Scholars who study the versions of A Dream of Red Mansions know that there have been three or six Hashimoto books and A Dream of Red Mansions in history, because there are plots such as "Tanchun's distant marriage", "Baochai's dystocia", "Jia Yun's visit to the prison" and "Xiang Yun's knot with Baoyu" in the books, which are quite consistent with the clues suggested by "Zhi Pi" and are called "stories". Unfortunately, this book has been lost from its original owner, Sanliuqiao. It is said that it once appeared in Japan, but its whereabouts are still unknown.
Sanliuqiao (1871-1940), whose real name is Sanduo, was originally named Zhong. Because she was stationed in Hangzhou, Ai Ya loved the victory of the Sixth Bridge in Su Causeway, West Lake, and named herself the Sixth Bridge. He lived in Jiangnan since childhood and was influenced by Chinese culture for a long time. He studied under Wang, Yu Yue, studied calligraphy, poetry, painting and piano skills, and was proficient in Chinese. /kloc-at the age of 0/7, he was promoted to the third class with familiarity. Later, he served as the police captain, the magistrate of Hangzhou, the general office of Zhejiang armament school, the Peking University Hall, the counselor of the Ministry of Civil Affairs, the deputy commander-in-chief of Cheng Guihua, and the Minister of Cullen Affairs. During the Republic of China, he served as deputy commander-in-chief of Shengjing, deputy commander-in-chief of Shanhaiguan, deputy commander-in-chief of Jinzhou, commander-in-chief of Northeast Frontier Defense and director of the State Council Civil Affairs Bureau.
Sanduo likes to collect, in addition to the later 40 copies of A Dream of Red Mansions, as well as the portrait of the bodyguard of Nalan Rong Ruo, a Manchu poet in the Qing Dynasty, and the Shuangfeng inkstone he used before his death.
The portrait was hand-painted by Yu, a famous painter in Qing Dynasty, with a length of 59.5 cm and a width of 36.4 cm. It was printed on paper and colored. At the end of the Qing Dynasty, Prince Gong () wrote the following six words: "Portrait of Rong Ruo's bodyguard" and stamped it with the seal of Shang Ji. In the picture, Nalan Rong Ruo, dressed in a guard uniform, wearing a weft hat, smiling, holding a bowl of tea, sitting on the bed, seems to be talking with his best friend. Although the composition is concise, it delicately depicts the sitting posture and facial expressions of the characters, and shows Rong Ruo's elegant demeanor. Yan, a close friend of Nalan Xingde, wrote a poem and wrote a postscript at the top left of the painting. There are inscriptions by Sanduo and his friends Shen Baoxi, Fu Yuefen, Xia and Mao Guangsheng. Sanduo's inscription uses the rhyme of "Jin Lu Qu" written by Rong Ruo and Fen Liang during their friendship:
Today's Zhong Er childe. Romantic, Taibi Zhudian, boarding in Cody early. Song cry-give up the hatred of national subjugation (the ancestors were Mongols, according to Ye He as the country's master), and it is inexplicable. God willing, all desires are their own. Rannuo is equal to the weight of Jinding. Stay in the scarlet robe, afraid of lovesickness and tears. It looks (quietly) rich, like clouds and water. Yuanyang club is a drunken singer. Using its beauty, it is taboo to study flowers and wine. I'm not good at archery either, and I was mistaken for my predecessor. If I were to be a poet again, I wouldn't regret it. Pro-Shen Tan burned a precious duck and presented it as Xiangshan (Zhang Gongfu was once revered as Xiangshan Elephant). The ink phoenix inkstone (I hid the double phoenix inkstone) was recorded by myself.
Although some words have been destroyed, we can still see that Sanduo is very clear about Rong Ruo's family background, friendship, love and attitude towards wealth. He thinks his own experience is very similar to that of Rong Ruo. Although mistaken for Wu Zhi, he loves to listen to the sound, so he has always treasured the portrait of Nalan Xingde and Shuangfeng inkstone as offerings.
Shuangfeng inkstone is a kind of Guangdong inkstone, which was jointly purchased by three people in Wang Haicun. The inkstone is inscribed with the ancient seal and Zhu Zhu An. There is a record in Zheng's "Lin Yi Ye San": "It is a pity that the 36 th Bridge has not been built." This record shows Sanduo's yearning for this inkstone when he didn't get it. It can be seen that the original name of this inkstone is "Six Bridges with Double Phoenix inkstone", but the so-called "Six Bridges" seems to have nothing to do with Sanduo, or the inkstone is engraved with the figure of the Six Bridges with Double Phoenix flying in the West Lake. This inkstone was originally hidden in the hands of Luo Yinggong, a playwright and cultural relic collector. In the Republic of China 13, after Luo Yinggong died, he went to the antique market and was acquired by Sanduo. Sanduo cherishes this famous inkstone not so much because Qiao Liu Shuangfeng inkstone and Wensanqiao legacy inkstone just constitute the inscription matching the existing name, but rather because Sanduo respects and admires the drinking water poet. Nalan Xingde is a affectionate and beautiful son. His lingering love and mournful grief have always been recited by the ci world, and the name of Shuangfeng inkstone is a symbol of love. Sanduo has a beautiful name, a beautiful word, a great person, good at words and paintings, and the book Selected Poems of Xiang Coral Pavilion, which has won Sanduo's love. Sanduo placed her in the West Lake "Keyuan" and often accompanied her to walk in the lakes and mountains. Sanduo also named his and Yu He's study "Shuangfengzhai" and engraved it with "Shuangfengzhai Tibetan Seal", which was embedded in their paintings and calligraphy. "The Portrait of Rong Ruo Guards" has more than three words, namely, Yu Inscription and "Beauty Hairpin Pattern" in small letters. The inscription is: "A portrait of Mr. Gu Liangfen is given back to me. Bing Yinchun, Sanduo wrote jade books. " From this, we may be able to appreciate the scene of lovers enjoying paintings and inkstones under the lamp. But before long, Sanduo suffered a fate similar to that of Rong Ruo. In the 19th year of the Republic of China (1930), Yu died at the age of 28, which was a great blow to Sanduo. According to "Jade Scrap of Qing Ci", "The small string (referring to Shanshan) is folded again, and there are guests on the Sixth Bridge, but no one in the old house, and the Golden Sutra is recited behind closed doors. Look at the lake embankment, and you are totally different. "
In his later years, his collection of Rong Ruo statues and Shuangfeng inkstone tools has been scattered. Rong Ruo was collected by Mr. Zhang Boju and later presented to the Palace Museum. Shuangfeng inkstone once entered the hands of Mr. Zhicheng Deng, and then went to Japan.
It is precisely because Sanduo and Rong Ruo have similar experiences and encounters that his poem "Fen Yun An" is gradually imitating Nalan's style. Some are uninhibited, some are beautiful and elegant, natural and simple, and they write purely about sexual complex. For example, Su Causeway's "Test the Horse" by Dimfragrance: "You can get it with one whip. Willow branches are green, peach blossoms are red and white. Laughing at five clouds, I began to float and sink. The monster is linked to the phoenix, followed by the golden dragon. It seems to be a guide, with a stove, still north of Huaqiao. Stand idle and watch the spring scenery. Slow down the search for grass and fight for it. Windshield side. No one knows each other on the lake. The donkey's back is cold, and there should be fewer laymen than me. If you have fun, you must believe in channels, and there is a century gap. " Beautiful writing, elegant and meaningful, quite inspired by the side hat. Such as "Buji Whip Wind": "The wind can't hide from each other, and sorrow can't hide from each other. How can you hide from the spring breeze? Sitting in front of the wind. Swallows don't fly alone, and butterflies don't fly alone. Why not blow people together and fly them into flowers? " "Zhao Jun's resentment and a small tour": "The spring of the new century is blooming, and the arrogant horse whips and slows down. Around the Red Mansion, people in the curtain are like jade, while outsiders are worried about green. For no reason, the shutter is rolling. " The style of writing is light and profound, and the artistic conception is bleak, which has a charm of "drinking water and thinking about the source". Mr. Zheng, a master of literary circles, once commented: "The word" Square Hat for Thinking of Drinking Water "was written by Nalan between Heishui and Baishan, which is absolutely unique and is recited by people in the Central Plains. Unexpectedly, the Sanliuqiao in the late Qing Dynasty, as a Wei Wei shogunate, actually made a sound of praise, and the article was broadcast, which was enough to shine after Nalan. Although it is not a good story, it is impossible to get it. "
Sanduo's calligraphy study, Yu Yue, has a professional style. The style of calligraphy is vigorous and clumsy, and it has a strong book fragrance. Signature is often named after "Nalan Sanduo". He once told his friend Mao Guangsheng that the Mongols and Nalan belong to the same tribe. So, does he also think that he and Nalan Rong Ruo are the same ancestral home, and Nalan Rong Ruo's ancestor Tumote was originally a Mongolian? When he first lived in Nala's department in Zhangdi, he entered the land because of his surname Nala (namely Nalan). It is for this reason that Sanduo took China's surname "Zhang" as his own. Therefore, Mao Guangsheng inscribed "Jin Lu Qu" on the statue of Rong Ruo collected by Sanduo, saying that "the clouds and orchids are always lingering, and people cry because of the east wind, and the lyrics are also." , clarify the nalan complex in Sanduo's heart.
Because of Sanduo's behavior of recognizing Sect, taking surname and writing ci, it should not be an exaggeration to call it "Nalan Fan" in the late Qing Dynasty.