Appreciation of 20-character calligraphy works
20-character calligraphy works 1
20-character calligraphy works 2
20-character calligraphy works 3
20-character calligraphy works 4
20-character calligraphy works 5
Analysis of writing skills
The expression of the beauty of calligraphy is nothing more than? Real? With what? Virtual? Two aspects. ? Real? Aspects are tangible, including pen, structure, composition and so on; ? Virtual? Aspects are intangible, including spirit, charm, artistic conception and so on. Among them? Real? The aspect of writing is the result of the application of writing skills. Skillful writing skills are the premise of creating excellent calligraphy works.
First, the principles of calligraphy
(1) Line direction
Lines: stippling and strokes. It has certain directionality and is divided into three directions: horizontal, vertical and inclined. Because of its directionality, it forms pen gestures, such as horizontal potential, vertical potential and oblique potential. 1, horizontal line: horizontal lines are divided into three types: flat, upturned and covered. Technical complexity and visual richness are caused by the changes of straight lines and curves of lines; 2. Vertical lines: vertical lines are divided into three types: straight, vertical and back, which form an opening and closing relationship due to the back; 3. Slant: Different from lines in other directions, it has the function of balancing horizontal and vertical trends.
(2), the development of the line
The development of the line is also the length of the line. The effective control of line length determines the openness or restraint of the basic form of font.
(3), the position of the line
The position of the line determines the density of the line. The positions of the lines are as follows: 1, and the relationship between equidistant lines. There are equidistant and unequal distances, and equidistant is a stable collocation relationship. Unequal distance in the same direction is a density contrast relationship; 2. Handover the relationship in different directions. Among them, it is divided into middle division and partial division, middle division is a stable collocation relationship, and partial division is a changing contrast relationship; 3. Break off the relationship. There are four kinds of disconnection: real connection, imaginary connection, penetrating connection and disconnection. The use of connection and disconnection will form tight and loose effects respectively; 4. Overlapping relationship. It is mainly used in the places where strokes turn and cross, specifically, the question of who stands out in horizontal and vertical oblique painting, thus creating technical differences and different visual senses.
(4) Form of lines
1, the line shape mainly refers to the thickness of the line. Raising pressure is the fundamental means to form line thickness, and it is also the most important technical means in the writing process. Specifically, it can be subdivided into the following five ways: translation, intermittent pressing, intermittent pressing and pressing; 2. The beginning and end of lines are the key positions of lines, the main content and core expression of brushwork, which determines the accuracy of writing; 3, according to the hidden tip, there are two kinds of pens: square and round; 4, homeopathy and contrarian, mainly refers to the trend of the pen. When writing, the trend of the pen tip is counterclockwise, which is homeopathic, but it is contrarian; When the pen is closed, the trend of the pen tip is counterclockwise, which is against the trend, but it is homeopathic. The mixture of homeopathy and contrarian will enrich changes.
Second, the principle of calligraphy structure
(A), the basic shape changes
The basic shape of a font is an outline. Generally Chinese characters can have many morphological changes, such as square, horizontal rectangle, vertical rectangle, triangle, trapezoid and so on. Various basic forms are mixed together to form rich font variations.
(B), structural changes
Font structure is basically divided into three types: independent body, left and right body and upper and lower body. The opening and closing of clutch, staggered and side structures can form the following three changes.
(3), font changes
There are five types of characters: truth, line, grass, official script and seal script. The application of mutual penetration is endless. The following are some changing techniques: 1, using other fonts for brushwork or composition in part of a word; 2. Use a simpler font for the internal strokes, so as to simplify them by deleting the complicated ones, and still retain the whole word; 3. Infiltrate the original fonts with more active genres, such as cursive script permeating running script, running script permeating regular script, and official script permeating cursive script.
(4) Changes in the style of books
1, the style of the book is a fixed style font. Such as Yan Ti, European Ti, Liu Ti, Zhao Ti, etc. 2. If different books permeate and mix with each other, it is easy to appear awkward, but if they are well coordinated, they will produce unexpected results. The premise of the infiltration and mixing of books is to be familiar with the infiltration of books, and the mixing can achieve the coordinated effect.
(5), edge change
Yan Zhenqing's calligraphy focuses on inward convergence, forming a form of enclosing fonts, which is a form of outward extension, and his calligraphy structure is changed from heart to heart. The edge type has the following forms: 1, tight edge: the shape of the word pays attention to the close connection of the four sides and has a strong sense of integrity; 2, loose edges: the four sides of the glyph are not connected with each other, and there is no sense of integrity; 3, general tight edge: loose edge and tight edge interval mixed realization? Opening and closing ceremonies publicity exhibition? Put it away at will.
(6) Changes in people's minds
Stroke structure diverging from the center. Zhang Ruitu's calligraphy changed its structure with heart.
(7), point, line, surface ratio
Use the interchange of points and lines to cut different spaces. For example, the plane is formed by the adhesion of lines and closed spaces, so as to strengthen the contrast between lines and surfaces.
(8), the internal order relationship
The strokes of Chinese characters have an internal connection, for example, the starting and ending points of the latter part of the strokes are aligned or echoed with the starting and ending points of the previous part of the strokes, for example? Is it right? 、? Dotted line? Wait a minute.
(9) Changes in brushwork
For example, using the brushwork of one font to write another font is the same principle as the infiltration and mixing of calligraphy mentioned above, and it is also a means and process to pursue rich changes.
Third, the composition and layout of calligraphy
In classical calligraphy, there are few descriptions of rules and regulations. Traditional calligraphy is generally practical, and there is no special study of rules and regulations, only the echo relationship of popular spirit (up and down, left and right). Style is generally carried out in a conventional and passive format, such as: there is a line, there is a line, and there is no line.