What kind of calligraphy art can you learn by appreciating Mr. Ma Baoshan's calligraphy works? Here are the pictures of Ma Baoshan's classic cal
What kind of calligraphy art can you learn by appreciating Mr. Ma Baoshan's calligraphy works? Here are the pictures of Ma Baoshan's classic calligraphy that I arranged for you. I hope it will help you!
Appreciation of Ma Baoshan's Classic Calligraphy Works
About Ma Baoshan's Classic Calligraphy Pictures 1
Pictures of Ma Baoshan's Classic Calligraphy 2
About Ma Baoshan's Classic Calligraphy Picture 3
Pictures of Ma Baoshan's Classic Calligraphy 4
Ma Bao Shan's Personal Profile
Ma Baoshan, Shou Chang, pen name Fu Ying, real name Yi Ming. Calligrapher, Yi Dao calligraphy, creator. 194 1 Gujiao, Taiyuan City, Shanxi Province, university degree, senior editor. He has served as vice president of Legal Daily and deputy editor-in-chief of China Lawyer's Newspaper for many years. He is currently the executive vice president of China Behavioral Law Society, the president of Tiantai Yi Dao Research Institute, the president of Yi Ming Painting and Calligraphy Institute, and the honorary president of Huaxia Metropolitan Journalists Club.
He has published Yi Dao Calligraphy, Yi Dao Yao Shuo, Yi Dao Ji, Yi Dao Gua Shuo, Yi Dao Taiji Shuo, Yi Dao Xiang Shu Logic and Yi De Shuo. In the field of philosophy research of the Book of Changes, a brand-new perspective, a brand-new concept, a brand-new method, a brand-new argument and a brand-new system are given.
Calligraphy appreciation is inseparable from the content of writing.
Calligraphy is an important part of China's traditional culture, and all previous literati had good calligraphy. Writing is mainly practical. Since modern times, calligraphy has gradually been classified into aesthetic category from the previous practical category. Although there are more people writing now than before, calligraphy creation has become the artistic creation of a few professionals. Similarly, the appreciation of calligraphy has become a professional behavior to a certain extent.
For collectors, improving the level of calligraphy appreciation is of great help to collect and appreciate calligraphy. Recently, Zhang Guiguang, Chairman of Guangdong Calligraphers Association, held an exhibition of Zhang Guiguang's calligraphy works in Mogao Art Museum, and held a lecture on "Talking about Calligraphy" to share his calligraphy appreciation methods.
Calligraphy creation should be living room effect creation;
According to Zhang Guiguang, the calligraphy circle has been roughly divided into two concepts over the years: traditional and non-traditional. Zhang Guiguang said: "The main difference between the two is whether the creation is for the living room effect or the exhibition hall effect." The so-called living room effect, that is, traditional calligraphy is generally placed in the living room for the book or collector to enjoy himself or for friends to exchange comments. The effect of the exhibition hall is to pursue the shock of the exhibition, which is often huge.
Zhang Guiguang tends to create for the living room effect. He said: "Now the works created for the exhibition hall effect are getting bigger and bigger, generally reaching at least six feet. Six feet is 1.8 meters, and the living room of ordinary people is 3 meters high. It is often impossible to put such a big painting at home. The size built for the exhibition hall doomed these works to stay in the exhibition hall. After the initial shock, the audience often did not stop and did not appreciate it carefully to achieve the communication effect. "
"Unlike the exhibition hall, when calligraphy works are hung in the living room, it is very comfortable to see them after work on weekdays, so you can appreciate and play with them carefully. Moreover, the calligraphy works created for the exhibition hall effect are not only large, but also decorative. Not only many colors are used on paper, but also many colors are used in ink, which is far from the traditional habit of calligraphy appreciation. " Therefore, Zhang Guiguang believes that these calligraphy can hardly stand scrutiny and cannot reach the height of traditional calligraphy.
Calligraphy appreciation should be combined with writing content;
There is a view in the field of calligraphy that in order to go international and connect with the world, calligraphy creation must be stripped of the meaning of specific characters, so that it can be completely turned into line art and can be understood by foreigners who do not know Chinese characters. Zhang Guiguang disagrees with this view. He thinks that China's calligraphy can become an art, and it can make the audience get the sound of * * *, which is inseparable from the meaning of words and the content of creation.
Zhang Guiguang believes that a successful calligraphy work is often the expression of the author's feelings, temperament and cultivation, which can show the author's spirit and give the audience a certain appeal. This is inseparable from the writing content. Zhang Guiguang, for example, said that the three major running scripts in the world are Wang Xizhi's Preface to the Orchid Pavilion, Yan Zhenqing's Sacrifice to My Nephew and Su Dongpo's Cold Food Post. Preface to Lanting Collection is a beautiful and elegant gathering of literati, which is very leisurely and natural, making people feel graceful and fresh. The Draft for Sacrificing a Nephew is about a nephew who died heroically in the Anshi Rebellion. His style is full of passion, and his sadness and indignation are vividly on the paper.
Therefore, the success of calligraphy works is inseparable from the content. While appreciating calligraphy, the audience can also understand the works from the writing content, and then understand the author's intention in writing, composition and layout, so as to grasp the overall situation of calligraphy. For example, Preface to Lanting Collection commemorates Elegant Collection, so the middle distance between rows looks comfortable and changes evenly. The authors of Sacrifice for My Nephew and Cold Food Post are in a state of excitement, indignation and great changes.
It can be seen that the ink depth and font size of "Mourning for the Nephew" changed strongly. The font size of the cold food post was uniform at first, but it changed a lot later. This change in ink depth and font size is consistent with the author's emotional changes and text content.
Taking Yan Zhenqing's calligraphy creation as an example, if we compare it vertically, we can compare the vertical use of hanging needles in Liu Zhongshi's Post and Sacrifice to a Nephew. The word "ear" in Liu Zhongshi's Post is different from that in the Manuscript for Sacrificing Nephew. Although they are all hanging needles, they feel completely different, and they are excited after winning the battle.
The higher the self-cultivation, the more enjoyment you get from calligraphy;
Everyone appreciates calligraphy differently, and different people appreciate different things from calligraphy. Zhang Guiguang believes that this is caused by everyone's different cultivation and circumstances. The deeper the cultivation, the higher the enjoyment you get from calligraphy. If the audience doesn't know calligraphy, only knows how to read, and can't read Preface to Lanting, they can't understand why some words in Preface to Lanting are written like this.
Therefore, Zhang Guiguang suggested that people who want to appreciate more content and get more pleasure from calligraphy should improve their personal cultivation. The audience can read books related to calligraphy. In addition to calligraphy creation, it is very necessary to understand the history of calligraphy, literature and philology. Although you can't become a calligrapher, writer or philologist after reading these books, it is very helpful to have a deeper understanding of calligraphy creation and appreciate calligraphy.
In addition, you can read more posts and works. After reading a certain degree of book posts, comparison is also a learning method to improve appreciation ability, which can be analyzed from the aspects of calligraphy pen and word formation. Since seal script, official script and official script have their own pens, we can also compare these differences when appreciating and try to figure out the pens used in different fonts. For example, the click of letters will never appear in the seal script, and you can evaluate it when you appreciate it.