Born in Henan, Mr. Gu has a profound historical and cultural background and is deeply infiltrated by the culture of the Central Plains. He studied calligraphy since he was a child. He is gentle, good at literature and art, and has a persistent pursuit of the art of calligraphy. In the mid-1980s, when he was studying at Nanjing University of Aeronautics and Astronautics, the famous calligrapher Xu Liming taught college calligraphy to students, which enriched his knowledge and understanding of the art of calligraphy. He studied calligraphy under the famous calligrapher Mr. Zhang Hai, and systematically studied calligraphy theory, calligraphy creation and calligraphy aesthetics. Wang Xizhi began to study the famous calligraphy posts of past dynasties with his Preface to the Holy Teaching, which made him enter the palace of calligraphy in China.
Although Mr Jing Li loves calligraphy, it is not his special occupation. His real occupation is education, and his main direction is accounting. He used to be the chief accountant of Zhengzhou Institute of Aviation Industry Management, participated in many national aviation industry management research projects, and won the second prize of China Aerospace Industry Ministry 1990 ministerial scientific management achievements. He is a well-known financial expert in the industry. Mr. Wang used to be the vice president of Zhongyuan Institute of Technology. At the same time, he likes literature and history very much. He often reads various cultural classics and occasionally likes to write poems. His collection of poems, Quan Zhai Shi Draft, is well received with beautiful words, sincere feelings and far-reaching artistic conception. As a learned scholar leader, over the years, he has explored similarities among leaders, scholars and scholars, and different disciplines, and has come and gone calmly in many roles, becoming increasingly artistic.
A closer look at Mr. Jing Li's calligraphy works shows that both form and spirit are appealing to both refined and popular tastes. Whether it is a large masterpiece or a short sketch, it shows the temperament, temperament and accomplishment of calligraphers. As Mr. Ji Xianlin said, "Literati calligraphy not only emphasizes the elegance and integrity of calligraphy, but also requires calligraphy to have profound cultural implications. Scholar calligraphy is both art and culture, and it is also the beautification and culture of Chinese characters. " This generalization can be described as precise and accurate, and the cultural content and historical interest of literati calligraphy can be surpassed by ordinary people. Over the years, Mr. Jing Li has assiduously studied the traditional culture of the motherland and has been exposed to calligraphy inscriptions all over the world. Therefore, his calligraphy is ancient and new, and his pen is full of vigor and charm. In his vivid and poetic works, in the exciting and free and easy rhythm of pen and ink, he revealed his clear and distinct mentality and self-observation.
Pursuing Mr. Jing Li's ink, you will obviously feel a kind of elegance and pleasure, giving people a kind of truth and touch from Fu Ling, a kind of heroic and free and easy between elegance and agility and beauty.