Wei Yun painted ink-free on the mountain;" It is still unknown that bamboo strikes autumn rain with sound poems. Even so, it is difficult to infer that he is the author of couplets.
Qin Runqing (1877- 1966), whose real name is Zuze. Brief introduction of his life: "I appreciate Qin Shaoyou's literary works very much, and I named myself" Old Man Yun "with the sentence of" Mountain Erases Wei Yun and Qin Xueshi "and" Mountain Erases Wei Yun's Ink Painting, Bamboo Knocks Autumn Rain with Poetry ". That's all, it doesn't involve his creation of couplets. The same article also said that he "had no higher education when he was young and regretted it all his life." "Therefore, there is no evidence that he is the author of the association.
Calligrapher He (born in 1942) has the same contents as (born in 19 16), without indicating the source of the original work.
Try to explain the main idea of this couplet:
There are faint smoke clouds around the mountainside in late autumn, which vividly depicts a landscape painting without pen and ink; The crisp autumn wind pushes the dark green bamboo, and the misty autumn rain floats on the bamboo leaves, making a beautiful sound. Bamboo is swaying rhythmically, just like an intoxicated poet singing softly. It is clearly a landscape poem with sound.
Describing drizzle and swaying bamboo branches as "knocking" and "lingering" smoke clouds as "smearing" do have the same effect. This is a true portrayal of the magnificence and charm of nature and a vivid expression of the author's relaxed and free mood. The words used in this pair of couplets are exquisite and unique, and extraordinary, which makes people appreciate a very beautiful realm of "painting in poetry and sound in painting", which is really worthy of applause!