1. The brushwork is rich and varied: Cao Quanbei was born in the Eastern Han Dynasty. At this time, the brushwork of official script is complete, and all kinds of brushwork such as stippling, wave cutting, wave picking and ripple are perfectly used in this work. In addition, even if the same word appears in the work, the author can use different brushwork to express it, making the work lively and interesting.
2. Combination of rigidity and softness, meaning of seal: Cao Quanbei's beginning, behavior and presence of each stroke are mainly based on the round and solid meaning of seal. Besides, like the seal strokes, Han Li's central strokes are powerful, and in calligraphy, the round side is often regarded as soft. So this work is both rigid and flexible. The roundness of the seal strokes and the masculinity in the center complement each other, which makes the work have both a vigorous posture and a rounded aesthetic feeling.
3. Mastering the rhythm, combining dynamic and static: After reading Cao Quanbei, I found that when the author writes, he speaks fast and slow, and has a sense of rhythm and rhythm. Although this pen is mainly stable, it is sometimes decisive, never dragging its feet, and combines motion and static.
4. Harmony between straightness and straightness, vivid image: Cao Quanbei's short paintings are straight, long paintings are multi-curved, straight and curved are harmonious, and movement and movement are self-evident. Official script, like seal script and regular script, is a static font. In order to express the "motion" in the works, we can't use the method of "tying lines" like running script and cursive script. However, the author of this work reasonably deals with the linear relationship between different strokes, which embodies the "movement" in the work and shows the author's superb calligraphy skills, which has a far-reaching impact on future generations.
5, according to the turning point, weight: from the pen shape, this monument is mainly thin lines, but it gives people a heavy feeling; With thick lines, the author can give people an ethereal feeling. It can be said that the author's grasp of lines is wonderful, and the use of turning points and the combination of light and heavy can give people a strange feeling, showing the author's originality and superb skills.