Huang San Temple was built in the Yuan Dynasty, but it was expanded and repaired in different degrees during the Qing Qianlong, Daoguang and the Republic of China. The existing Sanhuang Hall still retains the original structure of the Yuan Dynasty, and the rest was rebuilt in the Qing Dynasty. On June 10, 2004, the Shanxi Provincial People's Government announced that xiaoyi city Huang San Temple was a provincial-level cultural relics protection unit in Shanxi. In 2005, xiaoyi city Cultural Relics Bureau and Shanxi Ancient Architecture Protection Institute carried out protective restoration of Huang San Temple on the basis of ensuring "prototype system, raw materials, original technology and original practices".
Introduction of "Huang San"
The Fuxi family, the leader of ancient Huang San, was born in Tianshui. Making gossip, weaving nets, seeking marriage, raising livestock, making stringed instruments, writing essays and making calendars. First through Kyushu, Longze Wan Li.
Emperor Yan Shennong was born in Jiang Shui. Art prospered agriculture, tasted herbs and cured people's diseases, raised silkworms, made pottery, created markets and created trade in Japan and China, and was honored as the god of agriculture and medicine by later generations.
Emperor XuanYuanShi, compound surname gongsun. He practiced martial arts and writing, practiced moral politics, founded five elements, made utensils, invented temperament, served Niu Geng, and was honored as "the ancestor of mankind" by Chinese people.
Temple architectural style
Xiaoyi Huang San Temple sits west to east, 84 meters long from east to west and 59 meters wide from north to south. The layout of the two courtyards is as follows. The mountain gate, the Music Building and the Ursa Major Hall are arranged on the central axis from east to west. There is a powerful "Huang San Temple" embedded in the forehead of the mountain gate, which was given by the Sichuan provincial judge Liang in October of the 10th year of Wanli in Ming Dynasty.
Three walls of the temple are painted with murals of Huang Sanhe and the imperial doctor. The main murals are Wu Tai Fuxi, Shennong Yan Di and Xuanyuan Huangdi. The side murals are painted with colorful statues and stories of ten famous doctors, including Qibo, Lei Gong, Bian Que, Chunyu Kun, Hua Tuo, Zhang Zhongjing, Huangfu Mi, Ge Hong, Sun Simiao and Wei Shanjun. At present, only the murals in the hall are well preserved. These ten famous doctors in the past dynasties are famous for their exquisite medical skills and profound medical writings, and they are deeply loved and respected by the people in order to eliminate the suffering of diseases of all beings.
There are five stone tablets under the verandah of Sanhuang Temple: Huang San Temple built two corridors in the seventh year of Qing Qianlong, Niuma Monument of the God of Wealth in the fifty-eighth year of Qing Qianlong, Huang San Temple Monument in Duanyang in the ninth year of Qing Daoguang, Xiamenghuang Temple Monument in the ninth year of Qing Daoguang, and Kuixing Building and Lelou Monument in Huang San Temple in the tenth year of the Republic of China.
The ear halls on both sides of the main hall are Mawangge in the north and Caifu Hall in the south, all of which are brick and wood structures. Opposite the main hall, Le Lou sits east to west, and there are wood, bricks and stone carvings around the platform mouth. The "Mirage" plaque hanging above the platform was written by Qin Longguang, a famous calligrapher in the late Qing Dynasty. "Le Lou Zao Jing" painted 108 generals of Liangshan heroes, with different colors and lifelike. Large pieces of glass are inlaid between the front and back stages, which adds luster to the whole stage. Sometimes it also has the reputation of "glass stage", which once formed the fashion of "watching plays for the sake of watching the stage" inside and outside the city.
The existing integral beam frame and building components in the main hall of Huang San Temple retain the original artifacts of the Yuan Dynasty, and the structure is simple and stable, which reproduces the architectural concept under the specific historical background of the Yuan Dynasty and truly reflects the architectural plane and layout of the Taoist temple at that time.
"Huang San" is regarded as the ancestor of Chinese culture, and has been widely recognized and worshipped by Chinese people. There are many sacrifices, public sacrifices and folk sacrifices in the past dynasties, which provide places for the descendants of the dragon and the descendants of the Yellow Emperor, and have high historical, scientific and cultural value.