1, full of pen and ink: pen and ink are used freely and fully. Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
2, flowing, writing like a cloud.
3, a pen, if the field of vision is out of control, the horse will fly and go; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth.
4. Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also includes the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in the brushwork in order to get the real ethereal taste.
5, watch its strength without losing, show its posture without boasting, and the handwriting is flowing.
6. Du Shijie's bone strength and calligraphy and painting are slightly thinner. If there are no leaves in the frost forest, the waterfall will fly.
7. Swimming in the sea, cranes dancing in the sky (Liang Wudi Xiao Yan commented on Wang Xizhi)
8, floating like a cloud, agile as a dragon. Iron book silver hook, the most ancient and modern.
9. Huai Su, like a strong man wielding a sword, looks moving, but he twists and turns.
10, pick up a pen and smear it a few times, and a flying dragon will jump out of the paper. The dragons he painted are lifelike, magnificent and varied. Chen Rong often doesn't draw the whole dragon, or the dragon's head, or the dragon's claws, flickering, as if to smell its sound, as if to see its shape, and splashing ink into clouds, spraying water to melt the fog, which is wonderful, and it is called "Suo Wenglong" (as Chen Rong said).
1 1, his brushwork is magnificent and his posture is changeable. Due to carelessness, his palm is forgotten, which is the most vivid and perfusion feature.