Jiang Kui wrote few words in his life. Introduce it.
Jiang Kui, Zhang Yaoren, was born in Poyang (now Poyang, Jiangxi). Like Liu Guo, Jiang Kui's social identity is also a wanderer who wanders around the rivers and lakes and delivers meals to princes. In his youth, he traveled to Huaichu in the north and Xiaoxiang in the south, and then lived in Hefei, Huzhou and Hangzhou. However, his temperament and personality are different from Liu Guo's. Jiang Kui is a noble man. Zhang Jian, a noble man, declined politely and bought him an official title. He lives a poor and self-restrained life and entertains himself with literary and artistic creation. His poetry, prose, calligraphy and music are excellent, and he is another rare artistic all-rounder after Su Shi. Contemporary celebrities, such as Xin Qiji, Yang Wanli, Fan Chengda, Zhu, Xiao Dezao, etc., are highly valued. Although they have been well fed and clothed all their lives, their reputation is impressive.
Jiang Kui's ci has no expansion in subject matter, and still follows Zhou Bangyan's road to write feelings and chant things. His contribution mainly lies in transforming the expressive art of traditional graceful words and establishing new aesthetic norms. Since the Northern Song Dynasty, the romantic words have been refined by Zhou Bangyan, but they are still not enough. In Jiang Kui's love poems, the lingering and warm love details are often filtered out, only showing the lovesickness of the loved one after leaving, and treating the fiery tenderness with a unique cool color, thus making love elegant, giving Rose erotica an elegant taste and lasting appeal beyond worldly customs.
Jiang Kui's poetic context is unique, and so is his artistic way of thinking and expression. He is good at using synaesthesia thinking and artistic synaesthesia to connect different physiological feelings and express some psychological feelings. He is also good at thinking laterally, writing emotional things, not directly depicting the front, but writing on the side, vivid and vivid. Slow state is a masterpiece in this respect:
Huaizuomingdu, Zhuxi is a good place with few saddles on the initial journey. Ten miles after the spring breeze, the wheat is green. Since Huma went to see the river, he abandoned the trees by the pool and still hated talking about soldiers. It's getting late and everything is empty. Du's reward is now as heavy as a foot. Vertically speaking, the dream of a brothel is good, but it is difficult to give it a profound clarity. The 24th Bridge is still there, the waves are swaying, and Leng Yue is silent. After reading the red medicine by the bridge, you will know who you should live for every year.
The words "blowing cold wind" and "Leng Yue" both use synaesthesia. The syntax of the first two sentences is obviously influenced by Liu Yong's Watching the Sea, but Liu Ci depicts the bustling scene of Qiantang in a positive way, while Jiang Ci writes from the side and expresses his deep affection for the ruins of Yangzhou from the imaginary place. Reverse with a pen, one solid and one virtual, just in sharp contrast. His other work "Dian Jiang Lips Ding Weidong Wu Songzuo" also conveys infinite sadness from vanity, with clear brushwork and ethereal artistic conception. Therefore, Zhang Yan said that Jiang Ci was "empty" and "flying like a wild cloud, leaving or staying without trace" (Volume II of Etymology)
Finally, introduce a good web page, which I often visit, where this comes from, hehe.