Calligraphy font structure law
Chinese characters are composed of different strokes. How to combine strokes to make them beautiful and produce artistic skills of structure. Structures are also called knots, knots or frames. The structure of calligraphy often makes appropriate artistic arrangements according to the structural rules of characters and the aesthetic taste of authors. These artistic laws are density, truth, proximity, symmetry, harmony, convergence and divergence, echo and so on. The structure of calligraphy is to express the formal beauty of words according to these laws and techniques, giving viewers rich aesthetic feeling and interest, thus causing endless artistic conception and interest.
Ink method
Ink painting is also often valued by calligraphers. The methods of using ink are: thick ink, light ink, dry ink, thirsty ink, wet ink, dry ink, swollen ink and so on. Light ink is not used in ancient books. Dong Qichang loved it in Ming Dynasty, but it was widely used in modern times. In a word, the shades are used together, and the brush strokes penetrate each other, resulting in rich interest.
The organization and structure of an article
There are different rules and regulations. A small composition is how to arrange the stippling relationship within a word, or how to arrange between words. The big chapter is not only the planning and arrangement of the relationship between words, lines, words, inscriptions and printing. It also requires that the lines of a work should be echoed and expected, coordinated and fluent, and have a sense of integrity.
The composition of the composition has the following aspects:
① Form: specifications and forms such as nave, banners, couplets, banners, bucket squares, fans, etc.
Text: This is the main part of the work, and the writer should decide the layout of the composition according to the differences of words, fonts and forms.
③ Payment: that is, the signature refers to the words outside the text. There is a difference between the upper and lower segments and the long and short difference segments. The content is generally the source of the text, the object of writing, the time, the reason for writing, the postscript, etc. And the next paragraph is time, author or library, name, etc. But generally speaking, it is rare to write all of them, so most of them are short and pithy. Depending on the needs of the composition.
(4) Stamps: name stamp, museum stamp, year stamp, small stamp, idle stamp, etc. Shapes are square, long, round, oval, conformal and so on. There are white and Zhu (that is, yin and yang). In addition to the name seal, the first seal can be made. In other words, there are more stamps on the outside of the first word in the first line. Name seal can be divided into surname seal and name seal, depending on the work situation, one or both sides can be used. As for the print size, it depends on the font size. We think that small is better than good, and it must not exceed the size of the paragraph.
Question 2: How to write the word "zhidao. baidu/... Li DGuy_"
Question 3: How to write the word "I" in a good cursive script?
artistic signature
Write with flowing strokes
Introduction of cursive script: cursive script is a font of Chinese characters, which is characterized by simple structure and continuous strokes. Formed in the Han Dynasty, it evolved on the basis of official script for the convenience of writing. There are Cao Zhang, Cao Jin and Crazy Grass.
Brief introduction of artistic signature: artistic signature, also known as "signature design", is the beautification and artistry of personal name. It is not an invention of modern people, but it has existed since ancient times. The predecessors called it "Flower Charge", which is similar to Flower Charge, and there are other names, such as Flower Charge, Money Charge, Signature Charge and Agency Charge. These appellations have similar meanings, and all have the functions of expressing identity, responsibility and trust, so they become vague and often mixed. The same is true today, except that the word with "pledge" was discarded and used as "signature" and "signature". Now all we have to do is mention "signature", which sometimes means "artistic signature". There are countless methods and techniques of signature, with various shapes and styles.
Question 4: How to write tall characters should be tight at the top and loose at the bottom (the upper strokes are compact and the lower strokes are sparse). )
It should be left short and right long (where there is a long mouth frame, the left vertical is short and short, and the right vertical is long and thick).
It is advisable to be thin on the left and thick on the right (the characters are arranged vertically, thin on the left and thick on the right). )
A small horizontal line between two vertical lines, usually connected to the left vertical line. )
Uniform gap (when there are many horizontal or vertical arrangements, try to make the gap even up and down or left and right). )
Slightly inclined, simplified brushwork, self-contained style.
Flowing clouds and flowing water, the shape is broken and the meaning is constant, and the stroke order is not chaotic.
From the practice of traditional regular script, to consolidate basic skills, to speed up and concise pen, until one go.
Question 5: How to write the word "you" well? Why can't I write well? Everyone will find out what you wrote.
Question 6: How to write good-looking words? The study of Chinese characters is mainly about the shape of Chinese characters. There are two angles to study the shape of Chinese characters: one is to study the shape without contacting the pronunciation and meaning of words, which can be called the study of the external structure of Chinese characters; Another angle is to study the form by linking the sound and meaning of Chinese characters, which can be called the study of the internal structure of Chinese characters. For example, from the external structure, the first step can be divided into "phase" and "heart", and the second step can also be divided into "wood" and "eye". "Heart", "wood" and "eye" are called basic components. These three basic components can be decomposed into strokes. For example, "eyes" are divided into vertical, horizontal, horizontal and horizontal. According to the study of internal structure, "Xiang" is divided into two radicals, Xiang and Xin, in which "Xiang" means sound and "Xin" means meaning, and words composed of phonetic radicals are called pictophonetic characters. Our course only studies the external structure of Chinese characters.
From the research of external structure, Chinese characters have three levels from small to large, namely strokes, components and whole characters. Let's study these three levels.
First of all, strokes
When writing Chinese characters, the traces left by the movement of the pen tip from one stroke to another are called strokes. Stroke is the smallest unit of Chinese character configuration. When learning Chinese strokes, we should pay attention to the following four questions:
(1) number of strokes. The number of strokes refers to how many strokes each Chinese character has. When learning Chinese characters, you should be able to accurately calculate the number of strokes of each Chinese character. Calculations should be based on standard fonts, not nonstandard fonts. For example, the standard font of "bone" is 9 paintings, while its old font is "",which is 10 paintings. The standard font of Xiang is 1 1 painting, and its old font is "",which is 12 painting. The Modern Chinese General Character List stipulates the number of strokes per word of 7000 general Chinese characters, which is the standard of the number of strokes of Chinese characters.
(2) pen shape. Stroke shape refers to the shape of a stroke. Modern Chinese characters have five basic stroke shapes, namely, horizontal (1), vertical (o), left (3), dot (c) and fold (3). Horizontal includes lifting () and pressing (t), vertical hook () is vertical, and folding includes various folding pens, such as horizontal folding (), vertical folding () and left folding (). Among the five basic strokes, the horizontal and vertical strokes appear most frequently.
(3) stroke combination. Stroke combination refers to the combination of strokes and strokes, and there are three types:
1. The strokes are separated from each other, such as: Xiao Liu Diao Xi in Sanchuan.
2. Contact, stroke and stroke contact, such as: love at first sight in factory work.
3. Intersection, strokes intersect with strokes, such as ten feet in the car.
Both "knife" and "force" are composed of folding and skimming, but the combination relationship is different. "Knives" are connected and "forces" intersect. "Eight", "Man" and "V" are all composed of left and right. Eight is separated, "Man" is connected and "V" is intersected. There are five paintings in the word "history", and the first three paintings are connected into a flat mouth; The fourth painting is left, intersecting with the flat mouth; The fifth Picture is the intersection of Si and pi.
(4) the order of strokes. Stroke order is the stroke order when writing Chinese characters. The basic rules of stroke order are:
First horizontal and then vertical, such as: ten dry and abundant.
Leave it first and then press it, for example, people are eight v.
First go up and then go down, such as: three stay high.
First left and then right, for example, Chuanyan did it.
First outside and then inside, such as the same month.
First in the middle and then on both sides, such as small water boards.
Go in first and then close the door, such as returning to the destination country.
The above rules cannot summarize the stroke order of all Chinese characters. In order to standardize the stroke order of Chinese characters, 1997 in April, the State Language Committee and the Press and Publication Administration jointly published the stroke order specification of commonly used Chinese characters (Chinese Press, August edition, 1997), which stipulated the standard stroke order of 7,000 commonly used Chinese characters. The stroke order of each Chinese character in the Standard of Stroke Order of Commonly Used Characters in Modern Chinese is expressed in three forms. For example:
Fire, four paintings, follow-up: fire
Stroke style: 了了了了了
Serial number formula: 4 3 3 4
Ridge, Ten Paintings, Follow-up:
Stroke style: 临丷丷20023200811.
Serial number formula: 4134342511.
Second, components
Components, also called roots, characters, morphemes, symbols or structural blocks, are word-building units with the function of combining Chinese characters, which are generally larger than strokes and smaller than whole words.
(a) the division of parts. Splitting Chinese characters into components is called component splitting. Some parts contain small parts and become multi-level parts. For multi-level components, it is necessary to split them layer by layer according to the structural hierarchy from large to small until the basic components. A basic component is the smallest component that will not be disassembled. Component splitting is mainly used for the design and management of Chinese character coding in the field of Chinese information processing >>
Question 7: How to write our words well? Simple answer: mentality determines everything! If you want to achieve something, you must be serious! So as long as you are serious+diligent+practicing, it will be ok! To tell the truth, my handwriting is not good either! But I don't care about this, as long as the written words can be understood. After all, we can't all be Wang Xizhi! A: First, master the writing rules of Chinese characters skillfully. Only when you master the writing rules of Chinese characters skillfully can you draw inferences from others and not ... show everything.
Simple answer: mentality determines everything!
If you want to achieve something, you must be serious!
So as long as you are serious+diligent+practicing, it will be ok!
To tell the truth, my handwriting is not good either!
But I don't care about this, as long as the written words can be understood.
After all, we can't all be Wang Xizhi! A: First, master the writing rules of Chinese characters skillfully.
Only by mastering the writing rules of Chinese characters skillfully can we draw inferences from others and avoid "writing if you want", thus improving the writing speed. The writing rules of Chinese characters are more suitable for primary school students in the following two aspects:
1, the writing rules of strokes. Chinese characters are written in eight basic strokes, such as dot, horizontal, vertical, left-off, press, hook, fold and lift. Every Chinese character is composed of basic strokes, so writing strokes well is the basis of writing Chinese characters well. In the process of stroke teaching, students should know the shape of strokes, strokes, strokes and the importance, urgency and essentials of strokes, so as to master the standard writing of each basic stroke. The writing rules of strokes include the rules of stroke movement and change:
(1) The law of writing. The strokes of regular script have different shapes, but there are three basic steps in writing each stroke, namely, writing (heavy or light)-writing (light, straight or curved)-receiving (or stopping or lifting the pen tip lightly). Writing any stroke is inseparable from these three basic steps, but the parts of the force are different. ... display the remaining 63 lines.
Simple answer: mentality determines everything!
If you want to achieve something, you must be serious!
So as long as you are serious+diligent+practicing, it will be ok!
To tell the truth, my handwriting is not good either!
But I don't care about this, as long as the written words can be understood.
After all, we can't all be Wang Xizhi! A: First, master the writing rules of Chinese characters skillfully.
Only by mastering the writing rules of Chinese characters skillfully can we draw inferences from others and avoid "writing if you want", thus improving the writing speed. The writing rules of Chinese characters are more suitable for primary school students in the following two aspects:
1, the writing rules of strokes. Chinese characters are written in eight basic strokes, such as dot, horizontal, vertical, left-off, press, hook, fold and lift. Every Chinese character is composed of basic strokes, so writing strokes well is the basis of writing Chinese characters well. In the process of stroke teaching, students should know the shape of strokes, strokes, strokes and the importance, urgency and essentials of strokes, so as to master the standard writing of each basic stroke. The writing rules of strokes include the rules of stroke movement and change:
(1) The law of writing. The strokes of regular script have different shapes, but there are three basic steps in writing each stroke, namely, writing (heavy or light)-writing (light, straight or curved)-receiving (or stopping or lifting the pen tip lightly). Writing any stroke is inseparable from these three basic steps, but the parts of the force are different.
(2) the law of change. There are many kinds of strokes in Chinese characters, such as "Ren" with oblique strokes, "Yue" with vertical strokes and "Qian" with short strokes. These strokes have some changes in different Chinese characters, such as short strokes, and the strokes are flat when prefixes appear, such as "reverse, grain, back" and so on; However, the strokes of the characters appearing at the top left are oblique, such as "birth, loss and Zhu". In the teaching process, teachers should guide students to observe, compare and analyze, and try to figure out the changing law of strokes.
2. Structure of processing rules. There are many Chinese characters with different glyphs, but there are some rules. The following are the processing rules for three block letters:
(1) Horizontal and vertical. In Chinese characters, horizontal painting and vertical painting account for the largest proportion, which requires correct and stable writing. The concrete manifestation of positive stability is to be horizontal and vertical. The "horizontal" mentioned here is not absolute level, but visual stability. Tilt slightly to the left and right when writing. There are two basic requirements for verticality: there is only one vertical painting, which requires straightness; There are two symmetrical vertical paintings, short and vertical, which can show the trend of opening up and closing down, and long and vertical, which can be basically parallel.
(2) The spacing is symmetrical. In Chinese characters, many strokes are continuous and flat.
Question 8: How to write Chinese characters well? 1. Which font should I practice Chinese characters from? The traditional way to learn calligraphy is to start from Tang Kai, and practice Nanbei Han Liqin seal script on the basis of writing regular script in reverse time. Another way of thinking is that starting from the immature characteristics of young people's hand muscles, we can start from Qin Zhuan, which has not changed much, from cursive script to regular script. These two concepts have their own reasons. However, I think the hard pen calligraphy we learn is essentially different from the brush calligraphy mentioned above. We can't follow its practice method, and we can't be confused by the traditional concept of learning brush first and then learning hard pen. Hard pen is widely used now. If you can't write China's calligraphy well, you can still write well. There is no need to take a detour. What font should I practice in hard pen writing? In my opinion, starting from the characteristics of young people's hand muscle development and the characteristics of uniform strokes and less changes in hard pen calligraphy, we should start with fonts that never require fast strokes and heavy changes. It is best to print in bold. The beauty of this font mainly lies in its structure. We can master the structure of fonts by trying to figure out and analyzing bold. On this basis, you can choose your favorite font according to your personality and hobbies and practice hard. 2. What should I practice when practicing calligraphy? First of all, practice your eyesight, that is, read the post carefully. Huang Tingjian, a calligrapher in the Song Dynasty, said: "The ancients learned to write, not all of them copied. They often hang ancient calligraphy works on the wall, watch them intently, and decide to start writing. " Ou Yangxun in the Tang Dynasty found the inscription written by Suo Jing in the Jin Dynasty, and was reluctant to leave, so he sat down and read it for three days. The more posts you read, the higher your horizon, and you will know how to write. There is an idiom called "eyes are superior but eyes are inferior". I think: eye height is the premise of hand height. If you can't find beauty, you don't know what beauty is, let alone create it. Many students think that scribbling is the so-called running script, and the reason why ugliness is beautiful is because "the eyes are superior and the eyes are inferior." Secondly, we should practice our brains or our hearts. On the basis of careful observation, we should keep well-written model figures firmly in mind and engrave their glyphs deeply in our minds. Whenever the word is mentioned, we can immediately guess the shape of the word on the copybook. Do it with confidence and words in your heart. Third, we should practice our hands. Practice your eyes and brain to find out how to write words. You can think of the best effect of words in your mind, but it may not be written in your hand, because your brain may not be able to command your hand, and your hand may not be able to command your pen. Hand training is to achieve the consistency of heart and hand and handwriting, so hand training is also very important. Hand training mainly refers to strength, wrist strength and hand feeling. If you write for a long time, you will feel sore fingers, sore wrists, hands that don't work, and exercise more. This phenomenon will disappear. Students who often help teachers copy questions on the blackboard and students who run blackboard newspapers often write quickly and well. This is how their finger strength and wrist strength are trained. Also pay attention to practice the sense of touch, let the brain command the hand, and feel that the pen has become a part of the hand and an extension of the hand. Hands can easily command the pen, think fast, think slow, think light, think heavy, and write whatever effect you want. Fourth, we should practice structure, because the key to practicing Chinese characters is to master the structure of Chinese characters. The structure of a word refers to the proportion of stroke length and the relationship between strokes. Xie Xiaodong sang in the song "China People": "The favorite character is the square character taught by Mr. Wang, and the square character should be like him …" The square character summarizes the structural characteristics of Chinese characters. I have mastered the structure of Chinese characters, and I have written square and beautiful bold characters. With a little change of strokes, I can write Chinese characters in various fonts, such as Song Ti, Wei Ti, Kai Ti, Imitation Song Ti, Pang Ti, Sima Ti and Li Shu. If you can't master the structure of Chinese characters, no matter how the strokes of Chinese characters are decorated and beautified, they are ugly. Therefore, mastering the structure of characters and writing bold characters is the key and foundation for practicing all fonts. Fifth, we should practice strokes. Many students have practiced calligraphy. Since they began to practice regular script, they have forgotten many writing rules and only remember pens. As a result, the words written are very cumbersome, like ghost symbols. I advocate practicing in bold, mastering fonts and canceling pens. Let me introduce several common strokes and the common problems of most students when writing these strokes: ① At a certain point, there is a stroke movement from upper left to lower right. Note that "dots" are also long and cannot be made into dots. (2) Put the pen horizontally and divide it equally from left to right. The key is to be "horizontal and vertical", not high at one end and low at the other, nor wavy. The length should be controlled according to the font of the square characters, not too short or too long. ③ Vertical, top-down ... >>