Chu Suiliang's accomplishments in calligraphy are mainly related to regular script. Chu Suiliang's regular script calligraphy works ar
Chu Suiliang's accomplishments in calligraphy are mainly related to regular script. Chu Suiliang's regular script calligraphy works are very beautiful and neat, and they are very good calligraphy works. The following is a selection of Chu Suiliang's calligraphy works that I compiled for you. I hope it works for you!
Selected pictures of Chu Suiliang's calligraphy works 1
Selected pictures of Chu Suiliang's calligraphy works 2
Selected pictures of Chu Suiliang's calligraphy works 3
Selected pictures of Chu Suiliang's calligraphy works
Beautiful Chu Suiliang style
In his later years, Chu Suiliang's calligraphy reached a superb level and made great contributions. If we put Ou Yangxun's and Yu Shinan's regular script works together with Yan Suiliang's works, we will obviously see the change of style. Obviously, the pursuit of brushwork has caused this change. If there is a regular script in calligraphy, Chu Suiliang is the highest. If the North Monument embodies a kind of beauty of backbone, Ou Yangxun embodies a kind of rational beauty from strict laws, and Yu Shinan embodies a kind of gentle and restrained beauty, then it shows a kind of beauty from brushwork. In Ou Yangxun or Yu Shinan, lines and brushwork are used to shape fonts. Chu Suiliang is a master with aesthetic charm. He deliberately handles every stroke, every line, every point, every turning point ... So, this deliberate transcendence of glyphs seems to have an independent meaning out of form, making the dotted line an abstract beauty.
It can be seen that the rigorous regular script structure established by Ou Yangxun and others has begun to loosen under Yan Suiliang's pen. This looseness is not due to his lack of skills or anything else, but because he knows how to express his wandering feeling with the density of structure and the slowness of pen. If Ou Yangxun is a "master of structure", Chu Suiliang is a "master of lines". His lines are full of life, and the calligrapher's life consciousness is also integrated into the structure, which obviously embodies an important aesthetic category in China's artistic aesthetics: the beauty of flying.
Where did this flying beauty come from? Obviously, Chu Suiliang is more artistic than Ou Yangxun or Yu Shinan, that is to say, there is a kind of wisdom in his artistic character. Yuan Zhongdao said in the preface to Liu Shi, Volume I of Zhai Ji: "Where wisdom flows, it is extremely flowing and interesting. There is no interest in the world without wisdom. The mountains are exquisite and diverse, the water is rippling and colorful, and the flowers are vivid and colorful. This is all caused by a shrewd spirit between heaven and earth, so it is cherished by people. " In Chu Suiliang's calligraphy, we can really see the beauty of flow and dance brought by such "shrewdness". When he uses a pen, he rolls freely like a dancer's sensitive toes. In the constant movement of flying light spirits, one beautiful shape after another has been completed. In Chu Suiliang's delicate and graceful lines, there is a kind of comfortable feeling like flowing clouds, which flows leisurely between his fingers and wrists and is implemented in the painting room, reflecting the author's upright character and profound accomplishment.