Yueyang tower 1
The Story of Yueyang Tower is an essay written by Fan Zhongyan, a writer in the Northern Song Dynasty, on September 15th (1046 65438+ 10/7) at the request of Teng Zongliang, a close friend of Yuezhou, to rebuild Yueyang Tower. By writing about the scenery of Yueyang Tower and the different feelings brought by rainy days and sunny days, the article reveals the benevolent heart of the ancients who "don't like things, don't grieve for themselves", and also expresses his patriotic feelings of "worrying about the world first, and enjoying the world later".
The article goes beyond the narrow scope of simply writing about mountains and rivers, and combines the gloomy changes of nature, the lack of rain and shine, and the "feeling of seeing things" of "moving poets", thus focusing on discussing political ideals and expanding the realm of the article. Full-text narration, scenery description, lyricism and discussion are integrated, and the combination of static and dynamic, contrast between light and dark, concise words and harmonious syllables make it an innovation of miscellaneous notes to compare scenes with couplets.
2. Preface to Wang Teng Pavilion
Preface to Wang Tengting is a parallel essay by Wang Bo, a writer in the Tang Dynasty. From the terrain, talents and banquets of Hongdu, the article describes the grandeur, broad vision, tight autumn and bright scenery of Wang Teng Pavilion. Then, from banquet entertainment to life experience, express the feelings of life experience; Then the writer's experience and confession should be encouraged by himself, and finally end with poetry and self-deprecating words.
The full text reveals the author's ambition and resentment. Except for a few function words, the whole article is double. Syntax consists of four sentences and six sentences, arranged neatly; Almost a whole story, more natural and appropriate, elegant and skilled.
3. Liu Yong
Chanting willow is a seven-character quatrain written by He, a poet in the prosperous Tang Dynasty. This poem is a poem about objects. The first two sentences of this poem use two new metaphors of beauty to describe the vitality and prosperity of spring willow; The latter two sentences compare the spring breeze to "scissors" more ingeniously, and show the invisible "spring breeze" vividly, which is not only novel in concept, but also full of charm.
Seven-character verse;
Seven-character metrical poetry refers to seven-character and eight-sentence poetry, which conforms to the norms of metrical poetry. Its meter is very strict, and there are strict rules in terms of words, rhymes, leveling and antithesis.
First, the length is fixed. Eight sentences, seven words each, * * * 56 words. The first and second sentences are called "first couplet", the third and fourth sentences are called "parallel couplet", the fifth and sixth sentences are called "neck couplet" and the seventh and eighth sentences are called "tail couplet".
Second, the rhyme is rigorous. The whole article has four or five rhymes, which generally rhymes with even sentences, that is, the last word of the second, fourth, sixth and eighth sentences rhymes. The first sentence can be played or played, usually in a flat voice, with rhyme at the end and no rhyme in the middle. It is also required to rhyme according to the words in the rhyme book. In principle, only the original rhyme can be used, not the adjacent rhyme; Even if it is a little looser, the adjacent rhyme can only use the first sentence of rhyme, which is called "borrowing rhyme"
According to whether the first sentence rhymes or not, the seven-character rhyme can be divided into two formats: the first sentence rhymes and the first sentence does not rhyme, in which the first sentence rhymes in a positive case, which is different from the five-character rhyme.
Third, pay attention to leveling. In other words, it is necessary to conform to the law of flat tones, that is, in general, two syllables (two words) are used as a step, and flat tones are arranged alternately. According to the level of the first two words in the first sentence, the seven-character rhyme is divided into two parts: flat and flat.
According to the law of parallel prose, there are four standard sentence patterns in seven-character rhythmic poetry: one is flat and parallel (the last word is flat, called flat ruler); Second, flat and flat (flat and flat, the last word is flat and flat, called flat and flat feet); The third is flat and flat (from the beginning, the last word is flat, called flat feet); Fourth, it is flat (the last word is foot, called foot).
These four sentence patterns are the basis of the change of the flat and flat format of the regular poem, and constitute the four basic formats of the seven-character regular poem.
Fourth, demand confrontation. Parallel couplets and neck couplets must be opposite, and the first couplet and the last couplet can be right or wrong. Seven-character verse is based on the first couplet and the last couplet.
Reference to the above content: Baidu Encyclopedia-Seven-character Rhyme