Wang Zengqi is by far the least controversial contemporary writer: his aesthetic temperament, the aesthetic value of his works and the significance of literary history have been unanimously affirmed by critics and creative circles. He writes novels and five elements of his hometown in the style of prose.
Bazo's knowledge, customs and folk customs are full of local characteristics. The works are dignified in sparseness, peculiar in plainness, profound in sentiment and unique in style. His novels "Being ordained" and "Make a scene"
Things and Chen are both classics in contemporary literary circles. They highly value his novels, which absorb the Beijing style of his teacher, Mr. Shen Congwen, and are indifferent and idyllic.
Suffering also makes many readers linger. I personally like his novels. For example, after watching Empress Dowager Cixi, I often think of a young monk and a little girl sitting in the same boat, and I often think of two innocent teenagers.
Little feet left by the shore. There is also his "Chen Xiao Beast", which describes that a bandit's wife gave birth to a child. He accepted a male doctor to deliver the baby for his wife, and the mother and son were safe. However, Chen killed the doctor with an old gun, which was the last one.
That sentence is the word "Chen Xiaoxiao feels wronged" and "wronged", which actually expresses all kinds of tenderness in a bandit's heart. Add such a word to a character who bites the hand that feeds him, and the novel suddenly has a deeper connotation and
The aftertaste is endless. Although the number of his novels is relatively small, almost all of them are famous.
Some commentators think that Wang Zengqi is "the last writer influenced by the scholar-bureaucrat culture", which is related to his background and growing environment: Wang Zengqi (1920 ~ 1997) was born in Gaoyou, Jiangsu Province during the Lantern Festival.
An old landlord family lost his mother at the age of three, and his grandfather and father had a great influence on him: grandfather was a scholar in the late Qing Dynasty, and he was slightly more famous than a scholar, so he must write an eight-part essay well. There are many fields, two pharmacies and one
A cloth shop, but life is very frugal, a salted duck egg drinks two meals. I like to buy antique calligraphy and painting. I am an ophthalmologist. I never charge for medical treatment. I like drinking tea and wine. After drinking, I recited the Tang poems aloud: 100 poems of Li Bai fighting for wine, Chang 'an.
Sleeping in a restaurant, the son of heaven couldn't get on the boat, and the official was Brewmaster. His grandfather is a bit romantic and poetic because his personality can't develop in his environment. His idea is very interesting: "juvenile reading hole"
Uncle Meng is of course based on Confucianism. He studies Buddhism. On the desk where he taught me to read The Analects of Confucius, there was a letter named Lotus Sutra. He is the brother of the master printer. There are two books on the desk in his room. One is
Gu's Daily Record, and the other is A Dream of Red Mansions. What is even more incomprehensible is that he subscribed to a magazine: Life Weekly edited by Zou Taofen (my grandparents). Grandpa's complicated idea has something to do with Wang Zengqi.
It has a great influence. On the one hand, he gives the impression that he is elegant, handsome and indifferent, but on the other hand, he seems to be full of love and hate, but he is not very exposed. He once said: "My feelings about real life are quite impetuous." And Wang Zengqi claimed to be
Yes: "lyrical romance" is also in line with my grandfather's romantic temperament.
His father is smart, easy-going, versatile, proficient in stone painting and calligraphy, good at horizontal bar gymnast, football player and practiced martial arts. He is famous for his talent for painting.
Big, but can play many musical instruments, such as flute, pipa, guqin, huqin and suona. Skillful hands, making pajamas, kites, birds and crickets. "The formation of my aesthetic consciousness has something to do with watching him paint since I was a child" ("Since"
It is precisely because of this family culture that Wang Zengqi is also good at calligraphy and painting, and with a good sense of rhythm and music, he has written many plays of Peking Opera, Shajiabang and Fan Jinzhong.
Ju, Du Fu Mountain, etc. And wrote some small poems.
"I have an advantage, life is not the whole person.
I write very hard and the world is warm.
Sometimes I'm lucky. I stretch paper to draw in spring.
Grass flowers follow the eyes, fish and birds are slightly true.
It's better to be vulgar than new.
You can only be self-indulgent, but you are reluctant to give it to you.
If you are happy, bring a bottle. "("painting and calligraphy for self-entertainment ")
And people who are familiar with Wang Zengqi describe Wang Zengqi's demeanor. He put his left hand in his pocket and splashed ink on his right hand; When painting is tired, drink enough before painting; Surrounded by female journalists, they smiled and read poetry books, teased painters and told jokes; Volunteer to sing at the party. "
In fact, there is a difference between scholar-officials and talents. Scholar-officials are often talented people who have made great achievements and served as officials in the DPRK, while talents are associated with brilliant, charming and bold, but Wang Zengqi has always been self-sufficient.
There is already a set of opinions about talents. He said in the preface of Wang Zengqi's book "Contemporary Talented Persons Series": "Talented persons are often associated with romantic love. They are more degenerate, more informal and prefer romantic love.
Women are also loved by women. Talented people and beautiful women are "born together" and "talented people and beautiful women believe". Tang Bohu is the top talent. "
There is a famous saying: "the eyes are clearer because of more tears, and the heart is warmer because of suffering."
Wang Zengqi may have achieved this indifferent gentleness, and of course it is also a symbol of wisdom. Gu Cheng once said: "When the Beijing Writers Association holds a meeting, the whole venue has the smartest eyes, that is, Wang Zengqi." Wang Zengqi's Filial Piety
It is said that Wang Zengqi, a tall man who writes about repairing shoes in The Last House of Pi Feng, is suitable for writing: "His eyes exposed from the glasses frame are polite, reserved and expressionless, but alert and quite sharp."
Wang Zengqi was observing and thinking with this implicit wisdom, but he was silent. He talked about "understanding" in "Old Love and Hate", thinking that this is a clear and thorough world outlook and not easy to worry about.
The state of being angry and complaining. In addition, he also distinguishes proximity from indifference and leisure. He said: "I am not an out-of-touch and indifferent person. I don't like people who don't care about people, don't talk about state affairs, don't love or hate, and do nothing.
Nothing more than a timid retired veteran cadre who doesn't care about anything but the price of pork and cabbage. "Lin Jinlan said in the preface to the publication of The Complete Works:" He did raise his sword and look around, sometimes swearing. "But Lin Jinlan said again:
"Light and not only is the truth." This may mean that the reading experience of Wang Zengqi's works is indeed "light", but at the same time Wang Zengqi's blood is also "light". Wang Zengqi's indifference and understanding are a realm of life.
The manner of a kind person. As he described his teacher Shen Congwen's words:
Indifference is not a person's character, but a realm.
When talking about his own creation, Wang Zengqi said: "What I pursue is not profundity, but harmony. I hope to resolve strangeness in dullness and absorb foreign elements in tradition. " ("Introduction to Dinner Flower Collection")
Wang Zengqi said frankly that "my feelings are nothing more than three kinds: sadness, joy and ridicule", which is also in line with his pursuit of harmony. All three feelings are gentle.
He calls himself a "popular lyric poet", and all his poems about breeze, whitewater and thatched cottage have specific cultural connotations. He once said: "I will always be a sketch writer. Everything I write is a sketch, just like a painting.
A painting, a picture album and a small banner, I can still handle it. Give me a piece of paper and two horses. I can't help it. This pursuit of "inclination" and "infinity" expresses Wang Zengqi's folk position.
Wang Zengqi's smile: "Turn your head away, shrink your neck, cover your mouth with one hand, and you secretly laugh. Just like the Monkey King in the Peking Opera The Journey to the West, after playing tricks on Bajie, he was elated, and the more he thought about it, the happier he became. "
Wang Zengqi's writing style is fresh, calm and quiet. My heart was moved by these words, and my surprise was beyond words. I can't put it down. I really want to hold those words in my palm and hold them in my mouth. There is a smell in your mouth.
The fragrance lingers in the mouth and is in the palm of your hand. Those words turned into a clear water in the palm of your hand, and the clear water reflected a clump of swaying reeds. A kingfisher flies out of Puwei, and its crisp and pleasant voice is as beautiful as music. Fish are swimming happily in the water under the reeds.
Move. The morning sun shines through the air into the water, reflecting sparkling waves. What beautiful words! Its beauty fascinated me, and I couldn't get out of the painting. I wander and swim in this illusory image, with him.
In my words, I can't bear to part with the clear water, the green reeds, the kingfisher singing as sweet as a wind chime, and the soft sunshine and faint mist in the morning. Those picturesque words always make people think.
Throbbing
Wang Zengqi, but this surname is full of water, full of agility and clarity of water. I think he should also be watery. Wang Zengqi told a friend that his novels left an impression on a French sinologist, that is, an armchair strategist. I don't think it is an exaggeration. In my impression, Wang Zengqi is still water, reflecting ethereal waves.
It's not the first time to see Wang Zengqi's works. The last open class was a bit overdone, but the truth is never wrong. It's just that some people are too young to understand Mr. Wang's writing.
In fact, I have great similarities with his writing. For example, if I were allowed to write at will, I would have no theme and no general framework, but I would not feel as tasteless as clear soup and white water. I don't know why, my thoughts are scattered but not chaotic, and I didn't mean to. Just no strict pressure, a little easier.
I used to scribble my composition. If you see that there are no bones in it, you will rarely write a weekly diary after grade three, and you will write one composition after another in the examination room. Therefore, I dare not trust this horse. I have been writing carefully for some time.
After that, I only felt that my heart was willing but my strength was insufficient. I sigh that every composition is a copy of what I wrote before, but I don't want to lose points because of temporary happiness, so I waddled through this time. So I lived in Grade Three for a long time.
Lose a lot of things, such as literary talent. In this period of time when I can't let my heart wander, I will be jealous when I see others writing easily, and I don't care about the type of writing, just having fun!
The articles written by Teacher Wang are sometimes scattered like dreams, such as revenge. There is no overall situation, just some nuanced scene descriptions, which give birth to a bit of poetry out of thin air. His novel doesn't use a word.
The words are tangled. In fact, at first glance, a few words, half a sentence, like a painting. You don't have to care about the meaning of every word at all, just understand the context.
"Throw out, a star appeared on the lotus, pale green, such as wildfire, spin up and spin out. The corner of my eye is dim and silent. Throw it, again. "
The silence of the lotus, the brightness of the stars, the sadness of wildfire and the cycle of life, with imagination, you can see the loneliness of the night, but there is no lack of vitality.
The story goes on like this, reading and guessing, which makes people a little moved.
"One day, two chisels were cut in the void at the same time. The first line comes in from the other side. "
It's no different at first reading, but if you understand the story, everything will become so different. This line represents submission, but it also represents the end of this intergenerational hatred. Light belongs to the next generation, which is of course a blessing.
The next category is about the period of reform and opening up. China writers who experienced that era have more or less written articles in this field, such as One Night in the Sheep House, Watching the Water, Quan Wang and so on. These really have no theme and significance, but they express people's enthusiasm for labor and people's simplicity and kindness in the narrative.
Quail egg evaluation: Generally speaking, Wang Zengqi's prose view is very similar to traditional prose view. He has no clear sense of prose style, that is, he is not keen on dividing the conceptual scope of prose; He attaches great importance to prose.
"Use" emphasizes feeling, doing things for things, emphasizing opinions, paying attention to character, paying attention to literary talent (language use) and so on. Moreover, he believes that prose is a style that depends on temperament, character and foundation. (Influenced by Gui Youguang.
Very deep: the light writing describes ordinary people, and the literary spirit of Tongcheng School also has an influence on him)