A new theory on the structure of running script
Calligraphy is a unique oriental art variety based on Chinese characters. Through the organic combination of monochrome lines and color blocks of Chinese characters, it impacts the viewer's vision with its flying strokes, rigorous structure and penetrating charm, giving people a beautiful enjoyment. Running script not only takes into account the quickness and agility of brushwork, but also maintains the rigor of Chinese characters in five fonts: seal script, official script, uppercase, running script and cursive script, which has a unique aesthetic taste.
When we appreciate the famous calligraphy posts and tablets in history, we will find that the same word appears in different works, or in different places of the same work, and the structure, size, thickness and interest have changed greatly (famous artists seem to pursue this change more in their creation) to meet the needs of the article layout and even the author's emotional expression and catharsis at that time.
It should be said that some works are really created after careful preparation, but most of them are post-it notes, and some of them are improvised after drinking, so there is no more time to plan the layout, but it does not affect the artistry of the works. Therefore, whenever I appreciate these famous works, I always feel that calligraphers should have a simple rule of tying ropes to follow.
If you can't, you can't form a work of art, and the rules are too complicated, which will definitely affect the fluency of writing. So I think there must be a simple knot rule that most calligraphers can follow.
Significance and Function of Knot Structure Law
1, can quickly grasp the characteristics of famous running script fonts, and it is easy to recognize posts, remember posts and write them silently, that is, it is easy to enter posts. In the past, Jiugongge and Mi Zige were mostly used to practice calligraphy. In recent years, another person invented Huigong Pavilion. In this way, when you practice calligraphy, you can write where the strokes are, which makes it easier to imitate the image. However, once you get rid of this calligraphy paper, it is difficult to grasp it, which is far from the original font.
This is because these calligraphy papers can only restore the position of the strokes in the original post mechanically, but can't regularly understand the internal relationship of each stroke in each word. Using the parallelogram rule, a word can be decomposed into 2-3 chunks, which is easy to understand and remember.
2, grasp this principle, easy to create their own artistic style, that is, easy to paste. The artistic style of calligraphy is manifested in many aspects, from Fiona Fang's layout and brushwork, from the softness and hardness of the brush to the dryness and wetness of the ink, as well as the influence of famous artists, what font, calligraphy or inscriptions, and so on. However, the change of font frame structure is also an important artistic embodiment of calligraphy art style.
But in terms of structure, there are fat and thin, positive and dangerous, high and low center of gravity among famous artists, but in the final analysis, it is only caused by the shape, angle and intersection angle of the parallelogram itself. If these elements are slightly changed, they can be transformed into new styles.