Reference: I
The Riverside Scene at Qingming Festival was painted by Zhang Zeduan, a painter from Song Huizong Hanlin Painting Academy. Others say that Zhang Zeduan is not the only author. Dong Qichang's "Rong Tai Collection" said: "Recalling that the prosperity of old Beijing was in the Southern Song Dynasty, but it contained the prosperous scene of Tomb-Sweeping Day, which was passed down from generation to generation, and Zhang Zeduan was the most." "At the beginning of Shaoxing, when I was old and idle, I would talk about the scenery of the capital. I heard that there were still people crying. So at that time, the northwest was old, and people who told the story of Zheng Xuan were valued. " Some people even put forward the view that people in the Southern Song Dynasty missed the prosperous times of the past. Song Huizong liked this painting very much. He wrote the words "Riverside Scene at Qingming Festival" on it in fine gold font. In the year when The Riverside Scene at Qingming Festival was made, Zhang Zeduan painted two Riverside Scenes at Qingming Festival, and only one remains. During his tenure in imperial academy, Zhang Zeduan first drew a picture of the Riverside at Qingming Festival from11to 1 125. After the painting was completed, it was dedicated to Hui Zong Emperor Evonne. The Riverside Scene at Qingming Festival was written by Zhang Zeduan, a famous painter in the Northern Song Dynasty. This painting is 255 cm high and 525 cm wide. It depicts the life scenes of all walks of life in the suburbs of the capital Bianjing at that time. Vivid and true, it is an excellent genre painting with important historical value. The Riverside Scene at Qingming Festival has been robbed many times during its 870-year circulation. Zhang Zeduan once painted two "The Riverside Scene at Qingming Festival", but now there is only one. During his tenure in imperial academy, Zhang Zeduan first drew a picture of the Riverside at Qingming Festival from11to 1 125. After the painting was completed, it was dedicated to Hui Zong Emperor Evonne. Evonne is also a famous calligrapher, calling his books "thin gold books". He is also a painter, good at flowers and birds, and collects Zhang Zeduan's Riverside Scene at Qingming Festival. He wrote the words "Riverside Scene at Qingming Festival" on a thin gold book, and stamped it with the seal of Shuanglong. By 1 126, in November of the first year of Song Jingkang, Jin Jun captured Bianjing, and a large number of treasures, calligraphy and paintings and other cultural relics in the palace were looted. Jin people only know treasures but don't know the value of calligraphy and painting, so the riverside scene on Qingming Festival was not robbed, but lived among the people. A few years later, Zhang Zhu, a gold man, got the painting and wrote a postscript on it. At that time, Zhang Gongyao, Wang Run and others left inscriptions on the paintings. After the Yuan Dynasty unified the Central Plains in A.D. 1260, the Riverside Map on Qingming Festival was plundered from Lin 'an (now Hangzhou) to Dadu (now Beijing) and was collected by the famous painter Zhao Mengfu. Soon, he secretly sent the painting back to his hometown Huzhou (now Xing Wu County, Zhejiang Province). After a lapse of 200 years, The Riverside Scene at Qingming Festival came to Suzhou again and was bought by an official of Dali Temple in Ming Dynasty. Soon, this painting was bought by a famous person, Xu Zhi. When he died, he gave this painting to Li Dongyang, a college student, and Li wrote the last postscript on it. During the Jiajing period of the Ming Dynasty, Yan Song, the minister of electric power, learned that the Riverside Scene at Qingming Festival had fallen into the hands of Wang, the foreign minister of Suzhou. Wang Shu took the opportunity to buy the Riverside Scene at Qingming Festival from the king and gave it to Yan Song. Yan's framer saw that the painting was fake, because he saw the original work in a house in Suzhou 15 years ago. Yan Song got the original "Riverside Scene at Qingming Festival" from Lu Zhi by tough means. Later, Yan Song gave this painting to his son Yan Shifan for preservation. Soon, Yan Shifan was found guilty and killed, and when his property was confiscated, he invited The Riverside Scene at Qingming Festival to return to the palace. By the Ming Dynasty, this painting had fallen into the hands of Cheng Gongzhu, and The Riverside Scene at Qingming Festival had fallen into the palace several times. A minister in the palace stole this painting, but he couldn't take it out for a while, so he hid it in a gap under the Yuhe Bridge in the palace, which coincided with the heavy rain and made the painting dirty. Zhang Zeduan, the author of The Riverside Scene at Qingming Festival, took refuge in the south with his family after Bianjing was occupied by Jin people. Because he missed his hometown, he painted a new riverside scene when he was in Tomb-Sweeping Day, which has been handed down to this day. The original painting The Riverside Scene at Qingming Festival is 528 cm long and 24.8 cm high. The earliest edition belongs to the works of Zhang Zeduan, a painter of the Northern Song Dynasty, and is now in the Palace Museum in Beijing. The picture depicts the bustling scenes and beautiful natural scenery on both sides of Bianliang and Bianhe River in the Northern Song Dynasty during the Qingming period. In the form of a long scroll, the work uses the composition method of scattered perspective to bring complicated scenery into a unified and changeable picture scroll. This painting is mainly divided into two parts, one is the countryside and the other is the market. There are 8 14 people, more than 60 livestock, 28 ships, more than 30 buildings, 20 cars, 8 sedan chairs and more than 70 trees/kloc-0. They wear different clothes and look different and lifelike. In the meantime, various activities are interspersed, paying attention to the plot, dense composition, full of rhythm and rhythm changes, and the brushwork is very good. This painting is famous for its geometric correctness in describing various forms. The Riverside Scene at Qingming Festival was originally written by Zhang Zeduan, a painter from Song Huizong Hanlin Painting Academy. Others say that Zhang Zeduan is not the only author. Dong Qichang's "Rong Tai Collection" said: "It was the Southern Song Dynasty that recalled the prosperity of old Beijing, but it contained the prosperous scenery of Tomb-Sweeping Day. It was told by different people in the past dynasties, and Zhang Zeduan was the most." "At the beginning of Shaoxing, when I was old and idle, I would talk about the scenery of the capital. I heard that there were still people crying. So at that time, the northwest was old, and people who told the story of Zheng Xuan were valued. " Some people even put forward the view that people in the Southern Song Dynasty missed the prosperous times of the past. Song Huizong liked this painting very much. He wrote the words "Riverside Scene at Qingming Festival" on it in fine gold font. The Riverside Scene at Qingming Festival was painted in ten years. It was first collected by the court in the Northern Song Dynasty. After the disaster of Jingkang, it flowed into the people. After many twists and turns, it was acquired by Jia Sidao in the Southern Song Dynasty. It re-entered the palace in the Yuan Dynasty and was transferred to the people in the period of mindfulness. In the early Ming Dynasty, great scholars Zhu Wenhui and Xu Pu collected them. Xu Pu gave it to Li Dongyang before his death. In the third year of Jiajing (1524), this painting was returned to Lu Wan, the minister of war. After Lu Wan's death, his wife sewed the Riverside Scene at Qingming Festival on the pillow, and later his nephew Wang touched it. Luwan's son sold The Riverside Scene at Qingming Festival to Gu's home in Kunshan. Later, it fell into the hands of Prime Ministers Yan Song and Yan Shifan. In the Ming Dynasty, Heng Liu Qing Tian contained Yan Song's Riverside Scene at Qingming Festival, which was purchased from Suzhou Lushi for 1 200 gold. "Too greedy, dozens of books are broken." Yan Song fell, the map was confiscated, and it was incorporated into the court for the third time. It was collected by the Ming royal family, and then eunuch Feng Bao stole it and added an inscription to the painting. Later, the original disappeared.
Reference: On the website
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