Shi Chenbei was carved in Confucius Temple in Qufu in the second year of Jianning (169), with a height of 207.5m, a height of173.5m, a width of 85m and a thickness of 22.5m.. Wei Bei Exhibition Hall in Xicang, Confucius House. The inscription records the history of three people visiting the Confucius Temple in the Eastern Han Dynasty, namely, Aluxiang and Li.
Shi Chenbei, Yiying Monument and Liqi Monument are collectively called "Three Monuments of Confucius Temple", and their calligraphy is dignified and elegant, round and honest, which is a mature model of Han Li. Guo Zongchang in the Ming Dynasty called this monument: "It can be used for hundreds of generations, and future generations can't reach it."
Fang Shuo's evaluation of this monument in Qing Dynasty is: "The calligraphy is profound and profound, and it has both structure and meaning. It is the product of the temple, and it is eight points authentic. " People today also praise Shi Chenbei as "full of strength and beauty".
Shi Chenbei, also known as the "Monument before and after Chen Shi", is divided into two parts: the Monument before and after and the Monument after. The former monument is the Confucius Memorial Hall in Lu, with 36 Chinese characters in 17 lines. The back tablet is "Lu Chenyi Confucius Temple Tablet", 14 line, 36 words. What is published in this book is the former monument.
Guo Zongchang, a calligrapher of epigraphy in the late Ming and early Qing Dynasties, said: The method of dividing stones can be a model for hundreds of generations, which is beyond the reach of future generations. ("The Story of the Stone, Volume I, Han Lu's Memorial to the Confucius Temple in Wang Shibo")