In the Great Hall of the People, there is a China landscape painting by Fu Baoshi and Guan Shanyue, "There are so many beautiful women in the mountains", which shows the meaning of Mao Zedong's "spring and snow in the garden". First of all, the two painters felt the magnificent air cushion of "dancing a silver snake on the mountain, like a wax elephant, trying to compete with God" and the beautiful scenery of "it's sunny, and the red dress is particularly enchanting", so they should express their admiration for the motherland through visual images. Therefore, the two painters were ingenious and took pains to reproduce the artistic conception of poetry with passionate pen and ink, which blended poetry and painting and produced a strong touching artistic charm. In front of this painting, you will feel the glory of being a descendant of the Chinese people, and you will have the desire to devote yourself to the prosperity of the motherland.
This painting depicts the beautiful picture of China's vast land "wrapped in red and extraordinarily enchanting" when the clouds are falling and the sun is rising. But this painting is different from western landscape painting because it does not depict a real scene. Although there are mountains, trees, the Great Wall, snowfields, rivers and the sea in the picture, they are not sketches of specific scenery. The painter painted them not to show their authenticity, but to create a magnificent painting scene to express the painter's love and praise for the motherland. Therefore, the painter not only collected the scenery that best represents the magnificent rivers and mountains of the motherland and the spirit of our nation, such as vigorous pine trees, majestic rocks, vast plains, snow-capped mountains, the flowing of the Yangtze River and the Yellow River, and the appearance of Mount Everest, but also gave these scenery some symbolic significance. The Great Wall of Wan Li is a symbol of our nation's long-standing culture, and the rising sun in Ran Ran shows the bright future of new China.
This work breaks through the limitation of time and space, and we can see that the close-up view is lush vegetation, a school of Jiangnan spring scenery; The foreground is icebergs and snow mountains, and it is the scenery of the north. In time series, it spans spring and summer, breaks the time boundary, and makes the spring scenery in the south of the Yangtze River and the winter in the north appear on the screen at the same time. We can also see endless mountains, endless fertile Yuan Ye, the surging Yangtze River and Yellow River, the winding Great Wall of Wan Li and the towering snow-capped mountains on the roof of the world. It has a panoramic view of Wan Li, which can only be seen on the space shuttle. This method of expression is a bold innovation of China painters. When we stand in front of this work and watch it, we don't think it is not enough to show the heroism of our nation and the great spirit of the new era. The harmony and unity of form and content is the success of Chinese painting art. This is the artistic effect and charm produced by the artistic conception of "so many beautiful mountains and rivers"