He graduated from Beijing Capital Normal University, majoring in calligraphy art, and majoring in archaeology in the Graduate School of Chinese Academy of Social Sciences. He is currently a member of China Calligraphers Association, a professor of Calligraphy Training Center of China Calligraphers Association, a visiting professor of Wuhan University, a member of Wuhan Literature and History Museum, an outstanding CPPCC member of Hubei Province, a member of China Cultural Relics Association, an art member of the Gallery of China History Museum, a deputy director of the Calligraphy and Painting Professional Committee of China Collectors Association, and a vice president of Hubei Collectors Association. Artistic consultant of Hubei Chengxin, Han Rui and Zhongfu Auction Company, president of Wuhan Yellow Crane Tower Painting and Calligraphy Society, and cultural consultant of China Shipbuilding Industry Group 7 17 Institute. The calligraphers in Jingchu, represented by the Han School, take it as their duty to inherit and carry forward the Chinese national civilization, integrate the charm of Chu culture, absorb various elements such as national, folk and eastern and western arts, and form a unique artistic style. Mr. Kong Keli is one of the best, a wonderful flower blooming between Chu, Shaanxi and Hubei. Mr. Kong Keli is a famous calligrapher in China, who has been engaged in the research and teaching of calligraphy seal cutting for more than 40 years. In his early years, he studied the inscriptions on bronze inscriptions, stone drums, seal script, Han Li and Cliff in the Wei, Jin and Six Dynasties, especially Mao, Pan, Pan, Shi Men Fu, Huang Xianyu, Cong Baozi, Zheng Wengong and Zhang Baozi. He not only learned from others, but also learned from others and kept pace with the times. His calligraphy is profound, rigorous, classical and elegant, rich and elegant, both dynamic and static, both physical and mental, distinctive and unique.
He climbed to the top of calligraphy because of his profound understanding, incisive interpretation and classic interpretation of the infinite mystery of China's calligraphy. He often said that China's calligraphy art, as the quintessence of China, is profound and profound, shaped like mountains and rivers, shaped like a fire beast, as thin as fog, as fine as yarn, with ever-changing shapes, giving people a beautiful impact on their vision and arousing people's ideas, reverie and retrospection. His magic and beauty are unmatched by any words in the world. It is a unique independent discipline, an important part of the treasure house of human civilization and art, a treasure left by the ancestors of the Chinese nation and the pride of China people.
Calligraphy mostly aims at carrying forward the famous mountains and rivers of the motherland and giving people spiritual food such as healthy and uplifting aphorisms, poems and songs. It can not only hone people's perseverance, expand people's observation and imagination, but also cultivate sentiment and cultivate interest. It is not only a useful carrier and platform for building a harmonious social and cultural atmosphere, but also adds elegance and warmth to people's study, work and family life. In the mountains of Mingchuan, in buildings and venues, in parks and pavilions, in institutions and schools, and in commercial houses, his charm and fragrance are everywhere.
In order to make his works full of strong affinity and appeal, he inherited the traditional skills, and then injected his personal feelings and his own creative inspiration. His emotions and inspiration come from colorful life, vivid social practice, appreciation of the charm of famous mountains and rivers, teachers and friends, and books, and turn them into creative works. It is the blending and cohesion of emotion and inspiration that makes his passionate masterpiece more full of vitality and vitality.
Today, although he has made great achievements, he still devotes himself to reading, teaching literature and skills, and constantly exploring and sublimating calligraphy, techniques and theories. He often warns his students that if calligraphy is to continue and develop, it is necessary to keep pace with the times, blaze new trails, perceive the pulse of the times with pen and ink, and lead the charm of calligraphy with words. In addition, to become a calligrapher, rather than a calligrapher, we should not only focus on sharpening our own skills, but also have broad knowledge, profound social experience and calligrapher's moral cultivation. Dr. Wenya's mental state is the legacy of sages.