Qian Mingshan's calligraphy enlightenment was influenced by the imperial examination system. As a beginner in Ou Yangxun, he can write neat lowercase letters, and after learning from Yan Zhenqing and Su Dongpo, he is gorgeous and elegant. I also have your Preface to the Lanting Pavilion, which takes its charm and exquisiteness, abandons its appearance and regains Ni's extraordinary bearing. His early calligraphy was based on calligraphy, which was the only way for literati at that time. However, when the Qing government abolished the imperial examination system at the end of Guangxu, calligraphy no longer became a "stepping stone" for the evolution of Jinshi. In addition, Ruan Yuan's advocacy, Bao's "Art Twin Boat", Liu Xizai's "Art Strategy" and Kang Youwei's "Art Twin Boat" at that time promoted the calligraphy concept of "reform and variation" which combined social change with artistic creation. This political change and calligraphy revolution have affected Qian Mingshan, a person who cares about the country and the people. He hated the trend of taking scholars from the Baohe Hall in the Qing court, and thought that learning to be excellent was an official, and losing his personality was worthless, so he devoted himself to the Han monument and the North monument. Especially after he retired, he studied the famous stone carvings of Han, Jin and Northern Wei Dynasties, which was eclectic and innovative, and his book style changed greatly, forming his own family.
Mr. Yu Dafu's way of learning books has a lot in common with Naishi. I didn't like pavilion books when I was a child. I think that learning books should be the source of poverty and competition. You can understand the changing trend of ancient and modern times, know what to choose and gain something, so that you can get rid of everything and achieve great success. Before the age of 20, Zhong Ding's writings specializing in Oracle bones were slightly longer, followed by Qin Zhuan's Late Han Dynasty, Cao Zhang, and famous historical sites in the Southern and Northern Dynasties. He was fascinated by Han and Jin bamboo slips and silks, playing with them every day, participating in new ideas and forming his own style.
20 1 1 died at Miaojue Temple in Qingping Village, Wangfang Town, Liling, Zhuzhou, at the age of 97.